Article 19685 of alt.revisionism:
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From: hoffman2nd@delphi.com
Newsgroups: alt.revisionism
Subject: Re: Put up or shut up, Mr. Hoffman (v 1.02, Round 3)
Date: Sat, 3 DEC 94 20:14:05 -0500
Organization: Delphi (info@delphi.com email, 800-695-4005 voice)
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X-To: Ken Mcvay 

For a response to Mr. McVay's oeuvre, please see the thread, "An
Evaluation of the Irving-Lipstadt and McVay/Canada Debates by Michael
A. Hoffman II."

Article 20061 of alt.revisionism:
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From: hoffman2nd@delphi.com
Newsgroups: alt.revisionism
Subject: Israeli-Run Jail Likened to Nazi Camps
Date: Fri, 16 DEC 94 05:40:25 -0500
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Israeli-run Khiam jail likened to Nazi camps
 
    By Haitham Haddadin
 
    BEIRUT, Dec 13 (Reuter) - A prison run under Israeli supervision in south
Lebanon is similar to Nazi death camps, the head of France's Human Rights
Commission said on Tuesday.     ``Khiam detention centre is a death camp similar
to the Nazi camps during World War Two,'' Monique Picard Weyl told reporters in
Beirut.
``Many (captives) are blind, lose limbs, ears and eyes and are sick,''
Weyl said, citing reports by a committee of former prisoners. About 250 Lebanese
and Palestinian prisoners are held in Khiam by the  Israeli-backed South Lebanon
Army (SLA) militia but ultimate control is with
Israel, which has 1,000 troops in south Lebanon.
Weyl said the jail was closed to outside inspection and she had been
refused entry by the SLA and the Israelis. This, and reports of conditions
inside from former inmates and their families were her reason for comparing
it to Nazi camps, she said. ``If it (Khiam) is not a concentration camp they
have to open it to the Red Cross and to visits by lawyers,'' Weyl told Reuters.
``If it was a good and normal prison it would be possible to go in. In
Nazi times no one could go into Nazi jails. You can visit a jail when the
conditions are normal.''     ``Even in Israel many people think it is not normal
that Khiam is not opened (to visits). I met people in Israel who were with me,''
she added.
MAIL>
 
 
--Michael A. Hoffman II      hoffman2nd@delphi.com
 
Author of four books:
 
The Great Holocaust Trial (1985, Institute for Historical Review)
 
A Candidate for the Order (1988, New Traditionalist Press)
 
Secret Societies and Psychological Warfare (1992, Wiswell Ruffin House)
 
They Were White and They Were Slaves:The Untold History of the Enslavement of
Whites in Early America (1993, Wiswell Ruffin House)
 
Books forthcoming in 1995 by Michael A. Hoffman II:
 
The Ku Klux Khazars: Racism and Propaganda in Ancient and Contemporary Judaism
 
The Great Holocaust Trial (revised and expanded 3rd paperback edition)
 
They Were White and They Slaves; The Untold History of the Enslavement of Whites
in Early America and Industrial Britain (revised, substantially expanded and to
be issued in hardcover).
 
Wiswell Ruffin House. POBox 236, Dresden, New York 14441. International
publishers and distributors of revisionist  books and videotapes. Send U.S.
$3.00 for catalog.
 
HEY KIDS! Coming soon: revisionist computer games and comic books! Get on our
mailing list for the details. Send $3.00 for our catalog and we will send you
the catalog PLUS some great day-glo Holohoax joke stickers guaranteed to turn
your school upside down! Write us today. --Wiswell  Ruffin
********************************************************************************
*****
 
Says Rabbi Abraham Cooper, associate dean of the (Simon) Wiesenthal Center:  >It
may be time for the FCC to place a cop on the information superhighway.<<
  --Home Office Computing, November, 1994, p. 18.
 
>>You can judge for yourself who's using the fascist methods.<< --David Irving.
********************************************************************************
*****
 
Article 20121 of alt.revisionism:
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From: hoffman2nd@delphi.com
Newsgroups: alt.revisionism
Subject: New Issue of Revisionist Researcher Magazine Now Available
Date: Tue, 13 DEC 94 05:47:35 -0500
Organization: Delphi (info@delphi.com email, 800-695-4005 voice)
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New issue of Revisionist Researcher Magazine Now Available.
 
The latest issue 12 page issue of REVISIONIST RESEARCHER MAGAZINE, edited by
Michael A. Hoffman II is now available for sale.
 
Contents include:
What About the Holocaust at Dresden and Hiroshima? We take on the proposed
U.S. postage stamp celebrating the atomic bombing of Japan as well as the
American Legion and other veterans groups who have demanded that the Smithsonian
tone down its exhibit on the incineration of the Japanese. A very relevant
editorial timed to coincide with the 50th Anniversary of the Allied Holocaust at
Dresden (Feb. 14,1995).
 
The Kosher Drug Money Laundry.This is an extensive, inside investigative
report by Ben Kaspit, written in Hebrew and translated into English for the
benefit of our readers, on the astonishing extent of the involvement of Jewish
rabbis and synagogues in the Colombian drug cartels operations in the U.S.
 
The Republican Racket.Michael A. Hoffman II confronts the spotted snakes with
double-tongue now leading the American people down the primrose path of the
military-cop complex to a police state. And he offers a genuine  political
solution.
 
Are There No Orphanages? We give the authentic history of the
orphanage/workhouse system within the context of the current Gingrich
controversy.
 
Book Review. The Making Manifest of All that the Rabbis Have Hidden: Israel
Shahaks Jewish History, Jewish Religion. This fantastic book is reviewed and
offered for sale at special discount (to subscribers only). All the other groups
and publications will join the bandwagon on this mandatory masterpiece of a book
after they learn about it from us. Revisionist Researcher  subscribers get the
cutting edge info first.
 
Biography:Charles Bukowski: Poet, Novelist, Working Man and World War Two Draft
Dodger.
Letters:From James J. Martin, PhD., dean of American Revisionism.
Update:Germans Paid to Have Germans.
 
Vol. 4. No. 10 Revisionist Researcher Magazine. 12 pages. Ready for immediate
shipping. Checks payable to  Wiswell Ruffin House.
 
 
                               Six issue subscription: $30
Twelve issue sub:$50
 
Vol. 4 No. 10 issue ONLY:. $6 U.S. and foreign surface mail.
                                                $7 air mail. U.S. Funds.
 
            Wiswell Ruffin House- POBox 236, Dresden, New York 14441

Article 20261 of alt.revisionism:
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From: hoffman2nd@delphi.com
Newsgroups: alt.revisionism
Subject: Holocaust Revisionist Sentenced to 18 Months Imprisonment
Date: Fri, 16 DEC 94 05:56:35 -0500
Organization: Delphi (info@delphi.com email, 800-695-4005 voice)
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----------Dec. 15 REUTERS
Neo-Nazi Althans Sentenced To 18 Months Imprisonment
Munich (dpa) - The Neo-Nazi Bela Ewald Althans was sentenced to 18 months
in prison without probation for denying the holocaust.  The Munich district
court found the 28 year-old guilty of incitement, disparagement of the memory
of the deceased and the spreading of markings of unconstitutional
organisations.  The prosecuting attorneys had called for a two and a half
year sentence.
 
Article 20678 of alt.revisionism:
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From: hoffman2nd@delphi.com
Newsgroups: alt.revisionism
Subject: Hollywood Hate Propaganda Documented
Date: Fri, 30 DEC 94 20:26:20 -0500
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  ********************************************************************
             HATE PROPAGANDA IN A HUMAN RIGHTS MASK
                                       December, 1994 Edition
                               Compiled by Michael A. Hoffman II
   Copyright 1994 by Michael A. Hoffman II. All Rights Reserved.
***********************************************************************
 
The New Cinematic Genre: HATE THE GENTILES. WORSHIP THE PHARISEES
 
A documented compendium of hundreds of mendacious movies and TV programs,
promulgated under the guise of advancing >human rights< while negatively
stereotyping, defaming and libeling Germans, Christians, Muslims and Gentiles
and advocating the servile idolization and adoration of Jews.
 
The Frozen Dead. A monstrously evil German scientist conducts experiments to
resuscitate 1500 Nazis who were frozen alive.
 
The Lucifer Complex. Suspense chiller about a plot by evil German scientists to
conquer the world by replacing leaders with cloned lookalikes.
 
Revenge of the Zombies. John Carradine stars as an evil German scientist who
creates an army of supernatural zombies in a bid to conquer the world.
 
They Saved Hitler's Brain. Evil German scientists keep the monstrous dictator's
decapitated head alive.
 
Cloak and Dagger. Wicked German scientists must be stopped by an American.
 
Death Ship. A haunted ghost ship prowling the north Atlantic is staffed by
German monsters who perpetrate a supernatural reign of terror.
 
Shock Waves. An old Nazis sunken battalion rises from the sea as a death corps
of begoggled zombies. -Seattle Times.
 
The Riddle of the Sands. A 1901 plot by monstrously evil Germans to destroy
England must be thwarted.
 
Zeppelin. Evil German swine plot to destroy the Magna Carta.
 
To Catch a King. Evil Germans plot to kidnap Englands Duke of Windsor.
 
The Eagle Has Landed. Evil Germans plot to kidnap Englands Prime Minister.
 
Charge of the Model T's. Evil Germans start a Mexican war against America.
 
Victory. Members of an evil German soccer team cheat in order to win a
championship.
 
The Old Gun. Evil Germans rape nuns and roast a lady with a flamethrower.
 
The Night Porter. Joseph E. Levine's film about psychotic Germans engaged in an
orgy of death.
 
The Night of the Generals. Peter O'Toole as a psychotic German.
 
The Devil Makes Three. An evil German plot to take over the world in the
post-war period is uncovered.
 
The Master Race. An evil German plot to take over the world after World War Two,
is uncovered.
 
The Boys from Brazil. Ira Levin's bestseller about an evil German plot to create
a Fourth Reich.
 
Of Pure Blood. A Hollywood casting director uncovers an evil German conspiracy
to create "the  Master Race" after WWII.
 
The Seventh Cross. Evil Germans hunt down defenseless civilians.
 
None Shall Escape. A sadistic German creates a reign of terror.
 
Blood and Honor. Contrasts a fanatic family of evil Germans raising their
children as stormtroops, with a saintly Jewish  family whose attempts to live in
peace are constantly obstructed.
 
The Simon Wiesenthal Story. A saintly Jewish man's struggle against hideously
evil Germans.
 
The Execution. A fiendishly evil German-American swine is killed by heroic
vigilantes who are Survivors of the Holocaust.
 
Marathon Man. A graduate student is thrust into a violent encounter with a
blood-thirsty German fiend in New York.
 
Mystery! "Shroud for a Nightingale." A nurse might be an evil German war
criminal.
 
Rogues' Regiment. An intelligence officer chases an evil German war criminal in
the Foreign Legion.
 
Hart to Hart. The son of an evil German war criminal seeks revenge on his
father's captor--Jennifer's father.
 
Descending Angel. A man fears that his future father-in-law is an evil German
war criminal.
Quincy.  Verification of a mummy puts Quincy onto the hunt for evil German war
criminals.
 
Quincy. A heroic Holocaust Survivor joins Quincy in a desperate attempt to stop
an evil German war criminal from murdering people in America.
 
Kojak: The Belarus File. Kojak uncovers an international network of evil German
and Baltic war criminals in America.
 
Hotel Terminus: The Life and Times of Klaus Barbie. The unspeakable evil of a
monstrous German are exposed.
 
Klaus Barbie. Recounts the fiendish doings of an evil German.
 
Search for Mengele. HBO documentary on the German monster Josef Mengele. (Also
broadcast on the Discovery Channel).
 
Twilight Zone. "Death's Head Revisited." A strutting German monster is attacked
by avenging Jewish ghosts.
 
Twilight Zone. "He's Alive." Dennis Hopper stars as a sniveling German-American
hoodlum who is given lessons in leadership by the ghost of Adolf Hitler and soon
starts murdering people.
 
Shock Waves. Evil Germans rise from the dead to form a killer corps of
supernatural zombies. Peter Cushing.
 
Straight Talk. Evil Germans in America are exposed.
 
Berlin Express. Evil Germans kidnap statesmen.
 
The Thirty-Nine Steps. (1978). Evil Germans conspire to start World War One.
 
A Man Called Sarge. Blond-haired German goons punch little girls in the face and
machine-gun their school.
 
Enemies, A Love Story. A noble Polish Jew is haunted by memories of the
unspeakable evil of the Germans.
 
Angel of Death. The life of the German fiend Josef Mengele is dramatized.
 
Genocide. Documentary on the evil of the Germans.
 
Holocaust. Graphic, 9 hour, Emmy-award winning mini-series on the unspeakable
evil of the Germans as seen through the eyes of a noble Jewish family.
 
Ghosts on the Loose. The East Side kids discover a mystery house is really a
headquarters for evil Germans.
 
Black Dragoons. Bela Lugosi stars as a monstrous German scientist commissioned
by the Nazi High Command to technologically transform six Japanese people into
White Americans.
 
The  Lunatic. Inga, a  sex-crazy German bimbo, travels to the Caribbean to
demand coitus-on-command from an innocent and pure Black man (Paul Campbell).
 
lan and Naomi. Moving  profile  of two  Jewish  youths,  one a  victim  of  evil
Germans,  the  other  a  member  of the warm,
compassionate, magnanimous Brooklyn Jewish community.
 
Judgment at Nuremberg. Oscar winning film about the trial of evil German war
criminals.
 
Trial at Nuremberg. Evil Germans are put on trial for war crimes. Also shows the
greed and stupidity of the German people.
 
The Stranger. A Nazi war criminal settles in New England disguised as a college
professor.
 
The Odessa File. A blood-thirsty German war criminal and the powerful network
that protects him create havoc.
 
River of Death. Braving river-pirates, hostile-tribes and head-hunting
cannibals, an expedition goes in search of a vicious German war criminal in
South America.
 
Jewel of the Gods. Two men and a woman seeking treasure in Africa are tormented
by evil Germans.
 
Casablanca. In Morocco, a cafe owner is tormented by evil Germans.
Matter of Conscience. A heroic Holocaust Survivor unmasks a man in town who is
really a fiendish Nazi war criminal.
 
Nazi Hunter: The Beate Klarsfeld Story. Farrah Fawcett stars as the noble lady
detective who, with the help of her saintly Jewish husband, hunts demonic German
war criminals.
 
Music Box. The daughter of a vicious Nazi war criminal must face the facts about
her father's unspeakable crimes against the Jews.
 
Night Gallery. The Escape Route. A German swine meets a fitting end.
 
Playing for Time. Emmy-award-winning movie recounts the heroic efforts of a
Jewish woman to survive the death camp at Auschwitz as a member of the camp
orchestra.
 
Triumph of the Spirit. Recounts the heroic efforts of a Jewish man to survive
the death camp at Auschwitz as a member of the camp boxing team.
 
The Boxer and Death. Struggle for life in a Nazi concentration camp as a Jewish
boxer must outwit Nazis.
 
Under the World. Polish Jews must hide for years in a tunnel to avoid the
Holocaust.
 
Light in the Dark. Ukrainian Jews must hide for years in a sewer to avoid the
Holocaust.
 
Decline of the Century:Testimony of L.Z. Lordan Zafarnovics stirring
documentary about the vicious persection of pious Jews by evil Croatians.
 
Wonder Woman.  Nefarious Nazis capture a benevolent outer space alien
 
Shoah. Claude Lanzmann's highly acclaimed marathon documentary is a cinematic
testament to the unspeakable evil of the Germans.
 
ABC 20/20. Jews who were hidden as children from evil Germans during WW-2 are
featured.
 
Untouchables. Malone seeks the capture of a monstrous German (Mark Chapman), a
Nazi who is murdering people in Depression-era Chicago.
 
March of the Living. Noble Jewish youths tour concentration camps to discover
the depth of German evil.
 
Commandos Strike at Dawn. Vicious, foul Germans are opposed by heroic Allied
irregulars.
 
Ilsa-She Wolf of the SS. A sadistic, monstrously evil German woman becomes head
torturer at a concentration camp.
 
One Against the Wind. Risking prison and torture, a woman battles evil Germans.
A Hallmark Hall of Fame Presentation.
 
Remember St. Luc. An evil German officer must be stopped.
 
Inside the Third Reich. The unspeakable crimes of the Germans are exposed.
 
Images of the World and the Inscription of War. Harun Farockis documentary
exposition of the persecution of the Jews by evil Germans.
 
Mein Kampf. Swedish film documents the unspeakable war crimes of German fiends.
 
General Della Rovere. Rossellini's film about an Italian informer who quits
working for the evil Germans after learning morality from a group of saintly
Italian Jews.
 
Reunion in France. Vicious Germans run amok in Paris.
 
The Rose Garden. A hideously evil German is brought to justice for his
unspeakable crimes.
 
Raiders of the Lost Ark. Stephen Spielberg's film about evil Germans pitted
against a brave archaeologist.
 
War and Remembrance. Epoch, 30 hour docudrama graphically depicts the
unspeakable horror and atrocities inflicted by the evil Germans.
 
World War II: A Personal Journey. The evil perpetrated by the Germans in World
War Two is described by Gen. Wm. Westmoreland, former commander of U.S. forces
in Vietnam.
 
Days of Glory. Gregory Peck as a heroic communist fighting the dirty Germans.
 
Counter-Attack. Paul Muni as a brave communist battling the evil Germans.
 
The North Star. Jewish Stalinist Lillian Hellmans story of evil Germans making
war against noble communists in Russia.
 
Watch on the Rhine. Lillian Hellman's story of evil Germans in the U.S.
attempting to destroy America.
 
Julia. Lillian Hellman's memoir of her heroic legacy of opposition to the evils
of the Germans.
 
Partisans of Vilna. Recounts the exploits of heroic communist Jews in Lithuania
who battled evil Germans in and around the ghetto of Vilna.
 
A Vision in the Darkness. Sophie Bissonnettes moving documentary of the life of
Lea Roback, a gallant Jewish communist who struggled valiantly against
anti-semitic hatemongers and evil Catholics. Produced by the National Film Board
of Canada.
 
The Liberation. Thrilling Soviet account of the noble Red Armys liberation  of
Auschwitz from the evil Germans.
 
The World at War. Distinguished, multi-part series on the evil of Germany. Based
on Soviet Red Army and Allied testimony.
 
Korczak. Deeply moving story of Jews murdered by evil Germans.
 
The Cross of Lorraine. German cruelty in WW II is showcased.
 
Sergeant York. Despicable German Heineys use the white flag of surrender to
launch cowardly sneak attacks on Allied soldiers.
 
Arch of Triumph. Evil Germans torture a man.
 
Max and Helen. Two Holocaust Survivors discover romance as they help the great
 
Simon Wiesenthal battle the unspeakable evil of a sadistic German war criminal.
Based on a story by Simon Wiesenthal.
 
Prime Time Live. Story of an evil German doctor who gave LSD to a soldier.
 
Underground. Robert Goulet battles inhuman German fiends.
 
Deported Women of the SS Special Section. Monstrous German soldiers perpetrate
every evil imaginable.
 
Rogue Male. Evil Germans torment a noble humanitarian.
 
A Friendship in Vienna. Sensitive portrait of a Jewish girl persecuted by evil
Germans.
 
The Lucky Star. A heroic Jewish teenager captures a vicious German colonel in
Holland.
 
House on Garibaldi Street. A monstrous German guilty of unspeakable crimes is
hunted by gallant Israeli secret service agents.
 
Foreign Correspondent. An intrepid New York reporter uncovers a monstrously evil
German spy ring fronted by a peace group.
 
Lightning Force. A wicked German guilty of unspeakable war crimes must be
brought to trial.
 
A Bridge Too Far. Director Joseph E. Levine's drama of the Allied struggle
against evil Germans.
 
Airwolf. Hawke agrees to help a woman capture a villainous German whose evil
knows no bounds.
 
Conspiracy of Hearts. Jews are persecuted by evil Germans.
 
Pied Piper. Peter O'Toole as a man who rescues Jews from the evil Germans.
Wonderworks. "Miracle at Moreaux." Jewish kids are pursued by German fiends.
 
The Assisi Underground. Jews are shielded from evil Germans.
 
Wallenberg: A Hero's Story. 2 part miniseries docudrama on the diplomat who
rescued Jews from evil Germans.
 
Good Evening, Mr. Wallenberg. Nobel Hungarian Jews are slaughtered by evil
Germans.
 
Au Revoir, Infants. Louis Malle's tale of evil Germans on a rampage.
 
Shout at the Devil. A wicked German must be stopped.
 
King Solomon's Mines. Greedy Germans conspire for  treasure in Africa.
 
Indiana Jones and the Last Crusade. Steven Spielberg sequel in which evil
Germans race Indy for the Holy Grail.
 
Sophie's Choice. The evil Germans devastating effect on a saintly Survivor of
the Holocaust is chronicled.
 
Massacre in Rome. Evil Germans run amok.
 
The Wall. Graphic account of the unspeakable evil of the Germans.
 
Night Train to Munich. Wicked Germans persecute prisoners.
 
The Last Blitzkrieg. Two hiedeously evil Germans launch a reign of terror
against the noble Allies.
 
Faulkenau, the Impossible: Samuel Fuller Bears Witness. Documentary on the
horrors perpetrated by evil Germans.
 
Monte Carlo. Spectacular sets form the backdrop in this drama about the
monstrously sadistic horrors perpetrated by fiendishly evil Germans. Joan
Collins.
 
America and the Holocaust: Deceit and Indifference. 90 minute PBS special
documents the despicable anti-semitsm of the U.S. government and its hideous
persecution of Jewish martyrs during World War II.
 
Bedknobs and Broomsticks. Children's tale about a good witch who helps stop evil
Germans.
 
Battle of the Commandos. Evil Germans must be destroyed.
 
Ministry of Fear.  Evil Germans hound an innocent man.
 
Nazi Agent. A vicious German reaps his just desserts.
 
Golden Earrings. A soldier must pose as a gypsy to elude malevolent Germans.
 
Combat! Saunders spearheads a dangerous rescue mission when Hanley is shot and
imprisoned by  evil Germans.
 
The Shop on Main Street. Profoundly moving, beautiful tale of a gallant Jewish
shopkeeper whose virtue is under attack by the evil Germans.
 
