From yawen@enter.net Fri Jun 14 21:26:36 PDT 1996 Article: 43270 of alt.revisionism Path: nizkor.almanac.bc.ca!news.island.net!news.bctel.net!newsfeed.direct.ca!news.emf.net!newsfeed.internetmci.com!in2.uu.net!newsfeed.pitt.edu!dsinc!news.enter.net!usenet From: yawen@enter.net (Yale F. Edeiken) Newsgroups: alt.revisionism Subject: Moran Lies About the Dead Sea Scrolls -=- Part II Date: 14 Jun 1996 03:05:30 GMT Organization: ENTER.NET Lines: 75 Message-ID: <4pqktq$kq4@news.enter.net> NNTP-Posting-Host: ppp130.enter.net X-Newsreader: SPRY News 3.03 (SPRY, Inc.) In his post about the Dead Sea Scrolls gives an account of how the Dead Sea Scrolls came to be published by the Huntington Library. He claims that this account -- which was described by the Director of the Huntington Library as "twisted and embellished" -- supposedly came from the Dr. William Moffett, then director of the library. L'il Tommy told us: "The way the Huntington Library came into possession of the scroll copies was, a woman, Mrs. Lan . . . [sic] had copies and hired the library photographer to photograph them. A dispute arose about payment and the photographer turned copies of the copies over to Mr. Moffet [sic], and he released them." Athough Dr. Moffett passed away in 1995 he is not silent. Because of the controversy and attention surrounding the publication of the Scrolls he wrote a brief statement of what happened. This is Dr. Moffett's account: --------------------- In September 1990, William A. Moffett became the new director of the Huntington Library. In becoming familiar with the library's collections, the Dead Sea Scroll photography was brought o his attention. The Huntington's Dead Sea Scrolls photo collection cosists of some three thousand master negatives of photographs taken of original fragments as well as duplicates made of the photographic archives at the Rockefeller Museum and the Shrine of the Book in Jerusalem. The collection is believed to cover all of the Dead Sea Scrolls in official respositories, both unpublished and published materials. The photographs were made according to the highest archival and technical standards in a series of trips to Israel beginning in 1980 by Robert Schlosser, an expert in documentary photography. He was contracted to do the work as a freelancer. By coincidence, he was and continues to be an employee of teh Huntington Library. Mr. Sclosser was hired by Elizabeth Hay Bechtel, president of the Ancient Biblical Manuscript Center in Claremont. As a philantropist and an enthusiast for the preservation of early culutral artifacts, Mrs. Bechtel was anxious to insure that the information contained in the Scrolls would not be jeopardized by war or natural catastrophe. She not only persuaded Israeli officials to permit the Scrolls material to be photographed, she financed the photography and oversaw the entire operation. She then arranged for one set of negatives to be depositied at Claremont's Ancient Bibilical Manuscript Center and a master set to be depositied in secure storage elsewhere. Then Mrs. Bechtel had a falling out with the Center. To carry forward her interest she formed the Preservation Council. In 1982 she negotiated an arrangement by which the master set of negatives was officially entrusted by the Preservation Council to the Huntington and housed in a specially constructed vault. The Huntington's expectation was that it would provide a secure and stable environment for the preservation of the photographs and not serve as a primary center for their study. A duplicate set of negatives had been made for the Biblical Manuscript Center in nearby Claremont, so it was assumed that Biblical scholars would be able to satisfy their research needs there -- especially as the Huntington did and still does not have the specialized reference materials that Biblical scholars need. ----------------------- The words of Dr. Moffett contradict those of L'il Tommy in every important detail from the name of the woman involved (a rather important detail once her name is revealed) and the fact that the Huntington did not haved copies of copies but copies of the original documents made with the permission of and under an agreement with the Israeli government. While this might seem like a trivial mistake, it is, in reality, crucial for the understanding of the controversy and L'il Tommy's further lies. We now know that L'il tommy's account is dramatically different from the account given my the man he claims is his source. So the question arises: L'il Tommy, where did you get you information? --YFE
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