CNN World Report. In the May 10, 92 program, the on-going trial of an evil
German accused of alleged war crimes is reported. The fiend is guilty, viewers
are told, and his defenders are liars and dupes.
 
Creature with the Atom Brain. A policeman faces a gangsters army of atomic
zombies, created by a Nazi.
 
Zentropa. Fiendish Germans plot against noble Allies after the war.
 
To Be or Not to Be.  Sadistic Germans are outwitted by a kindly Jewish comedian.
 
G.I. Diary. Recalling the horrors evil Germans perpetrated.
 
Reunion. A former concentration camp inmate and an Allied war hero discuss the
horrors of the Germans at the Mauthausen death camp.
 
Strange Holiday. A prediction of what might happen if the Germans take over the
world. Script by horror writer Arch Oboler.
 
Journey into Fear. Sadistic agents of the Germans terrorize an American.
 
The Nightmare Years. Four part docudrama. German madness spreads like a cancer
as William and Tess cling desperately to their love while trying to expose the
evils of the Germans.
 
Kristallnacht: The Journey from 1938 to 1988. Evil Germans unleash wholesale
persecution of noble Jews. A film the whole family should watch with a message
the whole world should remember.
 
Terezin Diary. Recalling the horrors of the malevolent Germans.
 
To Serve Them All of My Days. In part 12, Bamfylde learns of the horrible ordeal
of a gallant Jewish youth who had been persecuted by evil Germans.
 
The Quiller Memorandum. A murderous German organization arises in Europe after
the war.
 
Soap. The major (Arthur Peterson) mistakes a neighbor for a German spy.
 
Primo Levi: The Memory of the Offense. The saintly life of a great Jewish
Holocaust
Survivor is recalled.
 
My Favorite Blonde. Evil German spies chase an entertainer.
 
The House on 92nd Street. The FBI uncovers a dangerous German spy ring in
America.
 
Confessions of a Nazi Spy. A  hideously evil German spy network plots the
downfall of  America.
 
House on Carroll Street. A victim of McCarthyism discovers a Neo-Nazi plot to
take over America.
 
Man Hunt. Malevolent Germans pursue a man across Europe.
 
The Foreman Went to France. Exciting true story about evil Germans pursuing a
man across France.
 
Operation Daybreak. An evil German leader is assassinated by heroic patriots.
Asassination. A wicked German leader is executed by noble commandos.
 
The Restless Conscience. Documentary advocating assassination of evil Germans is
a gripping evocation of the duties of humanitarians.
 
Witnesses to the Holocaust: The Trial of Adolf Eichmann. Documentary on the evil
German monster and the noble Jews who hunted him.
 
The Juggler. Kirk Douglas stars as a scarred victim of German persecution
seeking refuge in postwar Israel.
 
The Wannsee Conference. Depicts the monstrous character of the German
leadership.
 
Gestapos Last Orgy. Features all the heinous and  vile acts of torture, sexual
abuse, cannibalism, gas chambers, acid baths, vicious deaths and all the sick
things that went on at the German prison camp of Commandant Konrad Von Starker.
 
More Than Broken Glass: Memories of Kristallnacht. Interviews with Holocaust
 
Survivors and Jewish historians concerning the evil Germans did in 1938.
Son of Lassie. The courageous collie joins the fight against evil, putting the
bite on the Germans.
 
For the Living. Chronicling the creation of Americas only state-sponsored
religious shrine, the venerable U.S Holocaust Museum in Washington D.C.
.moving and informative... (NY Times).
 
Holocaust: In Memory of Millions. The cosmic evil of the Germans is recalled by
noble Jewish Survivors and Nobel laureate Elie Wiesel.
 
Diamonds of the Night. In Jan Nemecs 1964 classic, two Jewish boys jump off a
train bound for Auschwitz amd scramble for their lives... (NY Times).
 
Unknown War. Wicked Germans devastate the countryside and cities.
 
Passage to Marseille. Five escaped convicts join the battle against evil
Germans.
 
Puppet Master 3. Pin-Head, Leech Woman and Six-Shooter join the battle against
evil Germans.
 
The Bunker. The madness of Germans is revealed.
 
Faulkenau, the Impossible: Samuel Fuller Bears Witness. Documentary on the
horrors perpetrated by the Germans.
 
Breaking Point. Sadistic Germans torture a man.
 
A Day in October. Sadistic Germans hunt a man who finds refuge with a noble
Jewish family.
 
Travels in Europe. Rick Reeves ponders the evil of the Germans .
 
The Heroes of Telemark. Heroic fighters battle nefarious Germans.
 
The Heroes. A group of allies must foil vicious Germans.
 
Valley of Hunted Men. The Three "Mesquiteers" chase an evil German war criminal
in the Old West.
 
Berlin Tunnel. Gripping story of the struggle against German evil.
 
The Mortal Storm. Dramatization of Phyllis Bottome's novel showing the evils of
the Germans.
 
Geraldo.  The children of hideously evil German leaders are discussed.
 
Weapons of the Spirit. Two hour documentary on the persecution of noble French
Jews by German fiends.
 
The First Convoy. Two hour British TV special on the sorrowful plight of the
noble
French Jews who were shipped to Auschwitz by Christian scum and German swine.
 
Frances Forgotton Shame. Discovery Channel documentary on the awful fate of
thousands of Jews, mercilessly persecuted by subhuman Frenchmen at Drancy.
 
Night and Fog. The wickedness of the Germans is revealed.
 
Holocaust: Survivors Gather in Philadelphia. Televised highlights of a three-day
conference of saintly Jews who recount the unspeakable horrors inflicted on them
by the evil Germans.
 
Love Camp 7. Captive Jewish women are tortured and forced to become sexual
playthings for Nazi officers who compel the Jewish ladies to engage in
lesbianism and orgies. Every scene in this 1968 movie is based on historical
facts. Starring Dave Friedman.
 
65316: Survivor. Auschwitz Survivor Michael Vogel gives a harrowing account of
the evils of the Germans.
 
The Desert Rats. Evil Germans are crushed at Tobruk.
 
Oprah Winfrey. The Real Schindlers. Pro-Jewish Germans relate the wickedness
of their kinfolk and the saintliness of the Chosen People.
 
Lifeboat. A sadistic German torments his captives.
 
Notorious. A vicious Nazi sadistically manipulates his wife in his greed for
power.
 
Edge of Darkness. Savage German murderers run amok in Scandinavia.
 
Murphys War. Savage German murderers run amok in South America.
 
Between the Wars. Documentary contrasts the fiendish policies of the satanic
German monster Adolf Hitler with those of the great American hero and statesman
Franklin Roosevelt.
 
Unsolved Mysteries. The Diabolical Mind compares the cosmic evil of German
monster Adolf Hitler with the horrendous crimes of Arab fiend Saddam Hussein.
 
 
I Deal in Danger. Evil Germans are outwitted by a resourceful Allied agent.
 
Unsolved Mysteries. Account of how the saintly  family of a murdered Jewish
community leader are persecuted by those around them.
 
Witness: The Hidden Children. British account of the saintly Jewish hero Andre
Stein who was gang-raped by Hungarian Nazis and thrown onto a pile of corpses.
 
I Escaped from the Gestapo. Evil Germans are foiled.
 
Geraldo. The monstrous actions of German Dr. Joseph Mengele are examined by
 
Geraldo Rivera and a panel of Holocaust Survivors.
 
Now It Can Be Told. Host Geraldo Rivera explores the crimes of the hideously
evil German Dr. Joseph Mengele.
 
One of Our Aircraft is Missing. Allied forces elude fiendishly evil Germans in
Holland.
 
Shining Through. Fiendishly evil Germans persecute a woman.
 
This Land is Mine. Wicked Germans terrorize a town.
 
Crimewatch Tonight. Ike Pappas reports on the case of vicious Nazi doctor Vilis
Kruze who practiced in the U.S. and caused brain damage.
 
Hanna's War. The real life story of a heroic Jewish woman who fought the cosmic
evil of the wicked Germans.
 
Operation Eichmann. Story of the valiant Jewish agents who captured a  German
fiend in South America.Medgar Evers
 
Our Century. Children of the Third Reich. The children of German monsters meet
the children of holy Holocaust Survivors and beg their forgiveness.
 
Hitler, the Last Ten Days. Portrait of the German monster.
 
Fuehrer: Rise of a Madman. Dramatization of the cosmic evil of German monster
Adolf Hitler.
 
Fuhrer: Seduction of a Nation. British documentary on the world's most evil man:
German monster Adolf Hitler.
 
The Hitler Gang. Fiendish Germans instigate an orgy of evil.
 
Hitler--Dead or Alive. American agents stalk the monstrous German dictator.
 
Hitlers Madman. Monstrous Germans attack a village.
 
Hitler's Children. Helpless children are tormented by evil Germans.
 
Hitler's Daughter. The Satanic daughter of the German monster organizes a wicked
conspiracy to subvert America and take over the world.
 
Hitlers Gold. A fiendish German  knows the whereabouts of a treasure which
American agents must unearth.
 
Heil Hitler! Confessions of a Hitler Youth. Evil German juveniles are discussed
by a man who was one.
 
Der Fuehrers Face. Childrens cartoon exposes the German monster for the cretin
he was. Winner of the Oscar for Best Animation.
 
Paris After Dark. Monstrously cruel Germans terrorize France.
 
Is Paris Burning? Hideously evil Germans terrorize Europe.
 
Mississippi. Ben (Ralph Waite) is appointed to defend a heroic Survivor of the
 
Holocaust accused of killing a fiendishly evil German he'd been hunting for 40
years.
 
Genghis Cohn. A Jewish comedian killed in Dachau returns from the dead to haunt
his evil German executioner.
 
Wanted Dead or Alive.  A bounty hunter pursues a vicious Arab terrorist.
 
The Delta Force. Super-hero Chuck Norris takes on  vicious Arab terrorists.
 
Sword of Gideon. Heroic Israeli intelligence agents hunt vicious Arab
terrorists.
 
Black Sunday. Vicious Arab terrorists threaten the Super Bowl.
 
Ministry of Vengeance. Vicious Arab terrorists institute a reign of terror.
 
Iron Eagle. Vicious Arab terrorists beat an American to death.
 
Iron Eagle II. Vicious Arab terrorists plot to take over the world.
 
The Death of Klinghoffer. An operatic masterpiece about the murder of a kindly
Jewish cripple by vicious Arab terrorists.
 
Victory at Entebbe. Dramatizes the heroic Israeli army raid on vicious Arab
terrorists.
 
Raid on Entebbe. Portrait of the heroic Jewish army commandos who smashed
vicious Arab terrorists.
 
Death Before Dishonor. Vicious Arab terrorists, advised by a German fashion
model, are opposed by the U.S. Marines and Israeli intelligence.
 
Navy SEALS. Heroic sailors wipe out a nest of vicious Arab terrorists.
 
The Finest Hour. Noble U.S. Navy commandos unite with heroic Jews to fight
vicious Arab war criminals.
 
Rosebud. Vicious Arab terrorists assault young women aboard a yacht.
 
Steal the Sky. Wise, restrained, noble Jews in the Israeli government outwit
vicious Arab terrorists.
 
Pillar of Fire. (Made for Israeli TV). Jason Robards narrates this 19 hour
series on the founding of the heroic nation of Israel by noble Zionists.
 
21 Hours. Vicious Arab terrorists go on a rampage.
 
Triumph and Tragedy. Vicious Arab terrorists run amok.
 
True Lies. Super-hero Arnold Schwarzenegger battles hideously evil Arab scum.
 
Cast a Giant Shadow. Story of a heroic Jewish soldier who assisted in the
founding of the nation of Israel in the midst of attacks by vicious Arab
terrorists.
 
Exodus. An all-star cast spotlights the struggles and heroism of noble Jewish
pioneers as they establish the nation of Israel in the wake of attacks by
vicious Arab terrorists.
 
A Woman Called Golda. Reverent film biography of the heroic Israeli leader,
Golda Meir, who fought vicious Arab terrorists.
 
The Jerusalem File. Vicious Arabs vs. noble Jewish students during the 1967 war.
 
Deadly Currents. Simcha Jacobovicis documentary shows just how dangerous
(Holden, NY Times) Palestinian children who throw rocks really are, and why
sensitive Israeli troops must shoot them in self-defense. Balanced and
powerful! The best film Ive seen on the Palestinian-Israeli conflict. -Bob
Simon, CBS News.
 
Protocol. Vicious Arabs cross paths with Goldie Hawn.
 
Desperate Rescue: The Cathy Mahone Story. A vicious Arab betrays his American
wife and kidnaps their child.
 
The Dhimmis: To Be a Jew in Arab Lands. Harrowing portrait of the fiendish
persecution suffered by noble Jews at the hands of vicious Arabs.
 
Jerusalem D.C. Evangelist Mike Evans' TV special focuses on God's divine
relationship with the state of Israel.
 
Jimmy Swaggart. Rev. Swaggart's March, 1985 program from Kansas City centers on
the fact that the Israelis are America's only hope and God's divinely mandated
representatives on earth.
 
Jack Van Impe Presents Armageddon. The noted evangelist declares the fact that
the government of the state of Israel is divine.
 
PTL. From Israel. Jim and Tammy Baker meet with Foreign Minister Yitzhak Shamir
and present him with a gift of an engraved book from the prayer partners.
 
Not Without My Daughter. Demonic Iranians run rampant in this expose of the
despicable national character of the evil Iranian people.
 
Rollover.  Evil Arabs plot to take over the world.
 
Let My People Go. David Wolper documentary on the heroic Jewish pioneers who
founded the nation of Israel and the vicious Arabs and Germans who persecuted
them.
 
Terrorist on Trial. A noble, humanitarian Jewish attorney defends a vicious Arab
terrorist guilty of heinous crimes.
 
For Their Own Good. A noble, humanitarian, female Jewish attorney defends a
woman victimized by an abusive White husband and evil White male factory
officials and employees.
 
Outpost in Morocco. Vicious Arabs launch a reign of terror.
 
Jihad in America. Noble Jewish reporter Steve Emerson exposes the vicious Arab
terrorists who use the U.S. as a base for their evil war against our great ally,
the Israelis. PBS documentary.
 
Israeli Diary. Israel's Deputy Foreign Minister Yehuda Ben-Meir explains the
goodness of Zionist policies.
 
The Little Drummer Boy. Vicious, money-grubbing Arabs run amok in this animated
childrens Christmas classic.
 
A Black to the Promised Land. A film by Madeleine Ali, a Black American who
converted to Judaism, celebrating the heroism, idealism and nobility of the
Zionist state of Israel. A huge success. (Canadian Jewish News).
The Boat is Full. Saintly Survivors of the Holocaust are tormented by evil Swiss
officials.
 
The Two of Us. A saintly Jewish boy is betrayed by a viciously evil Frenchman.
 
Doctor Petiot. A monstrous French vampire preys on innocent Jewish people.
 
Sixty Minutes. "Libertie, Egalitie, Fraternitie." Dan Rather documents French
cruelty against the Jews.
 
I Accuse. An innocent Jewish man is falsely accused of a crime by vicious French
hatemongers.
 
Everyman: The Hangman of Lyons. True-life account of a hideously evil French
Catholic, Paul Touvier.
 
Molly's Pilgrim. Portrait of a kindly Jewish immigrant who overcomes the bigotry
of those around him.
 
Joseph Brodsky: A Maddening Space. A heroic Russian Jewish writer is persecuted
by those around him.
 
Sakharov. A heroic Russian Jewish scientist is persecuted by those around him.
 
In the Line of Duty: Siege at Marion. Heroic government agents hunt down a
family of murderous Christian zealots inspired by their father John, a
home-schooling fanatic.
 
Prisoner of Honor. An entire Christian nation conspires against a noble French
Jew.
 
A Few Good Men. A Christian U.S. Marine who repeatedly announces his devotion to
Jesus Christ and the King James Bible, is revealed to be a sadistic murderer
of an innocent kid.
 
L.A. Law. A kindly Jewish attorney is persecuted by a vicious gentile who does
not want her daughter to marry a Jew.
 
Highway to Heaven. Michael Landon focuses on evil gentiles led by "Jan Baltic."
 
The Evacuees. Jack Rosenthals moving story of orthodox Jewish refugees in
England who must escape ill-treatment in the home of a callous Christian family
where they are forced to eat pork sausage.
 
Evil in Clear River. A monstrous Christian teacher turns a high school into a
hate-propaganda mill.
 
Oakmont High. A vicious Christian teacher uses his  classroom  as a platform for
bigotry.
 
Scandal in a Small Town. An evil Christian uses his position as a teacher to
transform a high school into a recruiting camp for persecuting Jews.
 
A Killing in a Small Town. A monstrously evil Christian Bible school teacher
murders a woman with an ax.
 
School Ties. Evil Christian college students torment a noble Jewish youth at an
ivy league school.
 
The Star, the Castle and Butterfly. Moving history of the noble Jews of Prague,
from their vicious persecution at the hands of medieval Christian Crusaders to
the evils of  modern Germans.
 
Gentlemans Agreement. Story of the horrible persecution of Jews after they are
excluded from a country club by evil Gentiles. Academy-award, Best Picture,
1947.
 
Quiz Show. A crusading Jewish attorney worth ten times his Christian
intellectual opponent, unmasks a dastardly scheme to favor gentiles over Jews on
a TV contest program.
 
Top Cops. A sadistic hoodlum shoots an innocent and honorable Holocaust
Survivor.
 
Final Analysis. Richard Gere calls on a fellow psychiatrist, an immensely kind,
innocent and humanitarian Jewish doctor, to testify in a murder trial in this
film about
Gentile intrigue and an evil Greek-Orthodox gangster.
 
Dont Drink the Water. A lewd Arab parades his harem through the embassy.
 
In the Line of Duty: Manhunt in the Dakotas. Heroic government agents hunt down
Gordon Kahl, an evil White Christian farmer who refuses to pay taxes and who is
"a murderous true-life religious fanatic with schizophrenic tendencies" (TV
Guide ).
 
Meeting With Father. A Survivor of the Holocaust confronts the family of an evil
Ukranian.
 
Go Away. Evil Ukranian Christians slaughter noble Jews during Czarist times.
Filmed with the assistance of the communist government of the Soviet Union.
 
Memoirs of a River. Judit Eleks story of the fear, misery, humiliation and
extreme brutality (NY Times) experienced by terrified Hungarian Jews at the
hands of fiendish gentiles.
 
Latest News From the End of the World. Boris Kustovs quasi-documentary about
viciously anti-semitic Russians.
Escape to the Sun. Russian cruelty against the Jews is showcased.
 
All the King's Jews. Portrait of noble Jews persecuted by viciously evil
Christian bigots in 13th century Britain.
 
CITY. Christian traditions about Mary, the Mother of Christ, are exposed as
stupid and ridiculous in this episode.
 
Gideon Oliver. "Kennonite." Hideously evil Christians engage in prostitution and
murder.
 
Miami Vice. Crockett and Tubbs battle a gang of evil Christians who viciously
torment saintly Jewish people.
 
Giustina. An award-winning film about an Italian-American woman's struggle
against the bigotry she faces from her disgusting Christian family after she
begins dating a noble Jewish man.
 
The Nasty Girl. A noble Jewish merchant is murdered by evil Christians.
 
Misery. Directed by Rob Reiner. A hideously evil White Christian country girl
tortures a  writer from New York City. When he finally escapes she gets her just
desserts as he beats her ugly White face in. Academy Award-Best Actress.
 
Flight of the Black Angel. A hideously evil Christian commits mass murder, then
tries to start World War 3.
 
Shannon's Deal. A family of hideously evil Christian Bible believers can only be
stopped by a heroic lawyer.
 
Dark Justice.  In this episode, a vile Christian minister steals the life
savings of an old lady.
 
Pair of Aces. A bloodthirsty Christian fanatic slaughters six teenage girls.
 
Flesh and Blood. In the two-part NBC premiere, a family of rural White
Christians display their abysmal ignorance and stupidity.
 
Single Women, Married Men. Christian women are shown to be relentless whores and
adulterers.
 
Cape Fear. (1991). A monstrously evil, Bible-quoting, Southern Pentecostal
Christian-murderer terrorizes women and children.
 
Chicken Soup. A kindly Jewish man (Jackie Mason), tries to show Maddie's
hate-filled Irish Catholic brother the real meaning of love.
Killer Nun. A horribly evil Catholic nun (Anita Ekberg) slaughters helpless
hospital patients.
 
Rachel Gunn, R.N. In the July 26, 1992 episode, the series idiot, a Catholic
nun, Sister Joan, is exposed as a liar and a moron.
 
The Nuns of Saint Archangelo. Monstrously evil Roman Catholics engage in every
depravity known to man.
 
The Boys of St. Vincent. Evil Catholic monks go on a rampage.
 
Flavia. Totally vile Roman Catholics engage in torture, rape, depravity,
beatings and butcheries.
 
Stop the Church. PBS "P.O.V." special exposes as ridiculous the beliefs, liturgy
and traditions of the Catholic church.
 
Faith Even to the Fire. PBS P.O.V.  special exposes the hateful and evil
beliefs of the traditional Catholic church.
 
20/20. ABC News special on sadistic Catholic nuns at Salve Regina College.
 
The Pope Must Die(t). ...an irreverent spoof that lampoons the trappings of
(the Catholic) religion...Alex Rocco co-stars as a smarmy Cardinal with mob
connections (TV Guide, Aug. 22, 1992).
 
Red Monks. Evil Catholic monks commit countless crimes.
 
Fanny and Alexander. The evil of a vicious Lutheran minister is contrasted with
the wisdom, piety and forbearance of a noble Jewish rabbi.
 
Judgment Day. John List, a devout Lutheran who objects on religious grounds to
his daughter taking part in a school play, kills his mother, wife and children.
 
The Passover Plot. Proves that the treacherous Jesus Christ faked his own death
on the cross.
 
The Last Temptation of Christ. Film biography of the life of Jesus, shows him to
have been a demented coward and freaked-out sexual psychopath.
 
Yentl. The glories of Jewish heritage and the noble religious spirituality of
the Talmud are celebrated in this tale of a heroic Jewish girl determined to
study at a yeshiva.
 
ShortStories. "A Psalm for Moshe." The nobility,  spirituality and glory of the
religious heritage of a Hasidic Jew is revealed.
 
Bonjour! Shalom. The nobility, spirituality and saintliness of Hasidic Jews
living in French Quebec is showcased.
 
A Stranger Among Us. The magnificent holiness, virtue and saintliness of Hasidic
Jews is dramatized.
 
Hester Street. Sensitive and sympathetic study of the glories of Jewish heritage
and culture on NY's East Side.
 
Talmud and the Scholar. The genius, holiness and wisdom of the Jewish rabbis
whose learning comprises the sacred Talmud are showcased.
 
Moise. Moving depiction of the deeply spiritual life of a profoundly pious, pure
and holy Jewish couple.
 
The Angel Levine. An elderly Jewish tailor's deep piety and devotion to his
religion help him to endure trying times.
 
Oasis in Time. Deeply touching portrayal of the profound holiness of the Jewish
religion.
 
Passover: Festival of Freedom. Examining the sacred history and noble traditions
of the Jewish rite of Seder.
 
Eternal Light. "Precious Legacy." Sacred treasures of Jewish religion and
culture: artifacts of a glorious four thousand year holy heritage stolen by evil
Germans during the Holocaust--are highlighted.
 
The Chosen. Deeply moving account of a noble Jewish youth coming of age inside
orthodox Judaism.
 
thirtysomething. A wise rabbi counsels Michael on the real meaning of the
sacred.
 
Ghetto Ten. Noble, elderly New York Jews attempt to preserve their sacred
heritage and their synagogue amid the squalor of the South Bronx.
 
L'Chaim To Life. Program devoted to the outstanding humanitarian projects of
Hasidic Jewish religious leaders in America.
 
Cheers. Circumcision is sensitively portrayed as a kindly Jewish father
(Frasier) reacts to his son's bris.
 
The Young Lawyers. Noble, compassionate Jewish lawyer Aaron Silverman (Zalman
King) fights for justice.
 
Reasonable Doubts. In Part One, Tess (Marlee Matlin) has a hot case involving a
juvenile anti-semite who savagely murdered a Hasidic Jew. TV Guide.
 
Reasonable Doubts. In the two hour conclusion, Tess must bring a vicious
Christian punk to justice while a judge obstructs her effort to win justice for
saintly Jews.
 
The Century of Teddy Kollek. Willy Lindwers documentary on the wise and saintly
Jewish mayor of Jerusalem.
 
Lodz Ghetto. Inspiring film about the noble spirituality of the Jewish religion
as its adherents suffer horrible torments and slavery at the hands of fiendish
Germans.
 
Brooklyn Bridge. Weekly TV series celebrates the wisdom, warmth, decency and
humanity of two Jewish families--the Silvers and the Bergers--in Brooklyn in the
1950s--who are occasionally harassed by gentiles. In this episode, Jacob, a
saintly
 
Holocaust Survivor, adjusts to life in America.
 
The Quarrel. Two profoundly humane Jewish philosophers debate the moral
significance of German evil and the persecution of God's Chosen People.
 
The Diary of Anne Frank. 1959 film version of the story of a noble Jewish girl's
life of suffering.
 
The Diary of Anne Frank. 1980 made-for-TV version, starring Melissa Gilbert (of
"Little House on the Prairie") as a saintly Jewish girl.
 
The Attic: The Hiding of Anne Frank. Emmy award-winning account of a family of
saintly Jews and their holy daughter Anne, who seek refuge from evil Germans in
an attic.
 
Last Seven Months of Anne Frank. A saintly Jewish girl's noble life of suffering
is profiled.
 
World of Anne Frank. The life of the holy Jewish teenager and her noble family
is chronicled.
 
Children of the Holocaust. Harrowing stories of Jewish survival, including the
tale of Yehuda Bacon who worked as a child slave laborer in Auschwitz hauling
carts full of corpses.
 
Why Wasnt He Here? Based on a 13 year old Jewish girls diary, this Hungarian
film portrays the sufferings of her holy family at the hands of evil
anti-Semites.
 
Tango of Slaves. A film about making a film about The Holocaust. The title is
taken from the name of a song composed by a 12 year old girl imprisoned in
Auschwitz.
 
Prisoner Without a Name. Story of a noble Jewish witer, Jacobo Timerman,
persecuted by those around him.
 
Joshua Then and Now. Story of a noble Jewish writer, Mordecai Richler,
characterized by his warmth, tenderness, sensitivity and humanitarianism.
 
Forced March. An actor in a Hollywood movie about the unspeakable evil of the
Germans discovers the true heroism of the Jewish people.
 
Avenue Z Afternoon. A saintly Jewish lady confronts a thief in Brooklyn and
converts him to goodness.
 
Avalon. Barry Levinson's heartwarming story of three generations of a noble
Baltimore Jewish family and the wise  patriarch who guides them.
 
Sesame Street. Kibbutz. The PBS childrens TV program highlights the nobility
of the Zionist communal system.
 
Sesame Street. The Land of Israel. The PBS childrens TV program highlights
the nobility of the Jewish nation of Israel.
 
Tales of the Days of Awe. In celebration of the Jewish High Holy Days, ABC-TV's
anthology of profoundly moving sacred stories by Elie Wiesel and Sholom Aleichem
is dramatized.
 
The Papal Concert to Commemorate the Holocaust. A Vatican performance of the
Royal Philharmonic conducted by Gilbert Levine who was subsequently knighted by
the Pope for his sublime musical evocation of the horrors experienced by Gods
holy people and will now be known as Sir Gilbert Levine.
 
Bob Costas. Host Bob Costas conducts a two part TV interview with Elie Wiesel
and praises him for his sainthood, piety and wisdom.
 
Beyond Hate. Bill Moyers 90 minute PBS documentary features commentary by such
distinguished Jewish humanitarians as Elie Wiesel, who condemns hate.
 
Facing Hate. Bill Moyers 60 minute PBS interview with the Nobel laureate,
Holocaust Survivor and humanitarian, Jewish thinker Elie Wiesel, who discusses
the evil of the Germans.
 
The Frisco Kid. Marvelously engaging tale of a saintly Polish rabbi in the Old
West, whose charm, humor and kindness shine through every difficulty.
 
Miss Rose White. The troubled daughter of a saintly Polish Jew must confront
painful truths when she is reunited with her sister, a noble Holocaust Survivor.
A Hallmark
Hall of Fame Presentation.
 
Neil Simons Broadway Bound. Warm and sensitive ABC Monday Night Movie about two
Jewish brothers from Brooklyn trying to become TV comedy writers, and the
marvelously humane and compassionate Jewish family that nurtures their dreams.
 
Magnum P.I. Vicious hatemongers kidnap a kindly Jewish woman's husband to obtain
information about Israeli intelligence.
 
Fiddler on the Roof. Beautifully evocative celebration of Jewish culture in
eastern Europe.
 
Klezmer:Fiddler on the Roof. 1992 BBC documentary charts the course of the holy
Jewish culture from eastern Europe to America.
 
The Last Klezmer. Reverent portrayal of the noble Yiddish cultural icon Leopold
Kozlowski, whose music forms a veritable liturgy of poignant Jewish folk songs.
 
Crossing Delancey. Deeply moving, charming story of a self-sufficient bookseller
(Amy Irving) and the down-to-earth kosher pickle vendor her Jewish grandmother
wants her to marry.
 
Lies My Father Told Me. Marvelously heartwarming account of a gallant Jewish
grandfather in Canada. Yossi Yadin.
 
Charlie Grant's War. A businessman  rescues  noble Jewish people from vicious
anti-semites.
 
Angry Harvest. A noble Viennese Jewish woman seeks shelter from evil Germans and
soon proves her goodness and decency.
 
The Pawnbroker. A noble Jewish man is haunted by the memory of his sufferings at
the hands of evil Germans.
 
Night Gallery. A  near-penniless Jew stands on the brink of death.
 
The Waltons. John-Boy and the family aid saintly Jewish refugees.
 
L.A. Law. A noble Jewish philanthropist (Theodore Bikel) is tormented by a
doctor.
 
Homicide. Hateful publications turn up in a N.Y. neighborhood and heroic Jewish
freedom-fighters wipe out the print shop where the evil literature was produced.
 
The Murder of Mary Phagan. Emmy-award-winning indictment of evil Christians and
vicious anti-semite Tom Watson in the case of the persecution of a noble Jewish
factory manager in 1913.
 
Heritage Conversations. Jewish historian Yousef Yerushalmi discusses the  the
persecution of the Jews.
 
The Quarrel. Poignant tale of two noble Holocaust Survivors haunted by their
past in post-war Montreal. Winner of the Dame Judith Anderson Award for Best
Film.
 
The Sorrow and the Pity. Noble Jews recount their victimization.
 
Selling Murder. The horrors of German produced hate movies are documented.
 
A Doctors Story. A saintly Survivor of the Holocaust faces persecution in a
hospital.
 
Auschwitz and the Allies. Jewish historian Martin Gilbert's heart-rending study
of the gallantry of Gods Chosen People.
 
Sisters. Frankie considers becoming one of Gods Chosen People by joining
Judaism, the worlds noblest religion.
 
Struggles for Poland. Chronicling the persecutions suffered by Jews.
 
Where Shall We Go? British documentary on noble Holocaust Survivors who describe
the persecution they suffered.
 
Night Court. Harry assists a wonderfully humane and warm Russian Jewish refugee
(Yakov Smirnof) extend a visa for his noble father.
 
Northern Exposures. Features the charming Jewish doctor Joel Fleischman, M.D., a
lovable curmudgeon (TV Guide).
 
The Hiding Place. Saintly Jews are persecuted by evil Germans.
 
My Hundred Children. Linda Lavin as a saintly Survivor of the Holocaust who
returns to her native Poland after World War II to rescue noble Jews.
 
For Those I Loved. Story of a gallant Jewish Holocaust Survivor and the
unspeakable persecutions he suffered at the hands of evil Germans.
 
Judith. A saintly Austrian Jew is brought to Israel to help locate her
treacherous Nazi husband.
 
Daniel. Ed Asner stars as an attorney defending Julius and Ethel Rosenberg,
whose arrest for selling America's atomic secrets to Stalin may have been
motivated by anti-Jewish bigotry.
 
Mr. Halpern and Mr. Johnson. A noble Jewish gentleman must confront the past.
 
Sunday Today. The pain of the Holocaust is shared by Jewish Survivors.
 
Patrimony: Judaica in the Vatican. The precious treasures of Judaisms high
civilization and culture are respectfully reviewed.
 
The Final Solution: Auschwitz. Depicting the sufferings of saintly Jews.
 
Forbidden. A rich gentile woman falls in love with a saintly Jewish humanitarian
who enlists her in his battle against hate.
 
Wiseguy. In this episode vicious anti-semites plague Vinnie's neighborhood.
 
The Last Metro. A noble Jewish director is persecuted.
 
MacGyver. MacGyver is in attendance when pious Jews holding the beautiful and
holy
 
Bar Mitzvah ceremony seek his help in fending off persecution.
 
Heritage: Civilization and the Jews. "Out of the Ashes." PBS special on the
persecution inflicted by evil Germans upon Gods Chosen People.
 
Perry Mason: The Case of the Desperate Deception. The shadow of evil falls
across Perry, on the trail of fiendish Jew-haters in Paris.
 
Europa, Europa. "..accomplishes what every film about the Holocaust seeks to
achieve: it brings new immediacy to the outrage by locating specific, wrenching
details that transcend cliches." - Maslin, NY Times.
 
A Day in the Warsaw Ghetto: A Birthday Trip in Hell. Jewish-Canadian director
Jack Kuper's documentary about the persecution inflicted on saintly Polish-Jews.
 
Two Half-Times in Hell. Hungarian director Zoltan Fabris film showcasing evil
German monstrosity  during a soccer match held on Hitlers birthday in a death
camp.
 
Chasing Shadows. Heart-rending tale of a noble Jewish woman who accompanies her
saintly father, a Survivor of the Holocaust, on a torturous visit to his home
town in the anti-semitic Carpathian mountains where memories of unspeakable
torments are painfully rekindled.
 
Speak Up!Its So Dark. Swedish film about a saintly Jewish psychiatrist who
helps an evil gentile youth learn the true meaning of justice and fair play.
 
Tenspeed and Brown Shoe. Heroic Jeff Goldblum battles insidious neo-Nazis in
this pilot for the TV series.
 
The Summer of Aviya. A Jewish woman is driven insane by the Holocaust.
 
Breaking the Silence. The Generation After the Holocaust. Documentary account of
the torments and sufferings facing the Children and Grandchildren of Holocaust
Survivors.
 
Babylon 5. In deep space, a humble, high-minded, profoundly holy rabbi reminds
Ivanova of her religious duties. Rabbi: Theodore Bikel.
 
Star Trek. On the outer planet Ekos, Capt. Kirk (Wm. Shatner) attempts to
prevent history from repeating, when a neo-Nazi tries to take over the universe.
Spock: Leonard Nimoy.
 
Never Forget. Leonard Nimoy stars as Mel Mermelstein, a saintly Jewish Survivor
of The Holocaust who struggles heroically to combat the lies of monstrously evil
revisionist historians, who claim The Holocaust has been  exaggerated.
 
Holy Matrimony. Depicts the evils and stupidity of the German-Christian
Hutterite religion. Directed by Leonard Nimoy.
 
An American Tail. Steven Spielberg's 1986 feature length children's cartoon
centers on a Jewish mouse persecuted by  those around him.
 
An American Tail: Fievel Goes West. In  Steven Spielbergs 1991 childrens
cartoon sequel, the Mousekewitzes, a family of immigrant Jewish mice who fled
Czarist Russia, lead a poverty-stricken existence in a New York City tenement,
until Fievel takes them West, where they must battle a huge Cat who is seeking
the mass extermination of the entire rodent community (Stephen Holden, NY
Times).
 
Schindlers List. Steven Spielbergs epic, three hour showcase of the evils of
German soldiers. Academy Award, Best Picture.
 
Schindler. Documentary about Oscar Schindler, the righteous gentile buried in
Israel, one of the few Germans who was not an evil cretin.
 
Primetime Live. They escaped justice but they couldnt hide from Sam Donaldson.
Some of the most hated men who ever lived are living it up. In Argentina. The
law couldnt catch up with these escaped Nazis. But Sam Donaldson did. And he
confronted them. Dont miss this face-to-face Nazi interrogation. (TV Guide,
May 5, 1994, p. 183). Produced by Ira Rosen.
 
The Simpsons. In this installment in the popular cartoon series, Bart and his
sister study the Talmud to find a way to help a Jewish clown get back into the
good graces of his formidable father, a rabbi who does not approve of clowning.
Voice of the rabbi: Jackie Mason. ...moving episode --TV Guide.
 
********************************************************************************
*************
>>...Hollywood executives have traditionally gone out of their way to avoid
making films with Jewish themes...except Schindlers List and one or two
others...<< -Bernard Weinraub, The New York Times, P. C-11, Nov. 7, 1994.
********************************************************************************
*************
 
The  following is a list of movies and TV programs concerning the Bolshevik Mass
Murder of 60 Million Russians, Asian and Muslim minorities and E. Europeans
perpetrated by such top Jewish communists as Trostsky, Apfelbaum (Zinoviev),
Uritsky, Kamenev, Berman, Yagoda, Frenkel, Kaganovich and Kuhn: NONE.
 
The Following is a List of Movie and TV Programs broadcast on American TV, on
the Mass Murder of Palestinian Women and Children by the Israeli Armed Forces:
ONE: Beirut to Bosnia, described by Walter Goodman in the NY Times as
..probably simplistic...stir(s) unease about the selection and use of
evidence (April 27, 1994, p. C-18).
 
  Authors Note: There are hundreds of additional hate films, some of which were
broadcast as individual episodes of TV series, that have yet to be listed here.
New ones are constantly in production. April of 1994 probably set a record for
massive overkill broadcast of Holocaust propaganda on TV.
 
The corpus of these teleplays, movies and infotainment documentaries comprise
a genre which constitutes the most massive and negative stereotyping of people
in the annals of propaganda, while at the same time representing an
unprecedented idolization of a Master Race (Jews).
 
 The logic of the New World Order consists in the dogma that the propaganda war
against Germans, Palestinians and Gentiles is a human rights campaign while
our defense against it, is a form of hate. As Orwell foretold, War is Peace.
 
The cinematic hatred directed against us under the guise of fighting hatred is
the most cynical and despicable hate propaganda of all.     -Michael A. Hoffman
II
 
Hate Propaganda in a Human Rights Mask. December, 1994 edition. 1994 by Michael
A. Hoffman II. All Rights Reserved.
(Hoffman edits Revisionist Researcher Magazine. For the issue devoted to
analyzing the lies in Schindlers List, send $6. A six issue subscription is
$30. 12 issue subscription: $50. (U.S. Funds/U.S. Bank). Checks payable to
Wiswell Ruffin House).
 
 
                  Wiswell Ruffin House
       P.O. Box 236, Dresden, N.Y. 14441
Send U.S. $3 for our catalog of books and tapes. (Free with any magazine order
or subscription).
 
 
 
 
 


Article 20679 of alt.revisionism:
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From: hoffman2nd@delphi.com
Newsgroups: alt.revisionism
Subject: Is Judaism a Form of Insanity?
Date: Fri, 30 DEC 94 20:28:01 -0500
Organization: Delphi (info@delphi.com email, 800-695-4005 voice)
Lines: 242
Message-ID: 
NNTP-Posting-Host: bos1d.delphi.com

****************************************************
Is Judaism Institutionalized Insanity? Part One.
****************************************************
Copyright 1994 By Michael A. Hoffman II. All Rights Reserved.
 
In the wake of reading former Belsen concentration camp inmate and Hebrew
University professor emeritus Israel Shahaks outstanding new book, JEWISH
HISTORY, JEWISH RELIGION (U.S.$18.95 postpaid from Wiswell Ruffin House, POBox
236, Dresden, NY 14441; overseas add U.S.$5.00), I have taken up the
contemplation, reluctantly once again, of the possibility that Judaism is a form
of insanity.
 
I say reluctantly because every religion has the right to its own story, some
individual Jews of my acquaintance are brilliant, lucid, witty and eminently
genuine and because the investigation of the possible psychotic character of
Judaism is potentially a rhetorical engine without a flywheel.
 
And yet one encounters a strangely alluring configuration of factors which
impels the investigation of this subject, not the least of which is the failure
of the media and academy to takeit up.
 
Friedrich Nietzsche stated: >>The Jews are the most remarkable people in history
because, whenever they have been faced with the question, >To be or not to be,<
they have always decided, with an uncanny insight, to be at any price: even if
that price was the radical falsification of human nature, naturalness, reality,
and the entire inner world as well as the external world.<<
 
The professor of philology was fortunate to have made that statement in 19th
century Germany. Now he would be arrested and imprisoned in Germany for such
statements.
 
Ditlieb Felderer, a former Jehovahs Witness is now incarcerated in Sweden, the
land of swinging sexual freedom, which gave us the first mainstream porno flick
(>>I am Curious Yellow<< which, in the days before VCRs, even managed to entice
Madame Onassis into a public theater to catch the action). Felderer is serving a
one year sentence on a charge related to the distribution of pornography.
 
Of course, if you were to guess that the Swingin Swedes do not usually imprison
sexual pornographers you would be right. Felderers >pornography< is of the
politically satirical kind. He has for years distributed cartoons lampooning the
sacred religion of the New World Order, THE HOLOCAUST.
 
Hence his satire is >pornography< in the eyes of the Swingin Swedes just as
Salman Rushdies book is pornography in the eyes of the mullahs with one key
difference: the Iranians dont claim to hold Western values of freedom of speech
and press whereas hypocritical Sweden does.
 
 Moreover Sweden has made a loud show of hailing Salman Rushdie and other
anti-Muslim dissidents while tossing anti-Zionist Felderer into a jail cell.
 
Felderer is not only a satirist. Dr. Robert Faurisson, formerly of Lyon
University and the leading historian of World War Two revisionism, regards
Felderer as the preeminent archaeologist of the Auschwitz Concentration camp.
 
In fact, Felderers expert photographic documentation of the fraudulent exhibits
at the camp in the 1970s is perhaps the finest extant. But due to complaints
from Jewish potentates the government of Sweden has given Felderer a one year
jail sentence.
 
Did you hear about this writers imprisonment on ABC Radio News or read of it in
U.S. News and World Report or the New York Times or the Washington Post? Surely
not. Felderer is not a Zionist or an enemy of the Arabs so how could his
imprisonment by Sweden interest the great human rights-oriented media executives
of America?
 
Meditating on Felderers lonely fate and the publicity vacuum which has
permitted his jailing with impunity, I thought of a reporter who covers the
Hollywood beat for the New York Times, Bernard Weinraub.
 
Mr. Weinraub, in the course of a Times piece impugning the integrity of the
English journalist William Cash, made a hilarious statement. It is one of those
achingly funny remarks that evokes alternating compulsions to laugh and cry. It
is so excruciatingly insane that laughter must win out.
 
Mr. Weinraub asserted:
>>...Hollywood executives have traditionally gone out of their way to avoid
making films with Jewish themes...except Schindlers List and one or two
others...<< (N.Y. Times, p. C-11, Nov. 7, 1994).
 
And one or two others?!  Was this a misprint for one or two thousand others?
 
One of my hobbies is researching and cataloging films and television programs
with Jewish themes. Elsewhere in this news group I have posted the fruit of my
labor, which I update every month or so, under the heading, >>Hollywood Hate
Propaganda Documented.<<
 
In that thread the reader will discover literally hundreds of films showcasing
Jewish piety, Jewish sainthood, Jewish probity, Jewish compassion and Jewish
wisdom and excoriating a certain race of central Europeans as fiends from hell,
monsters of evil, congenital murderers, satanic sadists, etc. etc. ad nauseum.
 
It is hate propaganda in a human rights mask.
 
So where has Mr. Weinraub been? Is he perhaps a Hollywood reporter who doesnt
go to the movies? Perhaps he doesnt own a television?
 
How has he managed to miss the veritable Niagara of flicks,  programs and movies
--thousands of Jewish-themed films cascading over the public consciousness for
the past forty years?
 
How can Weinraub, a reporter for the leading secular Jewish newspaper in the
world, as well as the editors charged with fact-checking his copy, get away with
such a whacko observation?
 
Could it be that when it comes to criticism of the Jews, Jews become insane and
in Nietzsches words, radically falsify reality as a form of defense of their
being?
 
The Simon Wiesenthal Center, together with a Canadian Human Rights Commission
which employs a thought policeman charged with spying on Canadians who criticize
Jews on the Internet  (Mr. Harvey Goldberg:ae763@freenet.carleton.ca) are
engaged in a determined campaign to prosecute, penalize and otherwise interdict
Internet writers who incur their displeasure.
 
Let us imagine that  Rev. Jeb Calhoun, chairman of the Americans for a Moral
Majority was to lead a crusade to prosecute, penalize and otherwise interdict
those who criticized Christians and Christianity on the Internet.
 
Can one even conceive of the rivers of outrage and arch satire that would pore
forth from the pens and mouths of everyone from Doonesbury to Sam Donaldson like
lava from Mount Vesuvius in the face of such an attempt?
 
But when Jews seek to censor, it is not a subject for establishment media
indignation and massive protest. In fact, to oppose Jewish censorship becomes a
form of hate in this surpassing strange universe.
 
Part of the problem is Shahaks magisterial work. It is inescapable. It pursues
you. Just when you thought you could say, >>Aw, to hell with protesting and
exposing Jewish supremacy and hate-mongering. Nobody cares. Its not worth it.
The price is too steep<< along comes Dr. Shahak with his searing, branding iron
of a book which burns the truth into you indelibly.
 
Take for instance Shahaks citation of the Kol Nidre rite in Judaism as
testimony to the mentality of dissimulation that pervades Judaism.
 
Prof. Shahak: >>What is popularly regarded as the most >holy< and solemn
occasion of the Jewish liturgical year, attended even by very many Jews who are
otherwise far from religion? It is the Kol Nidrey prayer on the eve of Yom
Kippur--a chanting of a particularly absurd and deceptive dispensation, by which
all private vows made to God in the following year are declared in advance to be
null and void?<<(Jewish History, p. 48).
 
What sort of religion ritualizes lying? How is it that this religion has come to
be regarded as the most divine in the world by the rulers of public image?
 
To answer we must resort to Nietzsche again. Nietzsche and Shahak, two pillars
of radical lucidity polarized against radical falsification, with Shahak the
more startling.  He lives in occupied Palestine under the rule of the rabbis and
therefore risks his life to write as he has (as he himself indirectly testifies;
cf. p. 17).
 
So what of the desire to punish historians?To jail writers? To silence
cartoonists?To bring the mechanisms of state violence against intellectuals and
wordsmiths?
 
In a radically falsified intellectual terrain it does not signify as long as the
victims are revisionists or Germans or Palestinians.
 
The insanity of Judaism has spread itself over a Judaized world and corrupted
the whole of the West. Hence the human rights concerns and Amnesty
Internationals of the West are a sham, a fact not lost on  Muslim
Fundamentalists.
 
 Obviously revisionists are not human and they deserve no amnesty. Judaism
decrees that the goy is not human but a limb of Satan (Hassidic Hatanya text
cited by Shahak, p. 27)  and only Jews are righteous while Christians are to be
exterminated (Maimonides; cited by Shahak, pp. 24-25). In fact the Christians
were exterminated under the Jewish Bolsheviks of Russia, though the dumb goyim
have failed to make a single movie about this anti-Christian holocaust
(presumably they are waiting for Hollywood to make one for them).
 
What then is the argument with Judaism? It is essentially a Jeffersonian one:
one seeks, as a birthright, the pursuit of Life, Liberty and Happiness.
 
I want to be proud of my German heritage, to freely advocate that the Allied
holocaust against Hamburg and Dresden was worse than what happened at Dachau and
Auschwitz. I want to poke fun at the pompous and the deluded and the religiously
fanatic.
 
But if I undertake this mission I can expect to have my novels suppressed by the
major publishing houses, my employment curtailed and my career destroyed. A
blacklist is maintained by the Anti-Defamation League of Bnai Brith (ADL).  If
the ADL and the Wiesenthal Center get their way, I may one day be jailed for
writing as I please in the U.S., as writers critical of Judaism in Canada,
Germany, France,Sweden and England have been. I may yet be censored on the
Internet if the rabbis are allowed to bully service providers.
 
No Jew in the West need fear jail or censorship for directing hatred and
contempt at the German people. They may poke fun with complete freedom at
pompous Christians and declare that Auschwitz was far worse than Dresden. They
can say with impunity and with congratulations from the highbrows, that Jesus
never existed.
 
No Internet provider would dare expel a Jew on grounds of being hatefully
anti-Christian, but revisionists cannot say that homicidal gas chambers in
Auschwitz never existed without being hounded by rabbis seeking to suppress our
voices. These rabbis (such as Abraham Cooper) have clout and multi-million
dollar budgets and access to reporters and TV producers who think as they do.
 
We have above us in the U.S. a new class. Bill Grimstad in his great work >>The
Six Million Reconsidered<< quoted a Russian peasant woman in the 1930s who was
asked in the midst of her field work who she thought ran Russia.She said >>We
are ruled by the Jews.<< I too, a poor devil scrivener, must echo her words, the
chorus of the butter rebellion, the refrain of the eternally-skimmed, we in
America are ruled by Jews.
 
(Spare me the inventory of Gentile frontmen necessary for maintaining the
charade. These lickspittles mostly --not always, but in key policy decisions--
do as the top Zionists decree, from Clinton on down).
 
If there is a remedy it must lie with humor. Shahaks book, alas, will be read
only by the underground. It is scholarly. It is unreviewed. It does not even
have a U.S. publisher (it was printed in London, England by the Pluto Press).
 
The breakthrough will come only though humor and satire. Liberation for the Jew
and those enslaved to Judeo-idolatry can come about only when the preposterous
pomposity of the Wiesels and Wiesenthals is held up to the scrutiny of the
belly-laugh.
 
This is why the Rabbi Coopers of the world must fail and why the cartoonists and
satirists such as Felderer and yours truly must be free to lampoon and guffaw at
the expense of all high priests, all emperors without clothes, all sacred icons,
no matter how much their mythology of victimization presumes to exalt them above
mere humanity.
 
The higher the Zionists sail on the winds of their cult of flatulent fawning,
the harder they will fall when their sails are trimmed by the barbs of wit.
 
I affirm that Judaism is a form of insanity.
 
But so too is Christianity, at least the version peddled in the worldly churches
and licensed by the IRS.
 
However, one is free to mock Christianity but one must  flatter Judaism, on pain
of imprisonment, on the specious grounds that its votaries have only recently
emerged from the ashes of holocaust; as if the German people came through the
little bagatelle known as the Second World War unscathed.
 
Holocaust! How does that neologism cover a multitude of sins and provide the
groundwork for the radical falsification of everything!
 
Copyright 1994 by Michael A. Hoffman II. All Rights Reserved.


Article 29169 of alt.censorship:
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From: hoffman2nd@delphi.com
Newsgroups: alt.censorship
Subject: Hollywood Hate Propaganda Documented
Date: Fri, 30 DEC 94 20:34:25 -0500
Organization: Delphi (info@delphi.com email, 800-695-4005 voice)
Lines: 1336
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  ********************************************************************
             HATE PROPAGANDA IN A HUMAN RIGHTS MASK
                                       December, 1994 Edition
                               Compiled by Michael A. Hoffman II
   Copyright 1994 by Michael A. Hoffman II. All Rights Reserved.
***********************************************************************
 
The New Cinematic Genre: HATE THE GENTILES. WORSHIP THE PHARISEES
 
A documented compendium of hundreds of mendacious movies and TV programs,
promulgated under the guise of advancing >human rights< while negatively
stereotyping, defaming and libeling Germans, Christians, Muslims and Gentiles
and advocating the servile idolization and adoration of Jews.
 
The Frozen Dead. A monstrously evil German scientist conducts experiments to
resuscitate 1500 Nazis who were frozen alive.
 
The Lucifer Complex. Suspense chiller about a plot by evil German scientists to
conquer the world by replacing leaders with cloned lookalikes.
 
Revenge of the Zombies. John Carradine stars as an evil German scientist who
creates an army of supernatural zombies in a bid to conquer the world.
 
They Saved Hitler's Brain. Evil German scientists keep the monstrous dictator's
decapitated head alive.
 
Cloak and Dagger. Wicked German scientists must be stopped by an American.
 
Death Ship. A haunted ghost ship prowling the north Atlantic is staffed by
German monsters who perpetrate a supernatural reign of terror.
 
Shock Waves. An old Nazis sunken battalion rises from the sea as a death corps
of begoggled zombies. -Seattle Times.
 
The Riddle of the Sands. A 1901 plot by monstrously evil Germans to destroy
England must be thwarted.
 
Zeppelin. Evil German swine plot to destroy the Magna Carta.
 
To Catch a King. Evil Germans plot to kidnap Englands Duke of Windsor.
 
The Eagle Has Landed. Evil Germans plot to kidnap Englands Prime Minister.
 
Charge of the Model T's. Evil Germans start a Mexican war against America.
 
Victory. Members of an evil German soccer team cheat in order to win a
championship.
 
The Old Gun. Evil Germans rape nuns and roast a lady with a flamethrower.
 
The Night Porter. Joseph E. Levine's film about psychotic Germans engaged in an
orgy of death.
 
The Night of the Generals. Peter O'Toole as a psychotic German.
 
The Devil Makes Three. An evil German plot to take over the world in the
post-war period is uncovered.
 
The Master Race. An evil German plot to take over the world after World War Two,
is uncovered.
 
The Boys from Brazil. Ira Levin's bestseller about an evil German plot to create
a Fourth Reich.
 
Of Pure Blood. A Hollywood casting director uncovers an evil German conspiracy
to create "the  Master Race" after WWII.
 
The Seventh Cross. Evil Germans hunt down defenseless civilians.
 
None Shall Escape. A sadistic German creates a reign of terror.
 
Blood and Honor. Contrasts a fanatic family of evil Germans raising their
children as stormtroops, with a saintly Jewish  family whose attempts to live in
peace are constantly obstructed.
 
The Simon Wiesenthal Story. A saintly Jewish man's struggle against hideously
evil Germans.
 
The Execution. A fiendishly evil German-American swine is killed by heroic
vigilantes who are Survivors of the Holocaust.
 
Marathon Man. A graduate student is thrust into a violent encounter with a
blood-thirsty German fiend in New York.
 
Mystery! "Shroud for a Nightingale." A nurse might be an evil German war
criminal.
 
Rogues' Regiment. An intelligence officer chases an evil German war criminal in
the Foreign Legion.
 
Hart to Hart. The son of an evil German war criminal seeks revenge on his
father's captor--Jennifer's father.
 
Descending Angel. A man fears that his future father-in-law is an evil German
war criminal.
Quincy.  Verification of a mummy puts Quincy onto the hunt for evil German war
criminals.
 
Quincy. A heroic Holocaust Survivor joins Quincy in a desperate attempt to stop
an evil German war criminal from murdering people in America.
 
Kojak: The Belarus File. Kojak uncovers an international network of evil German
and Baltic war criminals in America.
 
Hotel Terminus: The Life and Times of Klaus Barbie. The unspeakable evil of a
monstrous German are exposed.
 
Klaus Barbie. Recounts the fiendish doings of an evil German.
 
Search for Mengele. HBO documentary on the German monster Josef Mengele. (Also
broadcast on the Discovery Channel).
 
Twilight Zone. "Death's Head Revisited." A strutting German monster is attacked
by avenging Jewish ghosts.
 
Twilight Zone. "He's Alive." Dennis Hopper stars as a sniveling German-American
hoodlum who is given lessons in leadership by the ghost of Adolf Hitler and soon
starts murdering people.
 
Shock Waves. Evil Germans rise from the dead to form a killer corps of
supernatural zombies. Peter Cushing.
 
Straight Talk. Evil Germans in America are exposed.
 
Berlin Express. Evil Germans kidnap statesmen.
 
The Thirty-Nine Steps. (1978). Evil Germans conspire to start World War One.
 
A Man Called Sarge. Blond-haired German goons punch little girls in the face and
machine-gun their school.
 
Enemies, A Love Story. A noble Polish Jew is haunted by memories of the
unspeakable evil of the Germans.
 
Angel of Death. The life of the German fiend Josef Mengele is dramatized.
 
Genocide. Documentary on the evil of the Germans.
 
Holocaust. Graphic, 9 hour, Emmy-award winning mini-series on the unspeakable
evil of the Germans as seen through the eyes of a noble Jewish family.
 
Ghosts on the Loose. The East Side kids discover a mystery house is really a
headquarters for evil Germans.
 
Black Dragoons. Bela Lugosi stars as a monstrous German scientist commissioned
by the Nazi High Command to technologically transform six Japanese people into
White Americans.
 
The  Lunatic. Inga, a  sex-crazy German bimbo, travels to the Caribbean to
demand coitus-on-command from an innocent and pure Black man (Paul Campbell).
 
lan and Naomi. Moving  profile  of two  Jewish  youths,  one a  victim  of  evil
Germans,  the  other  a  member  of the warm,
compassionate, magnanimous Brooklyn Jewish community.
 
Judgment at Nuremberg. Oscar winning film about the trial of evil German war
criminals.
 
Trial at Nuremberg. Evil Germans are put on trial for war crimes. Also shows the
greed and stupidity of the German people.
 
The Stranger. A Nazi war criminal settles in New England disguised as a college
professor.
 
The Odessa File. A blood-thirsty German war criminal and the powerful network
that protects him create havoc.
 
River of Death. Braving river-pirates, hostile-tribes and head-hunting
cannibals, an expedition goes in search of a vicious German war criminal in
South America.
 
Jewel of the Gods. Two men and a woman seeking treasure in Africa are tormented
by evil Germans.
 
Casablanca. In Morocco, a cafe owner is tormented by evil Germans.
Matter of Conscience. A heroic Holocaust Survivor unmasks a man in town who is
really a fiendish Nazi war criminal.
 
Nazi Hunter: The Beate Klarsfeld Story. Farrah Fawcett stars as the noble lady
detective who, with the help of her saintly Jewish husband, hunts demonic German
war criminals.
 
Music Box. The daughter of a vicious Nazi war criminal must face the facts about
her father's unspeakable crimes against the Jews.
 
Night Gallery. The Escape Route. A German swine meets a fitting end.
 
Playing for Time. Emmy-award-winning movie recounts the heroic efforts of a
Jewish woman to survive the death camp at Auschwitz as a member of the camp
orchestra.
 
Triumph of the Spirit. Recounts the heroic efforts of a Jewish man to survive
the death camp at Auschwitz as a member of the camp boxing team.
 
The Boxer and Death. Struggle for life in a Nazi concentration camp as a Jewish
boxer must outwit Nazis.
 
Under the World. Polish Jews must hide for years in a tunnel to avoid the
Holocaust.
 
Light in the Dark. Ukrainian Jews must hide for years in a sewer to avoid the
Holocaust.
 
Decline of the Century:Testimony of L.Z. Lordan Zafarnovics stirring
documentary about the vicious persection of pious Jews by evil Croatians.
 
Wonder Woman.  Nefarious Nazis capture a benevolent outer space alien
 
Shoah. Claude Lanzmann's highly acclaimed marathon documentary is a cinematic
testament to the unspeakable evil of the Germans.
 
ABC 20/20. Jews who were hidden as children from evil Germans during WW-2 are
featured.
 
Untouchables. Malone seeks the capture of a monstrous German (Mark Chapman), a
Nazi who is murdering people in Depression-era Chicago.
 
March of the Living. Noble Jewish youths tour concentration camps to discover
the depth of German evil.
 
Commandos Strike at Dawn. Vicious, foul Germans are opposed by heroic Allied
irregulars.
 
Ilsa-She Wolf of the SS. A sadistic, monstrously evil German woman becomes head
torturer at a concentration camp.
 
One Against the Wind. Risking prison and torture, a woman battles evil Germans.
A Hallmark Hall of Fame Presentation.
 
Remember St. Luc. An evil German officer must be stopped.
 
Inside the Third Reich. The unspeakable crimes of the Germans are exposed.
 
Images of the World and the Inscription of War. Harun Farockis documentary
exposition of the persecution of the Jews by evil Germans.
 
Mein Kampf. Swedish film documents the unspeakable war crimes of German fiends.
 
General Della Rovere. Rossellini's film about an Italian informer who quits
working for the evil Germans after learning morality from a group of saintly
Italian Jews.
 
Reunion in France. Vicious Germans run amok in Paris.
 
The Rose Garden. A hideously evil German is brought to justice for his
unspeakable crimes.
 
Raiders of the Lost Ark. Stephen Spielberg's film about evil Germans pitted
against a brave archaeologist.
 
War and Remembrance. Epoch, 30 hour docudrama graphically depicts the
unspeakable horror and atrocities inflicted by the evil Germans.
 
World War II: A Personal Journey. The evil perpetrated by the Germans in World
War Two is described by Gen. Wm. Westmoreland, former commander of U.S. forces
in Vietnam.
 
Days of Glory. Gregory Peck as a heroic communist fighting the dirty Germans.
 
Counter-Attack. Paul Muni as a brave communist battling the evil Germans.
 
The North Star. Jewish Stalinist Lillian Hellmans story of evil Germans making
war against noble communists in Russia.
 
Watch on the Rhine. Lillian Hellman's story of evil Germans in the U.S.
attempting to destroy America.
 
Julia. Lillian Hellman's memoir of her heroic legacy of opposition to the evils
of the Germans.
 
Partisans of Vilna. Recounts the exploits of heroic communist Jews in Lithuania
who battled evil Germans in and around the ghetto of Vilna.
 
A Vision in the Darkness. Sophie Bissonnettes moving documentary of the life of
Lea Roback, a gallant Jewish communist who struggled valiantly against
anti-semitic hatemongers and evil Catholics. Produced by the National Film Board
of Canada.
 
The Liberation. Thrilling Soviet account of the noble Red Armys liberation  of
Auschwitz from the evil Germans.
 
The World at War. Distinguished, multi-part series on the evil of Germany. Based
on Soviet Red Army and Allied testimony.
 
Korczak. Deeply moving story of Jews murdered by evil Germans.
 
The Cross of Lorraine. German cruelty in WW II is showcased.
 
Sergeant York. Despicable German Heineys use the white flag of surrender to
launch cowardly sneak attacks on Allied soldiers.
 
Arch of Triumph. Evil Germans torture a man.
 
Max and Helen. Two Holocaust Survivors discover romance as they help the great
 
Simon Wiesenthal battle the unspeakable evil of a sadistic German war criminal.
Based on a story by Simon Wiesenthal.
 
Prime Time Live. Story of an evil German doctor who gave LSD to a soldier.
 
Underground. Robert Goulet battles inhuman German fiends.
 
Deported Women of the SS Special Section. Monstrous German soldiers perpetrate
every evil imaginable.
 
Rogue Male. Evil Germans torment a noble humanitarian.
 
A Friendship in Vienna. Sensitive portrait of a Jewish girl persecuted by evil
Germans.
 
The Lucky Star. A heroic Jewish teenager captures a vicious German colonel in
Holland.
 
House on Garibaldi Street. A monstrous German guilty of unspeakable crimes is
hunted by gallant Israeli secret service agents.
 
Foreign Correspondent. An intrepid New York reporter uncovers a monstrously evil
German spy ring fronted by a peace group.
 
Lightning Force. A wicked German guilty of unspeakable war crimes must be
brought to trial.
 
A Bridge Too Far. Director Joseph E. Levine's drama of the Allied struggle
against evil Germans.
 
Airwolf. Hawke agrees to help a woman capture a villainous German whose evil
knows no bounds.
 
Conspiracy of Hearts. Jews are persecuted by evil Germans.
 
Pied Piper. Peter O'Toole as a man who rescues Jews from the evil Germans.
Wonderworks. "Miracle at Moreaux." Jewish kids are pursued by German fiends.
 
The Assisi Underground. Jews are shielded from evil Germans.
 
Wallenberg: A Hero's Story. 2 part miniseries docudrama on the diplomat who
rescued Jews from evil Germans.
 
Good Evening, Mr. Wallenberg. Nobel Hungarian Jews are slaughtered by evil
Germans.
 
Au Revoir, Infants. Louis Malle's tale of evil Germans on a rampage.
 
Shout at the Devil. A wicked German must be stopped.
 
King Solomon's Mines. Greedy Germans conspire for  treasure in Africa.
 
Indiana Jones and the Last Crusade. Steven Spielberg sequel in which evil
Germans race Indy for the Holy Grail.
 
Sophie's Choice. The evil Germans devastating effect on a saintly Survivor of
the Holocaust is chronicled.
 
Massacre in Rome. Evil Germans run amok.
 
The Wall. Graphic account of the unspeakable evil of the Germans.
 
Night Train to Munich. Wicked Germans persecute prisoners.
 
The Last Blitzkrieg. Two hiedeously evil Germans launch a reign of terror
against the noble Allies.
 
Faulkenau, the Impossible: Samuel Fuller Bears Witness. Documentary on the
horrors perpetrated by evil Germans.
 
Monte Carlo. Spectacular sets form the backdrop in this drama about the
monstrously sadistic horrors perpetrated by fiendishly evil Germans. Joan
Collins.
 
America and the Holocaust: Deceit and Indifference. 90 minute PBS special
documents the despicable anti-semitsm of the U.S. government and its hideous
persecution of Jewish martyrs during World War II.
 
Bedknobs and Broomsticks. Children's tale about a good witch who helps stop evil
Germans.
 
Battle of the Commandos. Evil Germans must be destroyed.
 
Ministry of Fear.  Evil Germans hound an innocent man.
 
Nazi Agent. A vicious German reaps his just desserts.
 
Golden Earrings. A soldier must pose as a gypsy to elude malevolent Germans.
 
Combat! Saunders spearheads a dangerous rescue mission when Hanley is shot and
imprisoned by  evil Germans.
 
The Shop on Main Street. Profoundly moving, beautiful tale of a gallant Jewish
shopkeeper whose virtue is under attack by the evil Germans.
 
CNN World Report. In the May 10, 92 program, the on-going trial of an evil
German accused of alleged war crimes is reported. The fiend is guilty, viewers
are told, and his defenders are liars and dupes.
 
Creature with the Atom Brain. A policeman faces a gangsters army of atomic
zombies, created by a Nazi.
 
Zentropa. Fiendish Germans plot against noble Allies after the war.
 
To Be or Not to Be.  Sadistic Germans are outwitted by a kindly Jewish comedian.
 
G.I. Diary. Recalling the horrors evil Germans perpetrated.
 
Reunion. A former concentration camp inmate and an Allied war hero discuss the
horrors of the Germans at the Mauthausen death camp.
 
Strange Holiday. A prediction of what might happen if the Germans take over the
world. Script by horror writer Arch Oboler.
 
Journey into Fear. Sadistic agents of the Germans terrorize an American.
 
The Nightmare Years. Four part docudrama. German madness spreads like a cancer
as William and Tess cling desperately to their love while trying to expose the
evils of the Germans.
 
Kristallnacht: The Journey from 1938 to 1988. Evil Germans unleash wholesale
persecution of noble Jews. A film the whole family should watch with a message
the whole world should remember.
 
Terezin Diary. Recalling the horrors of the malevolent Germans.
 
To Serve Them All of My Days. In part 12, Bamfylde learns of the horrible ordeal
of a gallant Jewish youth who had been persecuted by evil Germans.
 
The Quiller Memorandum. A murderous German organization arises in Europe after
the war.
 
Soap. The major (Arthur Peterson) mistakes a neighbor for a German spy.
 
Primo Levi: The Memory of the Offense. The saintly life of a great Jewish
Holocaust
Survivor is recalled.
 
My Favorite Blonde. Evil German spies chase an entertainer.
 
The House on 92nd Street. The FBI uncovers a dangerous German spy ring in
America.
 
Confessions of a Nazi Spy. A  hideously evil German spy network plots the
downfall of  America.
 
House on Carroll Street. A victim of McCarthyism discovers a Neo-Nazi plot to
take over America.
 
Man Hunt. Malevolent Germans pursue a man across Europe.
 
The Foreman Went to France. Exciting true story about evil Germans pursuing a
man across France.
 
Operation Daybreak. An evil German leader is assassinated by heroic patriots.
Asassination. A wicked German leader is executed by noble commandos.
 
The Restless Conscience. Documentary advocating assassination of evil Germans is
a gripping evocation of the duties of humanitarians.
 
Witnesses to the Holocaust: The Trial of Adolf Eichmann. Documentary on the evil
German monster and the noble Jews who hunted him.
 
The Juggler. Kirk Douglas stars as a scarred victim of German persecution
seeking refuge in postwar Israel.
 
The Wannsee Conference. Depicts the monstrous character of the German
leadership.
 
Gestapos Last Orgy. Features all the heinous and  vile acts of torture, sexual
abuse, cannibalism, gas chambers, acid baths, vicious deaths and all the sick
things that went on at the German prison camp of Commandant Konrad Von Starker.
 
More Than Broken Glass: Memories of Kristallnacht. Interviews with Holocaust
 
Survivors and Jewish historians concerning the evil Germans did in 1938.
Son of Lassie. The courageous collie joins the fight against evil, putting the
bite on the Germans.
 
For the Living. Chronicling the creation of Americas only state-sponsored
religious shrine, the venerable U.S Holocaust Museum in Washington D.C.
.moving and informative... (NY Times).
 
Holocaust: In Memory of Millions. The cosmic evil of the Germans is recalled by
noble Jewish Survivors and Nobel laureate Elie Wiesel.
 
Diamonds of the Night. In Jan Nemecs 1964 classic, two Jewish boys jump off a
train bound for Auschwitz amd scramble for their lives... (NY Times).
 
Unknown War. Wicked Germans devastate the countryside and cities.
 
Passage to Marseille. Five escaped convicts join the battle against evil
Germans.
 
Puppet Master 3. Pin-Head, Leech Woman and Six-Shooter join the battle against
evil Germans.
 
The Bunker. The madness of Germans is revealed.
 
Faulkenau, the Impossible: Samuel Fuller Bears Witness. Documentary on the
horrors perpetrated by the Germans.
 
Breaking Point. Sadistic Germans torture a man.
 
A Day in October. Sadistic Germans hunt a man who finds refuge with a noble
Jewish family.
 
Travels in Europe. Rick Reeves ponders the evil of the Germans .
 
The Heroes of Telemark. Heroic fighters battle nefarious Germans.
 
The Heroes. A group of allies must foil vicious Germans.
 
Valley of Hunted Men. The Three "Mesquiteers" chase an evil German war criminal
in the Old West.
 
Berlin Tunnel. Gripping story of the struggle against German evil.
 
The Mortal Storm. Dramatization of Phyllis Bottome's novel showing the evils of
the Germans.
 
Geraldo.  The children of hideously evil German leaders are discussed.
 
Weapons of the Spirit. Two hour documentary on the persecution of noble French
Jews by German fiends.
 
The First Convoy. Two hour British TV special on the sorrowful plight of the
noble
French Jews who were shipped to Auschwitz by Christian scum and German swine.
 
Frances Forgotton Shame. Discovery Channel documentary on the awful fate of
thousands of Jews, mercilessly persecuted by subhuman Frenchmen at Drancy.
 
Night and Fog. The wickedness of the Germans is revealed.
 
Holocaust: Survivors Gather in Philadelphia. Televised highlights of a three-day
conference of saintly Jews who recount the unspeakable horrors inflicted on them
by the evil Germans.
 
Love Camp 7. Captive Jewish women are tortured and forced to become sexual
playthings for Nazi officers who compel the Jewish ladies to engage in
lesbianism and orgies. Every scene in this 1968 movie is based on historical
facts. Starring Dave Friedman.
 
65316: Survivor. Auschwitz Survivor Michael Vogel gives a harrowing account of
the evils of the Germans.
 
The Desert Rats. Evil Germans are crushed at Tobruk.
 
Oprah Winfrey. The Real Schindlers. Pro-Jewish Germans relate the wickedness
of their kinfolk and the saintliness of the Chosen People.
 
Lifeboat. A sadistic German torments his captives.
 
Notorious. A vicious Nazi sadistically manipulates his wife in his greed for
power.
 
Edge of Darkness. Savage German murderers run amok in Scandinavia.
 
Murphys War. Savage German murderers run amok in South America.
 
Between the Wars. Documentary contrasts the fiendish policies of the satanic
German monster Adolf Hitler with those of the great American hero and statesman
Franklin Roosevelt.
 
Unsolved Mysteries. The Diabolical Mind compares the cosmic evil of German
monster Adolf Hitler with the horrendous crimes of Arab fiend Saddam Hussein.
 
 
I Deal in Danger. Evil Germans are outwitted by a resourceful Allied agent.
 
Unsolved Mysteries. Account of how the saintly  family of a murdered Jewish
community leader are persecuted by those around them.
 
Witness: The Hidden Children. British account of the saintly Jewish hero Andre
Stein who was gang-raped by Hungarian Nazis and thrown onto a pile of corpses.
 
I Escaped from the Gestapo. Evil Germans are foiled.
 
Geraldo. The monstrous actions of German Dr. Joseph Mengele are examined by
 
Geraldo Rivera and a panel of Holocaust Survivors.
 
Now It Can Be Told. Host Geraldo Rivera explores the crimes of the hideously
evil German Dr. Joseph Mengele.
 
One of Our Aircraft is Missing. Allied forces elude fiendishly evil Germans in
Holland.
 
Shining Through. Fiendishly evil Germans persecute a woman.
 
This Land is Mine. Wicked Germans terrorize a town.
 
Crimewatch Tonight. Ike Pappas reports on the case of vicious Nazi doctor Vilis
Kruze who practiced in the U.S. and caused brain damage.
 
Hanna's War. The real life story of a heroic Jewish woman who fought the cosmic
evil of the wicked Germans.
 
Operation Eichmann. Story of the valiant Jewish agents who captured a  German
fiend in South America.Medgar Evers
 
Our Century. Children of the Third Reich. The children of German monsters meet
the children of holy Holocaust Survivors and beg their forgiveness.
 
Hitler, the Last Ten Days. Portrait of the German monster.
 
Fuehrer: Rise of a Madman. Dramatization of the cosmic evil of German monster
Adolf Hitler.
 
Fuhrer: Seduction of a Nation. British documentary on the world's most evil man:
German monster Adolf Hitler.
 
The Hitler Gang. Fiendish Germans instigate an orgy of evil.
 
Hitler--Dead or Alive. American agents stalk the monstrous German dictator.
 
Hitlers Madman. Monstrous Germans attack a village.
 
Hitler's Children. Helpless children are tormented by evil Germans.
 
Hitler's Daughter. The Satanic daughter of the German monster organizes a wicked
conspiracy to subvert America and take over the world.
 
Hitlers Gold. A fiendish German  knows the whereabouts of a treasure which
American agents must unearth.
 
Heil Hitler! Confessions of a Hitler Youth. Evil German juveniles are discussed
by a man who was one.
 
Der Fuehrers Face. Childrens cartoon exposes the German monster for the cretin
he was. Winner of the Oscar for Best Animation.
 
Paris After Dark. Monstrously cruel Germans terrorize France.
 
Is Paris Burning? Hideously evil Germans terrorize Europe.
 
Mississippi. Ben (Ralph Waite) is appointed to defend a heroic Survivor of the
 
Holocaust accused of killing a fiendishly evil German he'd been hunting for 40
years.
 
Genghis Cohn. A Jewish comedian killed in Dachau returns from the dead to haunt
his evil German executioner.
 
Wanted Dead or Alive.  A bounty hunter pursues a vicious Arab terrorist.
 
The Delta Force. Super-hero Chuck Norris takes on  vicious Arab terrorists.
 
Sword of Gideon. Heroic Israeli intelligence agents hunt vicious Arab
terrorists.
 
Black Sunday. Vicious Arab terrorists threaten the Super Bowl.
 
Ministry of Vengeance. Vicious Arab terrorists institute a reign of terror.
 
Iron Eagle. Vicious Arab terrorists beat an American to death.
 
Iron Eagle II. Vicious Arab terrorists plot to take over the world.
 
The Death of Klinghoffer. An operatic masterpiece about the murder of a kindly
Jewish cripple by vicious Arab terrorists.
 
Victory at Entebbe. Dramatizes the heroic Israeli army raid on vicious Arab
terrorists.
 
Raid on Entebbe. Portrait of the heroic Jewish army commandos who smashed
vicious Arab terrorists.
 
Death Before Dishonor. Vicious Arab terrorists, advised by a German fashion
model, are opposed by the U.S. Marines and Israeli intelligence.
 
Navy SEALS. Heroic sailors wipe out a nest of vicious Arab terrorists.
 
The Finest Hour. Noble U.S. Navy commandos unite with heroic Jews to fight
vicious Arab war criminals.
 
Rosebud. Vicious Arab terrorists assault young women aboard a yacht.
 
Steal the Sky. Wise, restrained, noble Jews in the Israeli government outwit
vicious Arab terrorists.
 
Pillar of Fire. (Made for Israeli TV). Jason Robards narrates this 19 hour
series on the founding of the heroic nation of Israel by noble Zionists.
 
21 Hours. Vicious Arab terrorists go on a rampage.
 
Triumph and Tragedy. Vicious Arab terrorists run amok.
 
True Lies. Super-hero Arnold Schwarzenegger battles hideously evil Arab scum.
 
Cast a Giant Shadow. Story of a heroic Jewish soldier who assisted in the
founding of the nation of Israel in the midst of attacks by vicious Arab
terrorists.
 
Exodus. An all-star cast spotlights the struggles and heroism of noble Jewish
pioneers as they establish the nation of Israel in the wake of attacks by
vicious Arab terrorists.
 
A Woman Called Golda. Reverent film biography of the heroic Israeli leader,
Golda Meir, who fought vicious Arab terrorists.
 
The Jerusalem File. Vicious Arabs vs. noble Jewish students during the 1967 war.
 
Deadly Currents. Simcha Jacobovicis documentary shows just how dangerous
(Holden, NY Times) Palestinian children who throw rocks really are, and why
sensitive Israeli troops must shoot them in self-defense. Balanced and
powerful! The best film Ive seen on the Palestinian-Israeli conflict. -Bob
Simon, CBS News.
 
Protocol. Vicious Arabs cross paths with Goldie Hawn.
 
Desperate Rescue: The Cathy Mahone Story. A vicious Arab betrays his American
wife and kidnaps their child.
 
The Dhimmis: To Be a Jew in Arab Lands. Harrowing portrait of the fiendish
persecution suffered by noble Jews at the hands of vicious Arabs.
 
Jerusalem D.C. Evangelist Mike Evans' TV special focuses on God's divine
relationship with the state of Israel.
 
Jimmy Swaggart. Rev. Swaggart's March, 1985 program from Kansas City centers on
the fact that the Israelis are America's only hope and God's divinely mandated
representatives on earth.
 
Jack Van Impe Presents Armageddon. The noted evangelist declares the fact that
the government of the state of Israel is divine.
 
PTL. From Israel. Jim and Tammy Baker meet with Foreign Minister Yitzhak Shamir
and present him with a gift of an engraved book from the prayer partners.
 
Not Without My Daughter. Demonic Iranians run rampant in this expose of the
despicable national character of the evil Iranian people.
 
Rollover.  Evil Arabs plot to take over the world.
 
Let My People Go. David Wolper documentary on the heroic Jewish pioneers who
founded the nation of Israel and the vicious Arabs and Germans who persecuted
them.
 
Terrorist on Trial. A noble, humanitarian Jewish attorney defends a vicious Arab
terrorist guilty of heinous crimes.
 
For Their Own Good. A noble, humanitarian, female Jewish attorney defends a
woman victimized by an abusive White husband and evil White male factory
officials and employees.
 
Outpost in Morocco. Vicious Arabs launch a reign of terror.
 
Jihad in America. Noble Jewish reporter Steve Emerson exposes the vicious Arab
terrorists who use the U.S. as a base for their evil war against our great ally,
the Israelis. PBS documentary.
 
Israeli Diary. Israel's Deputy Foreign Minister Yehuda Ben-Meir explains the
goodness of Zionist policies.
 
The Little Drummer Boy. Vicious, money-grubbing Arabs run amok in this animated
childrens Christmas classic.
 
A Black to the Promised Land. A film by Madeleine Ali, a Black American who
converted to Judaism, celebrating the heroism, idealism and nobility of the
Zionist state of Israel. A huge success. (Canadian Jewish News).
The Boat is Full. Saintly Survivors of the Holocaust are tormented by evil Swiss
officials.
 
The Two of Us. A saintly Jewish boy is betrayed by a viciously evil Frenchman.
 
Doctor Petiot. A monstrous French vampire preys on innocent Jewish people.
 
Sixty Minutes. "Libertie, Egalitie, Fraternitie." Dan Rather documents French
cruelty against the Jews.
 
I Accuse. An innocent Jewish man is falsely accused of a crime by vicious French
hatemongers.
 
Everyman: The Hangman of Lyons. True-life account of a hideously evil French
Catholic, Paul Touvier.
 
Molly's Pilgrim. Portrait of a kindly Jewish immigrant who overcomes the bigotry
of those around him.
 
Joseph Brodsky: A Maddening Space. A heroic Russian Jewish writer is persecuted
by those around him.
 
Sakharov. A heroic Russian Jewish scientist is persecuted by those around him.
 
In the Line of Duty: Siege at Marion. Heroic government agents hunt down a
family of murderous Christian zealots inspired by their father John, a
home-schooling fanatic.
 
Prisoner of Honor. An entire Christian nation conspires against a noble French
Jew.
 
A Few Good Men. A Christian U.S. Marine who repeatedly announces his devotion to
Jesus Christ and the King James Bible, is revealed to be a sadistic murderer
of an innocent kid.
 
L.A. Law. A kindly Jewish attorney is persecuted by a vicious gentile who does
not want her daughter to marry a Jew.
 
Highway to Heaven. Michael Landon focuses on evil gentiles led by "Jan Baltic."
 
The Evacuees. Jack Rosenthals moving story of orthodox Jewish refugees in
England who must escape ill-treatment in the home of a callous Christian family
where they are forced to eat pork sausage.
 
Evil in Clear River. A monstrous Christian teacher turns a high school into a
hate-propaganda mill.
 
Oakmont High. A vicious Christian teacher uses his  classroom  as a platform for
bigotry.
 
Scandal in a Small Town. An evil Christian uses his position as a teacher to
transform a high school into a recruiting camp for persecuting Jews.
 
A Killing in a Small Town. A monstrously evil Christian Bible school teacher
murders a woman with an ax.
 
School Ties. Evil Christian college students torment a noble Jewish youth at an
ivy league school.
 
The Star, the Castle and Butterfly. Moving history of the noble Jews of Prague,
from their vicious persecution at the hands of medieval Christian Crusaders to
the evils of  modern Germans.
 
Gentlemans Agreement. Story of the horrible persecution of Jews after they are
excluded from a country club by evil Gentiles. Academy-award, Best Picture,
1947.
 
Quiz Show. A crusading Jewish attorney worth ten times his Christian
intellectual opponent, unmasks a dastardly scheme to favor gentiles over Jews on
a TV contest program.
 
Top Cops. A sadistic hoodlum shoots an innocent and honorable Holocaust
Survivor.
 
Final Analysis. Richard Gere calls on a fellow psychiatrist, an immensely kind,
innocent and humanitarian Jewish doctor, to testify in a murder trial in this
film about
Gentile intrigue and an evil Greek-Orthodox gangster.
 
Dont Drink the Water. A lewd Arab parades his harem through the embassy.
 
In the Line of Duty: Manhunt in the Dakotas. Heroic government agents hunt down
Gordon Kahl, an evil White Christian farmer who refuses to pay taxes and who is
"a murderous true-life religious fanatic with schizophrenic tendencies" (TV
Guide ).
 
Meeting With Father. A Survivor of the Holocaust confronts the family of an evil
Ukranian.
 
Go Away. Evil Ukranian Christians slaughter noble Jews during Czarist times.
Filmed with the assistance of the communist government of the Soviet Union.
 
Memoirs of a River. Judit Eleks story of the fear, misery, humiliation and
extreme brutality (NY Times) experienced by terrified Hungarian Jews at the
hands of fiendish gentiles.
 
Latest News From the End of the World. Boris Kustovs quasi-documentary about
viciously anti-semitic Russians.
Escape to the Sun. Russian cruelty against the Jews is showcased.
 
All the King's Jews. Portrait of noble Jews persecuted by viciously evil
Christian bigots in 13th century Britain.
 
CITY. Christian traditions about Mary, the Mother of Christ, are exposed as
stupid and ridiculous in this episode.
 
Gideon Oliver. "Kennonite." Hideously evil Christians engage in prostitution and
murder.
 
Miami Vice. Crockett and Tubbs battle a gang of evil Christians who viciously
torment saintly Jewish people.
 
Giustina. An award-winning film about an Italian-American woman's struggle
against the bigotry she faces from her disgusting Christian family after she
begins dating a noble Jewish man.
 
The Nasty Girl. A noble Jewish merchant is murdered by evil Christians.
 
Misery. Directed by Rob Reiner. A hideously evil White Christian country girl
tortures a  writer from New York City. When he finally escapes she gets her just
desserts as he beats her ugly White face in. Academy Award-Best Actress.
 
Flight of the Black Angel. A hideously evil Christian commits mass murder, then
tries to start World War 3.
 
Shannon's Deal. A family of hideously evil Christian Bible believers can only be
stopped by a heroic lawyer.
 
Dark Justice.  In this episode, a vile Christian minister steals the life
savings of an old lady.
 
Pair of Aces. A bloodthirsty Christian fanatic slaughters six teenage girls.
 
Flesh and Blood. In the two-part NBC premiere, a family of rural White
Christians display their abysmal ignorance and stupidity.
 
Single Women, Married Men. Christian women are shown to be relentless whores and
adulterers.
 
Cape Fear. (1991). A monstrously evil, Bible-quoting, Southern Pentecostal
Christian-murderer terrorizes women and children.
 
Chicken Soup. A kindly Jewish man (Jackie Mason), tries to show Maddie's
hate-filled Irish Catholic brother the real meaning of love.
Killer Nun. A horribly evil Catholic nun (Anita Ekberg) slaughters helpless
hospital patients.
 
Rachel Gunn, R.N. In the July 26, 1992 episode, the series idiot, a Catholic
nun, Sister Joan, is exposed as a liar and a moron.
 
The Nuns of Saint Archangelo. Monstrously evil Roman Catholics engage in every
depravity known to man.
 
The Boys of St. Vincent. Evil Catholic monks go on a rampage.
 
Flavia. Totally vile Roman Catholics engage in torture, rape, depravity,
beatings and butcheries.
 
Stop the Church. PBS "P.O.V." special exposes as ridiculous the beliefs, liturgy
and traditions of the Catholic church.
 
Faith Even to the Fire. PBS P.O.V.  special exposes the hateful and evil
beliefs of the traditional Catholic church.
 
20/20. ABC News special on sadistic Catholic nuns at Salve Regina College.
 
The Pope Must Die(t). ...an irreverent spoof that lampoons the trappings of
(the Catholic) religion...Alex Rocco co-stars as a smarmy Cardinal with mob
connections (TV Guide, Aug. 22, 1992).
 
Red Monks. Evil Catholic monks commit countless crimes.
 
Fanny and Alexander. The evil of a vicious Lutheran minister is contrasted with
the wisdom, piety and forbearance of a noble Jewish rabbi.
 
Judgment Day. John List, a devout Lutheran who objects on religious grounds to
his daughter taking part in a school play, kills his mother, wife and children.
 
The Passover Plot. Proves that the treacherous Jesus Christ faked his own death
on the cross.
 
The Last Temptation of Christ. Film biography of the life of Jesus, shows him to
have been a demented coward and freaked-out sexual psychopath.
 
Yentl. The glories of Jewish heritage and the noble religious spirituality of
the Talmud are celebrated in this tale of a heroic Jewish girl determined to
study at a yeshiva.
 
ShortStories. "A Psalm for Moshe." The nobility,  spirituality and glory of the
religious heritage of a Hasidic Jew is revealed.
 
Bonjour! Shalom. The nobility, spirituality and saintliness of Hasidic Jews
living in French Quebec is showcased.
 
A Stranger Among Us. The magnificent holiness, virtue and saintliness of Hasidic
Jews is dramatized.
 
Hester Street. Sensitive and sympathetic study of the glories of Jewish heritage
and culture on NY's East Side.
 
Talmud and the Scholar. The genius, holiness and wisdom of the Jewish rabbis
whose learning comprises the sacred Talmud are showcased.
 
Moise. Moving depiction of the deeply spiritual life of a profoundly pious, pure
and holy Jewish couple.
 
The Angel Levine. An elderly Jewish tailor's deep piety and devotion to his
religion help him to endure trying times.
 
Oasis in Time. Deeply touching portrayal of the profound holiness of the Jewish
religion.
 
Passover: Festival of Freedom. Examining the sacred history and noble traditions
of the Jewish rite of Seder.
 
Eternal Light. "Precious Legacy." Sacred treasures of Jewish religion and
culture: artifacts of a glorious four thousand year holy heritage stolen by evil
Germans during the Holocaust--are highlighted.
 
The Chosen. Deeply moving account of a noble Jewish youth coming of age inside
orthodox Judaism.
 
thirtysomething. A wise rabbi counsels Michael on the real meaning of the
sacred.
 
Ghetto Ten. Noble, elderly New York Jews attempt to preserve their sacred
heritage and their synagogue amid the squalor of the South Bronx.
 
L'Chaim To Life. Program devoted to the outstanding humanitarian projects of
Hasidic Jewish religious leaders in America.
 
Cheers. Circumcision is sensitively portrayed as a kindly Jewish father
(Frasier) reacts to his son's bris.
 
The Young Lawyers. Noble, compassionate Jewish lawyer Aaron Silverman (Zalman
King) fights for justice.
 
Reasonable Doubts. In Part One, Tess (Marlee Matlin) has a hot case involving a
juvenile anti-semite who savagely murdered a Hasidic Jew. TV Guide.
 
Reasonable Doubts. In the two hour conclusion, Tess must bring a vicious
Christian punk to justice while a judge obstructs her effort to win justice for
saintly Jews.
 
The Century of Teddy Kollek. Willy Lindwers documentary on the wise and saintly
Jewish mayor of Jerusalem.
 
Lodz Ghetto. Inspiring film about the noble spirituality of the Jewish religion
as its adherents suffer horrible torments and slavery at the hands of fiendish
Germans.
 
Brooklyn Bridge. Weekly TV series celebrates the wisdom, warmth, decency and
humanity of two Jewish families--the Silvers and the Bergers--in Brooklyn in the
1950s--who are occasionally harassed by gentiles. In this episode, Jacob, a
saintly
 
Holocaust Survivor, adjusts to life in America.
 
The Quarrel. Two profoundly humane Jewish philosophers debate the moral
significance of German evil and the persecution of God's Chosen People.
 
The Diary of Anne Frank. 1959 film version of the story of a noble Jewish girl's
life of suffering.
 
The Diary of Anne Frank. 1980 made-for-TV version, starring Melissa Gilbert (of
"Little House on the Prairie") as a saintly Jewish girl.
 
The Attic: The Hiding of Anne Frank. Emmy award-winning account of a family of
saintly Jews and their holy daughter Anne, who seek refuge from evil Germans in
an attic.
 
Last Seven Months of Anne Frank. A saintly Jewish girl's noble life of suffering
is profiled.
 
World of Anne Frank. The life of the holy Jewish teenager and her noble family
is chronicled.
 
Children of the Holocaust. Harrowing stories of Jewish survival, including the
tale of Yehuda Bacon who worked as a child slave laborer in Auschwitz hauling
carts full of corpses.
 
Why Wasnt He Here? Based on a 13 year old Jewish girls diary, this Hungarian
film portrays the sufferings of her holy family at the hands of evil
anti-Semites.
 
Tango of Slaves. A film about making a film about The Holocaust. The title is
taken from the name of a song composed by a 12 year old girl imprisoned in
Auschwitz.
 
Prisoner Without a Name. Story of a noble Jewish witer, Jacobo Timerman,
persecuted by those around him.
 
Joshua Then and Now. Story of a noble Jewish writer, Mordecai Richler,
characterized by his warmth, tenderness, sensitivity and humanitarianism.
 
Forced March. An actor in a Hollywood movie about the unspeakable evil of the
Germans discovers the true heroism of the Jewish people.
 
Avenue Z Afternoon. A saintly Jewish lady confronts a thief in Brooklyn and
converts him to goodness.
 
Avalon. Barry Levinson's heartwarming story of three generations of a noble
Baltimore Jewish family and the wise  patriarch who guides them.
 
Sesame Street. Kibbutz. The PBS childrens TV program highlights the nobility
of the Zionist communal system.
 
Sesame Street. The Land of Israel. The PBS childrens TV program highlights
the nobility of the Jewish nation of Israel.
 
Tales of the Days of Awe. In celebration of the Jewish High Holy Days, ABC-TV's
anthology of profoundly moving sacred stories by Elie Wiesel and Sholom Aleichem
is dramatized.
 
The Papal Concert to Commemorate the Holocaust. A Vatican performance of the
Royal Philharmonic conducted by Gilbert Levine who was subsequently knighted by
the Pope for his sublime musical evocation of the horrors experienced by Gods
holy people and will now be known as Sir Gilbert Levine.
 
Bob Costas. Host Bob Costas conducts a two part TV interview with Elie Wiesel
and praises him for his sainthood, piety and wisdom.
 
Beyond Hate. Bill Moyers 90 minute PBS documentary features commentary by such
distinguished Jewish humanitarians as Elie Wiesel, who condemns hate.
 
Facing Hate. Bill Moyers 60 minute PBS interview with the Nobel laureate,
Holocaust Survivor and humanitarian, Jewish thinker Elie Wiesel, who discusses
the evil of the Germans.
 
The Frisco Kid. Marvelously engaging tale of a saintly Polish rabbi in the Old
West, whose charm, humor and kindness shine through every difficulty.
 
Miss Rose White. The troubled daughter of a saintly Polish Jew must confront
painful truths when she is reunited with her sister, a noble Holocaust Survivor.
A Hallmark
Hall of Fame Presentation.
 
Neil Simons Broadway Bound. Warm and sensitive ABC Monday Night Movie about two
Jewish brothers from Brooklyn trying to become TV comedy writers, and the
marvelously humane and compassionate Jewish family that nurtures their dreams.
 
Magnum P.I. Vicious hatemongers kidnap a kindly Jewish woman's husband to obtain
information about Israeli intelligence.
 
Fiddler on the Roof. Beautifully evocative celebration of Jewish culture in
eastern Europe.
 
Klezmer:Fiddler on the Roof. 1992 BBC documentary charts the course of the holy
Jewish culture from eastern Europe to America.
 
The Last Klezmer. Reverent portrayal of the noble Yiddish cultural icon Leopold
Kozlowski, whose music forms a veritable liturgy of poignant Jewish folk songs.
 
Crossing Delancey. Deeply moving, charming story of a self-sufficient bookseller
(Amy Irving) and the down-to-earth kosher pickle vendor her Jewish grandmother
wants her to marry.
 
Lies My Father Told Me. Marvelously heartwarming account of a gallant Jewish
grandfather in Canada. Yossi Yadin.
 
Charlie Grant's War. A businessman  rescues  noble Jewish people from vicious
anti-semites.
 
Angry Harvest. A noble Viennese Jewish woman seeks shelter from evil Germans and
soon proves her goodness and decency.
 
The Pawnbroker. A noble Jewish man is haunted by the memory of his sufferings at
the hands of evil Germans.
 
Night Gallery. A  near-penniless Jew stands on the brink of death.
 
The Waltons. John-Boy and the family aid saintly Jewish refugees.
 
L.A. Law. A noble Jewish philanthropist (Theodore Bikel) is tormented by a
doctor.
 
Homicide. Hateful publications turn up in a N.Y. neighborhood and heroic Jewish
freedom-fighters wipe out the print shop where the evil literature was produced.
 
The Murder of Mary Phagan. Emmy-award-winning indictment of evil Christians and
vicious anti-semite Tom Watson in the case of the persecution of a noble Jewish
factory manager in 1913.
 
Heritage Conversations. Jewish historian Yousef Yerushalmi discusses the  the
persecution of the Jews.
 
The Quarrel. Poignant tale of two noble Holocaust Survivors haunted by their
past in post-war Montreal. Winner of the Dame Judith Anderson Award for Best
Film.
 
The Sorrow and the Pity. Noble Jews recount their victimization.
 
Selling Murder. The horrors of German produced hate movies are documented.
 
A Doctors Story. A saintly Survivor of the Holocaust faces persecution in a
hospital.
 
Auschwitz and the Allies. Jewish historian Martin Gilbert's heart-rending study
of the gallantry of Gods Chosen People.
 
Sisters. Frankie considers becoming one of Gods Chosen People by joining
Judaism, the worlds noblest religion.
 
Struggles for Poland. Chronicling the persecutions suffered by Jews.
 
Where Shall We Go? British documentary on noble Holocaust Survivors who describe
the persecution they suffered.
 
Night Court. Harry assists a wonderfully humane and warm Russian Jewish refugee
(Yakov Smirnof) extend a visa for his noble father.
 
Northern Exposures. Features the charming Jewish doctor Joel Fleischman, M.D., a
lovable curmudgeon (TV Guide).
 
The Hiding Place. Saintly Jews are persecuted by evil Germans.
 
My Hundred Children. Linda Lavin as a saintly Survivor of the Holocaust who
returns to her native Poland after World War II to rescue noble Jews.
 
For Those I Loved. Story of a gallant Jewish Holocaust Survivor and the
unspeakable persecutions he suffered at the hands of evil Germans.
 
Judith. A saintly Austrian Jew is brought to Israel to help locate her
treacherous Nazi husband.
 
Daniel. Ed Asner stars as an attorney defending Julius and Ethel Rosenberg,
whose arrest for selling America's atomic secrets to Stalin may have been
motivated by anti-Jewish bigotry.
 
Mr. Halpern and Mr. Johnson. A noble Jewish gentleman must confront the past.
 
Sunday Today. The pain of the Holocaust is shared by Jewish Survivors.
 
Patrimony: Judaica in the Vatican. The precious treasures of Judaisms high
civilization and culture are respectfully reviewed.
 
The Final Solution: Auschwitz. Depicting the sufferings of saintly Jews.
 
Forbidden. A rich gentile woman falls in love with a saintly Jewish humanitarian
who enlists her in his battle against hate.
 
Wiseguy. In this episode vicious anti-semites plague Vinnie's neighborhood.
 
The Last Metro. A noble Jewish director is persecuted.
 
MacGyver. MacGyver is in attendance when pious Jews holding the beautiful and
holy
 
Bar Mitzvah ceremony seek his help in fending off persecution.
 
Heritage: Civilization and the Jews. "Out of the Ashes." PBS special on the
persecution inflicted by evil Germans upon Gods Chosen People.
 
Perry Mason: The Case of the Desperate Deception. The shadow of evil falls
across Perry, on the trail of fiendish Jew-haters in Paris.
 
Europa, Europa. "..accomplishes what every film about the Holocaust seeks to
achieve: it brings new immediacy to the outrage by locating specific, wrenching
details that transcend cliches." - Maslin, NY Times.
 
A Day in the Warsaw Ghetto: A Birthday Trip in Hell. Jewish-Canadian director
Jack Kuper's documentary about the persecution inflicted on saintly Polish-Jews.
 
Two Half-Times in Hell. Hungarian director Zoltan Fabris film showcasing evil
German monstrosity  during a soccer match held on Hitlers birthday in a death
camp.
 
Chasing Shadows. Heart-rending tale of a noble Jewish woman who accompanies her
saintly father, a Survivor of the Holocaust, on a torturous visit to his home
town in the anti-semitic Carpathian mountains where memories of unspeakable
torments are painfully rekindled.
 
Speak Up!Its So Dark. Swedish film about a saintly Jewish psychiatrist who
helps an evil gentile youth learn the true meaning of justice and fair play.
 
Tenspeed and Brown Shoe. Heroic Jeff Goldblum battles insidious neo-Nazis in
this pilot for the TV series.
 
The Summer of Aviya. A Jewish woman is driven insane by the Holocaust.
 
Breaking the Silence. The Generation After the Holocaust. Documentary account of
the torments and sufferings facing the Children and Grandchildren of Holocaust
Survivors.
 
Babylon 5. In deep space, a humble, high-minded, profoundly holy rabbi reminds
Ivanova of her religious duties. Rabbi: Theodore Bikel.
 
Star Trek. On the outer planet Ekos, Capt. Kirk (Wm. Shatner) attempts to
prevent history from repeating, when a neo-Nazi tries to take over the universe.
Spock: Leonard Nimoy.
 
Never Forget. Leonard Nimoy stars as Mel Mermelstein, a saintly Jewish Survivor
of The Holocaust who struggles heroically to combat the lies of monstrously evil
revisionist historians, who claim The Holocaust has been  exaggerated.
 
Holy Matrimony. Depicts the evils and stupidity of the German-Christian
Hutterite religion. Directed by Leonard Nimoy.
 
An American Tail. Steven Spielberg's 1986 feature length children's cartoon
centers on a Jewish mouse persecuted by  those around him.
 
An American Tail: Fievel Goes West. In  Steven Spielbergs 1991 childrens
cartoon sequel, the Mousekewitzes, a family of immigrant Jewish mice who fled
Czarist Russia, lead a poverty-stricken existence in a New York City tenement,
until Fievel takes them West, where they must battle a huge Cat who is seeking
the mass extermination of the entire rodent community (Stephen Holden, NY
Times).
 
Schindlers List. Steven Spielbergs epic, three hour showcase of the evils of
German soldiers. Academy Award, Best Picture.
 
Schindler. Documentary about Oscar Schindler, the righteous gentile buried in
Israel, one of the few Germans who was not an evil cretin.
 
Primetime Live. They escaped justice but they couldnt hide from Sam Donaldson.
Some of the most hated men who ever lived are living it up. In Argentina. The
law couldnt catch up with these escaped Nazis. But Sam Donaldson did. And he
confronted them. Dont miss this face-to-face Nazi interrogation. (TV Guide,
May 5, 1994, p. 183). Produced by Ira Rosen.
 
The Simpsons. In this installment in the popular cartoon series, Bart and his
sister study the Talmud to find a way to help a Jewish clown get back into the
good graces of his formidable father, a rabbi who does not approve of clowning.
Voice of the rabbi: Jackie Mason. ...moving episode --TV Guide.
 
********************************************************************************
*************
>>...Hollywood executives have traditionally gone out of their way to avoid
making films with Jewish themes...except Schindlers List and one or two
others...<< -Bernard Weinraub, The New York Times, P. C-11, Nov. 7, 1994.
********************************************************************************
*************
 
The  following is a list of movies and TV programs concerning the Bolshevik Mass
Murder of 60 Million Russians, Asian and Muslim minorities and E. Europeans
perpetrated by such top Jewish communists as Trostsky, Apfelbaum (Zinoviev),
Uritsky, Kamenev, Berman, Yagoda, Frenkel, Kaganovich and Kuhn: NONE.
 
The Following is a List of Movie and TV Programs broadcast on American TV, on
the Mass Murder of Palestinian Women and Children by the Israeli Armed Forces:
ONE: Beirut to Bosnia, described by Walter Goodman in the NY Times as
..probably simplistic...stir(s) unease about the selection and use of
evidence (April 27, 1994, p. C-18).
 
  Authors Note: There are hundreds of additional hate films, some of which were
broadcast as individual episodes of TV series, that have yet to be listed here.
New ones are constantly in production. April of 1994 probably set a record for
massive overkill broadcast of Holocaust propaganda on TV.
 
The corpus of these teleplays, movies and infotainment documentaries comprise
a genre which constitutes the most massive and negative stereotyping of people
in the annals of propaganda, while at the same time representing an
unprecedented idolization of a Master Race (Jews).
 
 The logic of the New World Order consists in the dogma that the propaganda war
against Germans, Palestinians and Gentiles is a human rights campaign while
our defense against it, is a form of hate. As Orwell foretold, War is Peace.
 
The cinematic hatred directed against us under the guise of fighting hatred is
the most cynical and despicable hate propaganda of all.     -Michael A. Hoffman
II
 
Hate Propaganda in a Human Rights Mask. December, 1994 edition. 1994 by Michael
A. Hoffman II. All Rights Reserved.
(Hoffman edits Revisionist Researcher Magazine. For the issue devoted to
analyzing the lies in Schindlers List, send $6. A six issue subscription is
$30. 12 issue subscription: $50. (U.S. Funds/U.S. Bank). Checks payable to
Wiswell Ruffin House).
 
 
                  Wiswell Ruffin House
       P.O. Box 236, Dresden, N.Y. 14441
Send U.S. $3 for our catalog of books and tapes. (Free with any magazine order
or subscription).
 
Article 29171 of alt.censorship:
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From: hoffman2nd@delphi.com
Newsgroups: alt.censorship
Subject: Is Judaism a Form of Insanity?****************************************************
Date: Fri, 30 DEC 94 20:37:28 -0500
Organization: Delphi (info@delphi.com email, 800-695-4005 voice)
Lines: 241
Message-ID: 
NNTP-Posting-Host: bos1d.delphi.com

Is Judaism Institutionalized Insanity? Part One.
****************************************************
Copyright 1994 By Michael A. Hoffman II. All Rights Reserved.
 
In the wake of reading former Belsen concentration camp inmate and Hebrew
University professor emeritus Israel Shahaks outstanding new book, JEWISH
HISTORY, JEWISH RELIGION (U.S.$18.95 postpaid from Wiswell Ruffin House, POBox
236, Dresden, NY 14441; overseas add U.S.$5.00), I have taken up the
contemplation, reluctantly once again, of the possibility that Judaism is a form
of insanity.
 
I say reluctantly because every religion has the right to its own story, some
individual Jews of my acquaintance are brilliant, lucid, witty and eminently
genuine and because the investigation of the possible psychotic character of
Judaism is potentially a rhetorical engine without a flywheel.
 
And yet one encounters a strangely alluring configuration of factors which
impels the investigation of this subject, not the least of which is the failure
of the media and academy to takeit up.
 
Friedrich Nietzsche stated: >>The Jews are the most remarkable people in history
because, whenever they have been faced with the question, >To be or not to be,<
they have always decided, with an uncanny insight, to be at any price: even if
that price was the radical falsification of human nature, naturalness, reality,
and the entire inner world as well as the external world.<<
 
The professor of philology was fortunate to have made that statement in 19th
century Germany. Now he would be arrested and imprisoned in Germany for such
statements.
 
Ditlieb Felderer, a former Jehovahs Witness is now incarcerated in Sweden, the
land of swinging sexual freedom, which gave us the first mainstream porno flick
(>>I am Curious Yellow<< which, in the days before VCRs, even managed to entice
Madame Onassis into a public theater to catch the action). Felderer is serving a
one year sentence on a charge related to the distribution of pornography.
 
Of course, if you were to guess that the Swingin Swedes do not usually imprison
sexual pornographers you would be right. Felderers >pornography< is of the
politically satirical kind. He has for years distributed cartoons lampooning the
sacred religion of the New World Order, THE HOLOCAUST.
 
Hence his satire is >pornography< in the eyes of the Swingin Swedes just as
Salman Rushdies book is pornography in the eyes of the mullahs with one key
difference: the Iranians dont claim to hold Western values of freedom of speech
and press whereas hypocritical Sweden does.
 
 Moreover Sweden has made a loud show of hailing Salman Rushdie and other
anti-Muslim dissidents while tossing anti-Zionist Felderer into a jail cell.
 
Felderer is not only a satirist. Dr. Robert Faurisson, formerly of Lyon
University and the leading historian of World War Two revisionism, regards
Felderer as the preeminent archaeologist of the Auschwitz Concentration camp.
 
In fact, Felderers expert photographic documentation of the fraudulent exhibits
at the camp in the 1970s is perhaps the finest extant. But due to complaints
from Jewish potentates the government of Sweden has given Felderer a one year
jail sentence.
 
Did you hear about this writers imprisonment on ABC Radio News or read of it in
U.S. News and World Report or the New York Times or the Washington Post? Surely
not. Felderer is not a Zionist or an enemy of the Arabs so how could his
imprisonment by Sweden interest the great human rights-oriented media executives
of America?
 
Meditating on Felderers lonely fate and the publicity vacuum which has
permitted his jailing with impunity, I thought of a reporter who covers the
Hollywood beat for the New York Times, Bernard Weinraub.
 
Mr. Weinraub, in the course of a Times piece impugning the integrity of the
English journalist William Cash, made a hilarious statement. It is one of those
achingly funny remarks that evokes alternating compulsions to laugh and cry. It
is so excruciatingly insane that laughter must win out.
 
Mr. Weinraub asserted:
>>...Hollywood executives have traditionally gone out of their way to avoid
making films with Jewish themes...except Schindlers List and one or two
others...<< (N.Y. Times, p. C-11, Nov. 7, 1994).
 
And one or two others?!  Was this a misprint for one or two thousand others?
 
One of my hobbies is researching and cataloging films and television programs
with Jewish themes. Elsewhere in this news group I have posted the fruit of my
labor, which I update every month or so, under the heading, >>Hollywood Hate
Propaganda Documented.<<
 
In that thread the reader will discover literally hundreds of films showcasing
Jewish piety, Jewish sainthood, Jewish probity, Jewish compassion and Jewish
wisdom and excoriating a certain race of central Europeans as fiends from hell,
monsters of evil, congenital murderers, satanic sadists, etc. etc. ad nauseum.
 
It is hate propaganda in a human rights mask.
 
So where has Mr. Weinraub been? Is he perhaps a Hollywood reporter who doesnt
go to the movies? Perhaps he doesnt own a television?
 
How has he managed to miss the veritable Niagara of flicks,  programs and movies
--thousands of Jewish-themed films cascading over the public consciousness for
the past forty years?
 
How can Weinraub, a reporter for the leading secular Jewish newspaper in the
world, as well as the editors charged with fact-checking his copy, get away with
such a whacko observation?
 
Could it be that when it comes to criticism of the Jews, Jews become insane and
in Nietzsches words, radically falsify reality as a form of defense of their
being?
 
The Simon Wiesenthal Center, together with a Canadian Human Rights Commission
which employs a thought policeman charged with spying on Canadians who criticize
Jews on the Internet  (Mr. Harvey Goldberg:ae763@freenet.carleton.ca) are
engaged in a determined campaign to prosecute, penalize and otherwise interdict
Internet writers who incur their displeasure.
 
Let us imagine that  Rev. Jeb Calhoun, chairman of the Americans for a Moral
Majority was to lead a crusade to prosecute, penalize and otherwise interdict
those who criticized Christians and Christianity on the Internet.
 
Can one even conceive of the rivers of outrage and arch satire that would pore
forth from the pens and mouths of everyone from Doonesbury to Sam Donaldson like
lava from Mount Vesuvius in the face of such an attempt?
 
But when Jews seek to censor, it is not a subject for establishment media
indignation and massive protest. In fact, to oppose Jewish censorship becomes a
form of hate in this surpassing strange universe.
 
Part of the problem is Shahaks magisterial work. It is inescapable. It pursues
you. Just when you thought you could say, >>Aw, to hell with protesting and
exposing Jewish supremacy and hate-mongering. Nobody cares. Its not worth it.
The price is too steep<< along comes Dr. Shahak with his searing, branding iron
of a book which burns the truth into you indelibly.
 
Take for instance Shahaks citation of the Kol Nidre rite in Judaism as
testimony to the mentality of dissimulation that pervades Judaism.
 
Prof. Shahak: >>What is popularly regarded as the most >holy< and solemn
occasion of the Jewish liturgical year, attended even by very many Jews who are
otherwise far from religion? It is the Kol Nidrey prayer on the eve of Yom
Kippur--a chanting of a particularly absurd and deceptive dispensation, by which
all private vows made to God in the following year are declared in advance to be
null and void?<<(Jewish History, p. 48).
 
What sort of religion ritualizes lying? How is it that this religion has come to
be regarded as the most divine in the world by the rulers of public image?
 
To answer we must resort to Nietzsche again. Nietzsche and Shahak, two pillars
of radical lucidity polarized against radical falsification, with Shahak the
more startling.  He lives in occupied Palestine under the rule of the rabbis and
therefore risks his life to write as he has (as he himself indirectly testifies;
cf. p. 17).
 
So what of the desire to punish historians?To jail writers? To silence
cartoonists?To bring the mechanisms of state violence against intellectuals and
wordsmiths?
 
In a radically falsified intellectual terrain it does not signify as long as the
victims are revisionists or Germans or Palestinians.
 
The insanity of Judaism has spread itself over a Judaized world and corrupted
the whole of the West. Hence the human rights concerns and Amnesty
Internationals of the West are a sham, a fact not lost on  Muslim
Fundamentalists.
 
 Obviously revisionists are not human and they deserve no amnesty. Judaism
decrees that the goy is not human but a limb of Satan (Hassidic Hatanya text
cited by Shahak, p. 27)  and only Jews are righteous while Christians are to be
exterminated (Maimonides; cited by Shahak, pp. 24-25). In fact the Christians
were exterminated under the Jewish Bolsheviks of Russia, though the dumb goyim
have failed to make a single movie about this anti-Christian holocaust
(presumably they are waiting for Hollywood to make one for them).
 
What then is the argument with Judaism? It is essentially a Jeffersonian one:
one seeks, as a birthright, the pursuit of Life, Liberty and Happiness.
 
I want to be proud of my German heritage, to freely advocate that the Allied
holocaust against Hamburg and Dresden was worse than what happened at Dachau and
Auschwitz. I want to poke fun at the pompous and the deluded and the religiously
fanatic.
 
But if I undertake this mission I can expect to have my novels suppressed by the
major publishing houses, my employment curtailed and my career destroyed. A
blacklist is maintained by the Anti-Defamation League of Bnai Brith (ADL).  If
the ADL and the Wiesenthal Center get their way, I may one day be jailed for
writing as I please in the U.S., as writers critical of Judaism in Canada,
Germany, France,Sweden and England have been. I may yet be censored on the
Internet if the rabbis are allowed to bully service providers.
 
No Jew in the West need fear jail or censorship for directing hatred and
contempt at the German people. They may poke fun with complete freedom at
pompous Christians and declare that Auschwitz was far worse than Dresden. They
can say with impunity and with congratulations from the highbrows, that Jesus
never existed.
 
No Internet provider would dare expel a Jew on grounds of being hatefully
anti-Christian, but revisionists cannot say that homicidal gas chambers in
Auschwitz never existed without being hounded by rabbis seeking to suppress our
voices. These rabbis (such as Abraham Cooper) have clout and multi-million
dollar budgets and access to reporters and TV producers who think as they do.
 
We have above us in the U.S. a new class. Bill Grimstad in his great work >>The
Six Million Reconsidered<< quoted a Russian peasant woman in the 1930s who was
asked in the midst of her field work who she thought ran Russia.She said >>We
are ruled by the Jews.<< I too, a poor devil scrivener, must echo her words, the
chorus of the butter rebellion, the refrain of the eternally-skimmed, we in
America are ruled by Jews.
 
(Spare me the inventory of Gentile frontmen necessary for maintaining the
charade. These lickspittles mostly --not always, but in key policy decisions--
do as the top Zionists decree, from Clinton on down).
 
If there is a remedy it must lie with humor. Shahaks book, alas, will be read
only by the underground. It is scholarly. It is unreviewed. It does not even
have a U.S. publisher (it was printed in London, England by the Pluto Press).
 
The breakthrough will come only though humor and satire. Liberation for the Jew
and those enslaved to Judeo-idolatry can come about only when the preposterous
pomposity of the Wiesels and Wiesenthals is held up to the scrutiny of the
belly-laugh.
 
This is why the Rabbi Coopers of the world must fail and why the cartoonists and
satirists such as Felderer and yours truly must be free to lampoon and guffaw at
the expense of all high priests, all emperors without clothes, all sacred icons,
no matter how much their mythology of victimization presumes to exalt them above
mere humanity.
 
The higher the Zionists sail on the winds of their cult of flatulent fawning,
the harder they will fall when their sails are trimmed by the barbs of wit.
 
I affirm that Judaism is a form of insanity.
 
But so too is Christianity, at least the version peddled in the worldly churches
and licensed by the IRS.
 
However, one is free to mock Christianity but one must  flatter Judaism, on pain
of imprisonment, on the specious grounds that its votaries have only recently
emerged from the ashes of holocaust; as if the German people came through the
little bagatelle known as the Second World War unscathed.
 
Holocaust! How does that neologism cover a multitude of sins and provide the
groundwork for the radical falsification of everything!
 
Copyright 1994 by Michael A. Hoffman II. All Rights Reserved.

Article 54001 of alt.conspiracy:
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From: hoffman2nd@delphi.com
Newsgroups: alt.conspiracy
Subject: Hollywood Hate Propaganda Documented
Date: Sat, 31 DEC 94 06:15:37 -0500
Organization: Delphi (info@delphi.com email, 800-695-4005 voice)
Lines: 1336
Message-ID: 
NNTP-Posting-Host: bos1e.delphi.com

  ********************************************************************
             HATE PROPAGANDA IN A HUMAN RIGHTS MASK
                                       December, 1994 Edition
                               Compiled by Michael A. Hoffman II
   Copyright 1994 by Michael A. Hoffman II. All Rights Reserved.
***********************************************************************
 
The New Cinematic Genre: HATE THE GENTILES. WORSHIP THE PHARISEES
 
A documented compendium of hundreds of mendacious movies and TV programs,
promulgated under the guise of advancing >human rights< while negatively
stereotyping, defaming and libeling Germans, Christians, Muslims and Gentiles
and advocating the servile idolization and adoration of Jews.
 
The Frozen Dead. A monstrously evil German scientist conducts experiments to
resuscitate 1500 Nazis who were frozen alive.
 
The Lucifer Complex. Suspense chiller about a plot by evil German scientists to
conquer the world by replacing leaders with cloned lookalikes.
 
Revenge of the Zombies. John Carradine stars as an evil German scientist who
creates an army of supernatural zombies in a bid to conquer the world.
 
They Saved Hitler's Brain. Evil German scientists keep the monstrous dictator's
decapitated head alive.
 
Cloak and Dagger. Wicked German scientists must be stopped by an American.
 
Death Ship. A haunted ghost ship prowling the north Atlantic is staffed by
German monsters who perpetrate a supernatural reign of terror.
 
Shock Waves. An old Nazis sunken battalion rises from the sea as a death corps
of begoggled zombies. -Seattle Times.
 
The Riddle of the Sands. A 1901 plot by monstrously evil Germans to destroy
England must be thwarted.
 
Zeppelin. Evil German swine plot to destroy the Magna Carta.
 
To Catch a King. Evil Germans plot to kidnap Englands Duke of Windsor.
 
The Eagle Has Landed. Evil Germans plot to kidnap Englands Prime Minister.
 
Charge of the Model T's. Evil Germans start a Mexican war against America.
 
Victory. Members of an evil German soccer team cheat in order to win a
championship.
 
The Old Gun. Evil Germans rape nuns and roast a lady with a flamethrower.
 
The Night Porter. Joseph E. Levine's film about psychotic Germans engaged in an
orgy of death.
 
The Night of the Generals. Peter O'Toole as a psychotic German.
 
The Devil Makes Three. An evil German plot to take over the world in the
post-war period is uncovered.
 
The Master Race. An evil German plot to take over the world after World War Two,
is uncovered.
 
The Boys from Brazil. Ira Levin's bestseller about an evil German plot to create
a Fourth Reich.
 
Of Pure Blood. A Hollywood casting director uncovers an evil German conspiracy
to create "the  Master Race" after WWII.
 
The Seventh Cross. Evil Germans hunt down defenseless civilians.
 
None Shall Escape. A sadistic German creates a reign of terror.
 
Blood and Honor. Contrasts a fanatic family of evil Germans raising their
children as stormtroops, with a saintly Jewish  family whose attempts to live in
peace are constantly obstructed.
 
The Simon Wiesenthal Story. A saintly Jewish man's struggle against hideously
evil Germans.
 
The Execution. A fiendishly evil German-American swine is killed by heroic
vigilantes who are Survivors of the Holocaust.
 
Marathon Man. A graduate student is thrust into a violent encounter with a
blood-thirsty German fiend in New York.
 
Mystery! "Shroud for a Nightingale." A nurse might be an evil German war
criminal.
 
Rogues' Regiment. An intelligence officer chases an evil German war criminal in
the Foreign Legion.
 
Hart to Hart. The son of an evil German war criminal seeks revenge on his
father's captor--Jennifer's father.
 
Descending Angel. A man fears that his future father-in-law is an evil German
war criminal.
Quincy.  Verification of a mummy puts Quincy onto the hunt for evil German war
criminals.
 
Quincy. A heroic Holocaust Survivor joins Quincy in a desperate attempt to stop
an evil German war criminal from murdering people in America.
 
Kojak: The Belarus File. Kojak uncovers an international network of evil German
and Baltic war criminals in America.
 
Hotel Terminus: The Life and Times of Klaus Barbie. The unspeakable evil of a
monstrous German are exposed.
 
Klaus Barbie. Recounts the fiendish doings of an evil German.
 
Search for Mengele. HBO documentary on the German monster Josef Mengele. (Also
broadcast on the Discovery Channel).
 
Twilight Zone. "Death's Head Revisited." A strutting German monster is attacked
by avenging Jewish ghosts.
 
Twilight Zone. "He's Alive." Dennis Hopper stars as a sniveling German-American
hoodlum who is given lessons in leadership by the ghost of Adolf Hitler and soon
starts murdering people.
 
Shock Waves. Evil Germans rise from the dead to form a killer corps of
supernatural zombies. Peter Cushing.
 
Straight Talk. Evil Germans in America are exposed.
 
Berlin Express. Evil Germans kidnap statesmen.
 
The Thirty-Nine Steps. (1978). Evil Germans conspire to start World War One.
 
A Man Called Sarge. Blond-haired German goons punch little girls in the face and
machine-gun their school.
 
Enemies, A Love Story. A noble Polish Jew is haunted by memories of the
unspeakable evil of the Germans.
 
Angel of Death. The life of the German fiend Josef Mengele is dramatized.
 
Genocide. Documentary on the evil of the Germans.
 
Holocaust. Graphic, 9 hour, Emmy-award winning mini-series on the unspeakable
evil of the Germans as seen through the eyes of a noble Jewish family.
 
Ghosts on the Loose. The East Side kids discover a mystery house is really a
headquarters for evil Germans.
 
Black Dragoons. Bela Lugosi stars as a monstrous German scientist commissioned
by the Nazi High Command to technologically transform six Japanese people into
White Americans.
 
The  Lunatic. Inga, a  sex-crazy German bimbo, travels to the Caribbean to
demand coitus-on-command from an innocent and pure Black man (Paul Campbell).
 
lan and Naomi. Moving  profile  of two  Jewish  youths,  one a  victim  of  evil
Germans,  the  other  a  member  of the warm,
compassionate, magnanimous Brooklyn Jewish community.
 
Judgment at Nuremberg. Oscar winning film about the trial of evil German war
criminals.
 
Trial at Nuremberg. Evil Germans are put on trial for war crimes. Also shows the
greed and stupidity of the German people.
 
The Stranger. A Nazi war criminal settles in New England disguised as a college
professor.
 
The Odessa File. A blood-thirsty German war criminal and the powerful network
that protects him create havoc.
 
River of Death. Braving river-pirates, hostile-tribes and head-hunting
cannibals, an expedition goes in search of a vicious German war criminal in
South America.
 
Jewel of the Gods. Two men and a woman seeking treasure in Africa are tormented
by evil Germans.
 
Casablanca. In Morocco, a cafe owner is tormented by evil Germans.
Matter of Conscience. A heroic Holocaust Survivor unmasks a man in town who is
really a fiendish Nazi war criminal.
 
Nazi Hunter: The Beate Klarsfeld Story. Farrah Fawcett stars as the noble lady
detective who, with the help of her saintly Jewish husband, hunts demonic German
war criminals.
 
Music Box. The daughter of a vicious Nazi war criminal must face the facts about
her father's unspeakable crimes against the Jews.
 
Night Gallery. The Escape Route. A German swine meets a fitting end.
 
Playing for Time. Emmy-award-winning movie recounts the heroic efforts of a
Jewish woman to survive the death camp at Auschwitz as a member of the camp
orchestra.
 
Triumph of the Spirit. Recounts the heroic efforts of a Jewish man to survive
the death camp at Auschwitz as a member of the camp boxing team.
 
The Boxer and Death. Struggle for life in a Nazi concentration camp as a Jewish
boxer must outwit Nazis.
 
Under the World. Polish Jews must hide for years in a tunnel to avoid the
Holocaust.
 
Light in the Dark. Ukrainian Jews must hide for years in a sewer to avoid the
Holocaust.
 
Decline of the Century:Testimony of L.Z. Lordan Zafarnovics stirring
documentary about the vicious persection of pious Jews by evil Croatians.
 
Wonder Woman.  Nefarious Nazis capture a benevolent outer space alien
 
Shoah. Claude Lanzmann's highly acclaimed marathon documentary is a cinematic
testament to the unspeakable evil of the Germans.
 
ABC 20/20. Jews who were hidden as children from evil Germans during WW-2 are
featured.
 
Untouchables. Malone seeks the capture of a monstrous German (Mark Chapman), a
Nazi who is murdering people in Depression-era Chicago.
 
March of the Living. Noble Jewish youths tour concentration camps to discover
the depth of German evil.
 
Commandos Strike at Dawn. Vicious, foul Germans are opposed by heroic Allied
irregulars.
 
Ilsa-She Wolf of the SS. A sadistic, monstrously evil German woman becomes head
torturer at a concentration camp.
 
One Against the Wind. Risking prison and torture, a woman battles evil Germans.
A Hallmark Hall of Fame Presentation.
 
Remember St. Luc. An evil German officer must be stopped.
 
Inside the Third Reich. The unspeakable crimes of the Germans are exposed.
 
Images of the World and the Inscription of War. Harun Farockis documentary
exposition of the persecution of the Jews by evil Germans.
 
Mein Kampf. Swedish film documents the unspeakable war crimes of German fiends.
 
General Della Rovere. Rossellini's film about an Italian informer who quits
working for the evil Germans after learning morality from a group of saintly
Italian Jews.
 
Reunion in France. Vicious Germans run amok in Paris.
 
The Rose Garden. A hideously evil German is brought to justice for his
unspeakable crimes.
 
Raiders of the Lost Ark. Stephen Spielberg's film about evil Germans pitted
against a brave archaeologist.
 
War and Remembrance. Epoch, 30 hour docudrama graphically depicts the
unspeakable horror and atrocities inflicted by the evil Germans.
 
World War II: A Personal Journey. The evil perpetrated by the Germans in World
War Two is described by Gen. Wm. Westmoreland, former commander of U.S. forces
in Vietnam.
 
Days of Glory. Gregory Peck as a heroic communist fighting the dirty Germans.
 
Counter-Attack. Paul Muni as a brave communist battling the evil Germans.
 
The North Star. Jewish Stalinist Lillian Hellmans story of evil Germans making
war against noble communists in Russia.
 
Watch on the Rhine. Lillian Hellman's story of evil Germans in the U.S.
attempting to destroy America.
 
Julia. Lillian Hellman's memoir of her heroic legacy of opposition to the evils
of the Germans.
 
Partisans of Vilna. Recounts the exploits of heroic communist Jews in Lithuania
who battled evil Germans in and around the ghetto of Vilna.
 
A Vision in the Darkness. Sophie Bissonnettes moving documentary of the life of
Lea Roback, a gallant Jewish communist who struggled valiantly against
anti-semitic hatemongers and evil Catholics. Produced by the National Film Board
of Canada.
 
The Liberation. Thrilling Soviet account of the noble Red Armys liberation  of
Auschwitz from the evil Germans.
 
The World at War. Distinguished, multi-part series on the evil of Germany. Based
on Soviet Red Army and Allied testimony.
 
Korczak. Deeply moving story of Jews murdered by evil Germans.
 
The Cross of Lorraine. German cruelty in WW II is showcased.
 
Sergeant York. Despicable German Heineys use the white flag of surrender to
launch cowardly sneak attacks on Allied soldiers.
 
Arch of Triumph. Evil Germans torture a man.
 
Max and Helen. Two Holocaust Survivors discover romance as they help the great
 
Simon Wiesenthal battle the unspeakable evil of a sadistic German war criminal.
Based on a story by Simon Wiesenthal.
 
Prime Time Live. Story of an evil German doctor who gave LSD to a soldier.
 
Underground. Robert Goulet battles inhuman German fiends.
 
Deported Women of the SS Special Section. Monstrous German soldiers perpetrate
every evil imaginable.
 
Rogue Male. Evil Germans torment a noble humanitarian.
 
A Friendship in Vienna. Sensitive portrait of a Jewish girl persecuted by evil
Germans.
 
The Lucky Star. A heroic Jewish teenager captures a vicious German colonel in
Holland.
 
House on Garibaldi Street. A monstrous German guilty of unspeakable crimes is
hunted by gallant Israeli secret service agents.
 
Foreign Correspondent. An intrepid New York reporter uncovers a monstrously evil
German spy ring fronted by a peace group.
 
Lightning Force. A wicked German guilty of unspeakable war crimes must be
brought to trial.
 
A Bridge Too Far. Director Joseph E. Levine's drama of the Allied struggle
against evil Germans.
 
Airwolf. Hawke agrees to help a woman capture a villainous German whose evil
knows no bounds.
 
Conspiracy of Hearts. Jews are persecuted by evil Germans.
 
Pied Piper. Peter O'Toole as a man who rescues Jews from the evil Germans.
Wonderworks. "Miracle at Moreaux." Jewish kids are pursued by German fiends.
 
The Assisi Underground. Jews are shielded from evil Germans.
 
Wallenberg: A Hero's Story. 2 part miniseries docudrama on the diplomat who
rescued Jews from evil Germans.
 
Good Evening, Mr. Wallenberg. Nobel Hungarian Jews are slaughtered by evil
Germans.
 
Au Revoir, Infants. Louis Malle's tale of evil Germans on a rampage.
 
Shout at the Devil. A wicked German must be stopped.
 
King Solomon's Mines. Greedy Germans conspire for  treasure in Africa.
 
Indiana Jones and the Last Crusade. Steven Spielberg sequel in which evil
Germans race Indy for the Holy Grail.
 
Sophie's Choice. The evil Germans devastating effect on a saintly Survivor of
the Holocaust is chronicled.
 
Massacre in Rome. Evil Germans run amok.
 
The Wall. Graphic account of the unspeakable evil of the Germans.
 
Night Train to Munich. Wicked Germans persecute prisoners.
 
The Last Blitzkrieg. Two hiedeously evil Germans launch a reign of terror
against the noble Allies.
 
Faulkenau, the Impossible: Samuel Fuller Bears Witness. Documentary on the
horrors perpetrated by evil Germans.
 
Monte Carlo. Spectacular sets form the backdrop in this drama about the
monstrously sadistic horrors perpetrated by fiendishly evil Germans. Joan
Collins.
 
America and the Holocaust: Deceit and Indifference. 90 minute PBS special
documents the despicable anti-semitsm of the U.S. government and its hideous
persecution of Jewish martyrs during World War II.
 
Bedknobs and Broomsticks. Children's tale about a good witch who helps stop evil
Germans.
 
Battle of the Commandos. Evil Germans must be destroyed.
 
Ministry of Fear.  Evil Germans hound an innocent man.
 
Nazi Agent. A vicious German reaps his just desserts.
 
Golden Earrings. A soldier must pose as a gypsy to elude malevolent Germans.
 
Combat! Saunders spearheads a dangerous rescue mission when Hanley is shot and
imprisoned by  evil Germans.
 
The Shop on Main Street. Profoundly moving, beautiful tale of a gallant Jewish
shopkeeper whose virtue is under attack by the evil Germans.
 
CNN World Report. In the May 10, 92 program, the on-going trial of an evil
German accused of alleged war crimes is reported. The fiend is guilty, viewers
are told, and his defenders are liars and dupes.
 
Creature with the Atom Brain. A policeman faces a gangsters army of atomic
zombies, created by a Nazi.
 
Zentropa. Fiendish Germans plot against noble Allies after the war.
 
To Be or Not to Be.  Sadistic Germans are outwitted by a kindly Jewish comedian.
 
G.I. Diary. Recalling the horrors evil Germans perpetrated.
 
Reunion. A former concentration camp inmate and an Allied war hero discuss the
horrors of the Germans at the Mauthausen death camp.
 
Strange Holiday. A prediction of what might happen if the Germans take over the
world. Script by horror writer Arch Oboler.
 
Journey into Fear. Sadistic agents of the Germans terrorize an American.
 
The Nightmare Years. Four part docudrama. German madness spreads like a cancer
as William and Tess cling desperately to their love while trying to expose the
evils of the Germans.
 
Kristallnacht: The Journey from 1938 to 1988. Evil Germans unleash wholesale
persecution of noble Jews. A film the whole family should watch with a message
the whole world should remember.
 
Terezin Diary. Recalling the horrors of the malevolent Germans.
 
To Serve Them All of My Days. In part 12, Bamfylde learns of the horrible ordeal
of a gallant Jewish youth who had been persecuted by evil Germans.
 
The Quiller Memorandum. A murderous German organization arises in Europe after
the war.
 
Soap. The major (Arthur Peterson) mistakes a neighbor for a German spy.
 
Primo Levi: The Memory of the Offense. The saintly life of a great Jewish
Holocaust
Survivor is recalled.
 
My Favorite Blonde. Evil German spies chase an entertainer.
 
The House on 92nd Street. The FBI uncovers a dangerous German spy ring in
America.
 
Confessions of a Nazi Spy. A  hideously evil German spy network plots the
downfall of  America.
 
House on Carroll Street. A victim of McCarthyism discovers a Neo-Nazi plot to
take over America.
 
Man Hunt. Malevolent Germans pursue a man across Europe.
 
The Foreman Went to France. Exciting true story about evil Germans pursuing a
man across France.
 
Operation Daybreak. An evil German leader is assassinated by heroic patriots.
Asassination. A wicked German leader is executed by noble commandos.
 
The Restless Conscience. Documentary advocating assassination of evil Germans is
a gripping evocation of the duties of humanitarians.
 
Witnesses to the Holocaust: The Trial of Adolf Eichmann. Documentary on the evil
German monster and the noble Jews who hunted him.
 
The Juggler. Kirk Douglas stars as a scarred victim of German persecution
seeking refuge in postwar Israel.
 
The Wannsee Conference. Depicts the monstrous character of the German
leadership.
 
Gestapos Last Orgy. Features all the heinous and  vile acts of torture, sexual
abuse, cannibalism, gas chambers, acid baths, vicious deaths and all the sick
things that went on at the German prison camp of Commandant Konrad Von Starker.
 
More Than Broken Glass: Memories of Kristallnacht. Interviews with Holocaust
 
Survivors and Jewish historians concerning the evil Germans did in 1938.
Son of Lassie. The courageous collie joins the fight against evil, putting the
bite on the Germans.
 
For the Living. Chronicling the creation of Americas only state-sponsored
religious shrine, the venerable U.S Holocaust Museum in Washington D.C.
.moving and informative... (NY Times).
 
Holocaust: In Memory of Millions. The cosmic evil of the Germans is recalled by
noble Jewish Survivors and Nobel laureate Elie Wiesel.
 
Diamonds of the Night. In Jan Nemecs 1964 classic, two Jewish boys jump off a
train bound for Auschwitz amd scramble for their lives... (NY Times).
 
Unknown War. Wicked Germans devastate the countryside and cities.
 
Passage to Marseille. Five escaped convicts join the battle against evil
Germans.
 
Puppet Master 3. Pin-Head, Leech Woman and Six-Shooter join the battle against
evil Germans.
 
The Bunker. The madness of Germans is revealed.
 
Faulkenau, the Impossible: Samuel Fuller Bears Witness. Documentary on the
horrors perpetrated by the Germans.
 
Breaking Point. Sadistic Germans torture a man.
 
A Day in October. Sadistic Germans hunt a man who finds refuge with a noble
Jewish family.
 
Travels in Europe. Rick Reeves ponders the evil of the Germans .
 
The Heroes of Telemark. Heroic fighters battle nefarious Germans.
 
The Heroes. A group of allies must foil vicious Germans.
 
Valley of Hunted Men. The Three "Mesquiteers" chase an evil German war criminal
in the Old West.
 
Berlin Tunnel. Gripping story of the struggle against German evil.
 
The Mortal Storm. Dramatization of Phyllis Bottome's novel showing the evils of
the Germans.
 
Geraldo.  The children of hideously evil German leaders are discussed.
 
Weapons of the Spirit. Two hour documentary on the persecution of noble French
Jews by German fiends.
 
The First Convoy. Two hour British TV special on the sorrowful plight of the
noble
French Jews who were shipped to Auschwitz by Christian scum and German swine.
 
Frances Forgotton Shame. Discovery Channel documentary on the awful fate of
thousands of Jews, mercilessly persecuted by subhuman Frenchmen at Drancy.
 
Night and Fog. The wickedness of the Germans is revealed.
 
Holocaust: Survivors Gather in Philadelphia. Televised highlights of a three-day
conference of saintly Jews who recount the unspeakable horrors inflicted on them
by the evil Germans.
 
Love Camp 7. Captive Jewish women are tortured and forced to become sexual
playthings for Nazi officers who compel the Jewish ladies to engage in
lesbianism and orgies. Every scene in this 1968 movie is based on historical
facts. Starring Dave Friedman.
 
65316: Survivor. Auschwitz Survivor Michael Vogel gives a harrowing account of
the evils of the Germans.
 
The Desert Rats. Evil Germans are crushed at Tobruk.
 
Oprah Winfrey. The Real Schindlers. Pro-Jewish Germans relate the wickedness
of their kinfolk and the saintliness of the Chosen People.
 
Lifeboat. A sadistic German torments his captives.
 
Notorious. A vicious Nazi sadistically manipulates his wife in his greed for
power.
 
Edge of Darkness. Savage German murderers run amok in Scandinavia.
 
Murphys War. Savage German murderers run amok in South America.
 
Between the Wars. Documentary contrasts the fiendish policies of the satanic
German monster Adolf Hitler with those of the great American hero and statesman
Franklin Roosevelt.
 
Unsolved Mysteries. The Diabolical Mind compares the cosmic evil of German
monster Adolf Hitler with the horrendous crimes of Arab fiend Saddam Hussein.
 
 
I Deal in Danger. Evil Germans are outwitted by a resourceful Allied agent.
 
Unsolved Mysteries. Account of how the saintly  family of a murdered Jewish
community leader are persecuted by those around them.
 
Witness: The Hidden Children. British account of the saintly Jewish hero Andre
Stein who was gang-raped by Hungarian Nazis and thrown onto a pile of corpses.
 
I Escaped from the Gestapo. Evil Germans are foiled.
 
Geraldo. The monstrous actions of German Dr. Joseph Mengele are examined by
 
Geraldo Rivera and a panel of Holocaust Survivors.
 
Now It Can Be Told. Host Geraldo Rivera explores the crimes of the hideously
evil German Dr. Joseph Mengele.
 
One of Our Aircraft is Missing. Allied forces elude fiendishly evil Germans in
Holland.
 
Shining Through. Fiendishly evil Germans persecute a woman.
 
This Land is Mine. Wicked Germans terrorize a town.
 
Crimewatch Tonight. Ike Pappas reports on the case of vicious Nazi doctor Vilis
Kruze who practiced in the U.S. and caused brain damage.
 
Hanna's War. The real life story of a heroic Jewish woman who fought the cosmic
evil of the wicked Germans.
 
Operation Eichmann. Story of the valiant Jewish agents who captured a  German
fiend in South America.Medgar Evers
 
Our Century. Children of the Third Reich. The children of German monsters meet
the children of holy Holocaust Survivors and beg their forgiveness.
 
Hitler, the Last Ten Days. Portrait of the German monster.
 
Fuehrer: Rise of a Madman. Dramatization of the cosmic evil of German monster
Adolf Hitler.
 
Fuhrer: Seduction of a Nation. British documentary on the world's most evil man:
German monster Adolf Hitler.
 
The Hitler Gang. Fiendish Germans instigate an orgy of evil.
 
Hitler--Dead or Alive. American agents stalk the monstrous German dictator.
 
Hitlers Madman. Monstrous Germans attack a village.
 
Hitler's Children. Helpless children are tormented by evil Germans.
 
Hitler's Daughter. The Satanic daughter of the German monster organizes a wicked
conspiracy to subvert America and take over the world.
 
Hitlers Gold. A fiendish German  knows the whereabouts of a treasure which
American agents must unearth.
 
Heil Hitler! Confessions of a Hitler Youth. Evil German juveniles are discussed
by a man who was one.
 
Der Fuehrers Face. Childrens cartoon exposes the German monster for the cretin
he was. Winner of the Oscar for Best Animation.
 
Paris After Dark. Monstrously cruel Germans terrorize France.
 
Is Paris Burning? Hideously evil Germans terrorize Europe.
 
Mississippi. Ben (Ralph Waite) is appointed to defend a heroic Survivor of the
 
Holocaust accused of killing a fiendishly evil German he'd been hunting for 40
years.
 
Genghis Cohn. A Jewish comedian killed in Dachau returns from the dead to haunt
his evil German executioner.
 
Wanted Dead or Alive.  A bounty hunter pursues a vicious Arab terrorist.
 
The Delta Force. Super-hero Chuck Norris takes on  vicious Arab terrorists.
 
Sword of Gideon. Heroic Israeli intelligence agents hunt vicious Arab
terrorists.
 
Black Sunday. Vicious Arab terrorists threaten the Super Bowl.
 
Ministry of Vengeance. Vicious Arab terrorists institute a reign of terror.
 
Iron Eagle. Vicious Arab terrorists beat an American to death.
 
Iron Eagle II. Vicious Arab terrorists plot to take over the world.
 
The Death of Klinghoffer. An operatic masterpiece about the murder of a kindly
Jewish cripple by vicious Arab terrorists.
 
Victory at Entebbe. Dramatizes the heroic Israeli army raid on vicious Arab
terrorists.
 
Raid on Entebbe. Portrait of the heroic Jewish army commandos who smashed
vicious Arab terrorists.
 
Death Before Dishonor. Vicious Arab terrorists, advised by a German fashion
model, are opposed by the U.S. Marines and Israeli intelligence.
 
Navy SEALS. Heroic sailors wipe out a nest of vicious Arab terrorists.
 
The Finest Hour. Noble U.S. Navy commandos unite with heroic Jews to fight
vicious Arab war criminals.
 
Rosebud. Vicious Arab terrorists assault young women aboard a yacht.
 
Steal the Sky. Wise, restrained, noble Jews in the Israeli government outwit
vicious Arab terrorists.
 
Pillar of Fire. (Made for Israeli TV). Jason Robards narrates this 19 hour
series on the founding of the heroic nation of Israel by noble Zionists.
 
21 Hours. Vicious Arab terrorists go on a rampage.
 
Triumph and Tragedy. Vicious Arab terrorists run amok.
 
True Lies. Super-hero Arnold Schwarzenegger battles hideously evil Arab scum.
 
Cast a Giant Shadow. Story of a heroic Jewish soldier who assisted in the
founding of the nation of Israel in the midst of attacks by vicious Arab
terrorists.
 
Exodus. An all-star cast spotlights the struggles and heroism of noble Jewish
pioneers as they establish the nation of Israel in the wake of attacks by
vicious Arab terrorists.
 
A Woman Called Golda. Reverent film biography of the heroic Israeli leader,
Golda Meir, who fought vicious Arab terrorists.
 
The Jerusalem File. Vicious Arabs vs. noble Jewish students during the 1967 war.
 
Deadly Currents. Simcha Jacobovicis documentary shows just how dangerous
(Holden, NY Times) Palestinian children who throw rocks really are, and why
sensitive Israeli troops must shoot them in self-defense. Balanced and
powerful! The best film Ive seen on the Palestinian-Israeli conflict. -Bob
Simon, CBS News.
 
Protocol. Vicious Arabs cross paths with Goldie Hawn.
 
Desperate Rescue: The Cathy Mahone Story. A vicious Arab betrays his American
wife and kidnaps their child.
 
The Dhimmis: To Be a Jew in Arab Lands. Harrowing portrait of the fiendish
persecution suffered by noble Jews at the hands of vicious Arabs.
 
Jerusalem D.C. Evangelist Mike Evans' TV special focuses on God's divine
relationship with the state of Israel.
 
Jimmy Swaggart. Rev. Swaggart's March, 1985 program from Kansas City centers on
the fact that the Israelis are America's only hope and God's divinely mandated
representatives on earth.
 
Jack Van Impe Presents Armageddon. The noted evangelist declares the fact that
the government of the state of Israel is divine.
 
PTL. From Israel. Jim and Tammy Baker meet with Foreign Minister Yitzhak Shamir
and present him with a gift of an engraved book from the prayer partners.
 
Not Without My Daughter. Demonic Iranians run rampant in this expose of the
despicable national character of the evil Iranian people.
 
Rollover.  Evil Arabs plot to take over the world.
 
Let My People Go. David Wolper documentary on the heroic Jewish pioneers who
founded the nation of Israel and the vicious Arabs and Germans who persecuted
them.
 
Terrorist on Trial. A noble, humanitarian Jewish attorney defends a vicious Arab
terrorist guilty of heinous crimes.
 
For Their Own Good. A noble, humanitarian, female Jewish attorney defends a
woman victimized by an abusive White husband and evil White male factory
officials and employees.
 
Outpost in Morocco. Vicious Arabs launch a reign of terror.
 
Jihad in America. Noble Jewish reporter Steve Emerson exposes the vicious Arab
terrorists who use the U.S. as a base for their evil war against our great ally,
the Israelis. PBS documentary.
 
Israeli Diary. Israel's Deputy Foreign Minister Yehuda Ben-Meir explains the
goodness of Zionist policies.
 
The Little Drummer Boy. Vicious, money-grubbing Arabs run amok in this animated
childrens Christmas classic.
 
A Black to the Promised Land. A film by Madeleine Ali, a Black American who
converted to Judaism, celebrating the heroism, idealism and nobility of the
Zionist state of Israel. A huge success. (Canadian Jewish News).
The Boat is Full. Saintly Survivors of the Holocaust are tormented by evil Swiss
officials.
 
The Two of Us. A saintly Jewish boy is betrayed by a viciously evil Frenchman.
 
Doctor Petiot. A monstrous French vampire preys on innocent Jewish people.
 
Sixty Minutes. "Libertie, Egalitie, Fraternitie." Dan Rather documents French
cruelty against the Jews.
 
I Accuse. An innocent Jewish man is falsely accused of a crime by vicious French
hatemongers.
 
Everyman: The Hangman of Lyons. True-life account of a hideously evil French
Catholic, Paul Touvier.
 
Molly's Pilgrim. Portrait of a kindly Jewish immigrant who overcomes the bigotry
of those around him.
 
Joseph Brodsky: A Maddening Space. A heroic Russian Jewish writer is persecuted
by those around him.
 
Sakharov. A heroic Russian Jewish scientist is persecuted by those around him.
 
In the Line of Duty: Siege at Marion. Heroic government agents hunt down a
family of murderous Christian zealots inspired by their father John, a
home-schooling fanatic.
 
Prisoner of Honor. An entire Christian nation conspires against a noble French
Jew.
 
A Few Good Men. A Christian U.S. Marine who repeatedly announces his devotion to
Jesus Christ and the King James Bible, is revealed to be a sadistic murderer
of an innocent kid.
 
L.A. Law. A kindly Jewish attorney is persecuted by a vicious gentile who does
not want her daughter to marry a Jew.
 
Highway to Heaven. Michael Landon focuses on evil gentiles led by "Jan Baltic."
 
The Evacuees. Jack Rosenthals moving story of orthodox Jewish refugees in
England who must escape ill-treatment in the home of a callous Christian family
where they are forced to eat pork sausage.
 
Evil in Clear River. A monstrous Christian teacher turns a high school into a
hate-propaganda mill.
 
Oakmont High. A vicious Christian teacher uses his  classroom  as a platform for
bigotry.
 
Scandal in a Small Town. An evil Christian uses his position as a teacher to
transform a high school into a recruiting camp for persecuting Jews.
 
A Killing in a Small Town. A monstrously evil Christian Bible school teacher
murders a woman with an ax.
 
School Ties. Evil Christian college students torment a noble Jewish youth at an
ivy league school.
 
The Star, the Castle and Butterfly. Moving history of the noble Jews of Prague,
from their vicious persecution at the hands of medieval Christian Crusaders to
the evils of  modern Germans.
 
Gentlemans Agreement. Story of the horrible persecution of Jews after they are
excluded from a country club by evil Gentiles. Academy-award, Best Picture,
1947.
 
Quiz Show. A crusading Jewish attorney worth ten times his Christian
intellectual opponent, unmasks a dastardly scheme to favor gentiles over Jews on
a TV contest program.
 
Top Cops. A sadistic hoodlum shoots an innocent and honorable Holocaust
Survivor.
 
Final Analysis. Richard Gere calls on a fellow psychiatrist, an immensely kind,
innocent and humanitarian Jewish doctor, to testify in a murder trial in this
film about
Gentile intrigue and an evil Greek-Orthodox gangster.
 
Dont Drink the Water. A lewd Arab parades his harem through the embassy.
 
In the Line of Duty: Manhunt in the Dakotas. Heroic government agents hunt down
Gordon Kahl, an evil White Christian farmer who refuses to pay taxes and who is
"a murderous true-life religious fanatic with schizophrenic tendencies" (TV
Guide ).
 
Meeting With Father. A Survivor of the Holocaust confronts the family of an evil
Ukranian.
 
Go Away. Evil Ukranian Christians slaughter noble Jews during Czarist times.
Filmed with the assistance of the communist government of the Soviet Union.
 
Memoirs of a River. Judit Eleks story of the fear, misery, humiliation and
extreme brutality (NY Times) experienced by terrified Hungarian Jews at the
hands of fiendish gentiles.
 
Latest News From the End of the World. Boris Kustovs quasi-documentary about
viciously anti-semitic Russians.
Escape to the Sun. Russian cruelty against the Jews is showcased.
 
All the King's Jews. Portrait of noble Jews persecuted by viciously evil
Christian bigots in 13th century Britain.
 
CITY. Christian traditions about Mary, the Mother of Christ, are exposed as
stupid and ridiculous in this episode.
 
Gideon Oliver. "Kennonite." Hideously evil Christians engage in prostitution and
murder.
 
Miami Vice. Crockett and Tubbs battle a gang of evil Christians who viciously
torment saintly Jewish people.
 
Giustina. An award-winning film about an Italian-American woman's struggle
against the bigotry she faces from her disgusting Christian family after she
begins dating a noble Jewish man.
 
The Nasty Girl. A noble Jewish merchant is murdered by evil Christians.
 
Misery. Directed by Rob Reiner. A hideously evil White Christian country girl
tortures a  writer from New York City. When he finally escapes she gets her just
desserts as he beats her ugly White face in. Academy Award-Best Actress.
 
Flight of the Black Angel. A hideously evil Christian commits mass murder, then
tries to start World War 3.
 
Shannon's Deal. A family of hideously evil Christian Bible believers can only be
stopped by a heroic lawyer.
 
Dark Justice.  In this episode, a vile Christian minister steals the life
savings of an old lady.
 
Pair of Aces. A bloodthirsty Christian fanatic slaughters six teenage girls.
 
Flesh and Blood. In the two-part NBC premiere, a family of rural White
Christians display their abysmal ignorance and stupidity.
 
Single Women, Married Men. Christian women are shown to be relentless whores and
adulterers.
 
Cape Fear. (1991). A monstrously evil, Bible-quoting, Southern Pentecostal
Christian-murderer terrorizes women and children.
 
Chicken Soup. A kindly Jewish man (Jackie Mason), tries to show Maddie's
hate-filled Irish Catholic brother the real meaning of love.
Killer Nun. A horribly evil Catholic nun (Anita Ekberg) slaughters helpless
hospital patients.
 
Rachel Gunn, R.N. In the July 26, 1992 episode, the series idiot, a Catholic
nun, Sister Joan, is exposed as a liar and a moron.
 
The Nuns of Saint Archangelo. Monstrously evil Roman Catholics engage in every
depravity known to man.
 
The Boys of St. Vincent. Evil Catholic monks go on a rampage.
 
Flavia. Totally vile Roman Catholics engage in torture, rape, depravity,
beatings and butcheries.
 
Stop the Church. PBS "P.O.V." special exposes as ridiculous the beliefs, liturgy
and traditions of the Catholic church.
 
Faith Even to the Fire. PBS P.O.V.  special exposes the hateful and evil
beliefs of the traditional Catholic church.
 
20/20. ABC News special on sadistic Catholic nuns at Salve Regina College.
 
The Pope Must Die(t). ...an irreverent spoof that lampoons the trappings of
(the Catholic) religion...Alex Rocco co-stars as a smarmy Cardinal with mob
connections (TV Guide, Aug. 22, 1992).
 
Red Monks. Evil Catholic monks commit countless crimes.
 
Fanny and Alexander. The evil of a vicious Lutheran minister is contrasted with
the wisdom, piety and forbearance of a noble Jewish rabbi.
 
Judgment Day. John List, a devout Lutheran who objects on religious grounds to
his daughter taking part in a school play, kills his mother, wife and children.
 
The Passover Plot. Proves that the treacherous Jesus Christ faked his own death
on the cross.
 
The Last Temptation of Christ. Film biography of the life of Jesus, shows him to
have been a demented coward and freaked-out sexual psychopath.
 
Yentl. The glories of Jewish heritage and the noble religious spirituality of
the Talmud are celebrated in this tale of a heroic Jewish girl determined to
study at a yeshiva.
 
ShortStories. "A Psalm for Moshe." The nobility,  spirituality and glory of the
religious heritage of a Hasidic Jew is revealed.
 
Bonjour! Shalom. The nobility, spirituality and saintliness of Hasidic Jews
living in French Quebec is showcased.
 
A Stranger Among Us. The magnificent holiness, virtue and saintliness of Hasidic
Jews is dramatized.
 
Hester Street. Sensitive and sympathetic study of the glories of Jewish heritage
and culture on NY's East Side.
 
Talmud and the Scholar. The genius, holiness and wisdom of the Jewish rabbis
whose learning comprises the sacred Talmud are showcased.
 
Moise. Moving depiction of the deeply spiritual life of a profoundly pious, pure
and holy Jewish couple.
 
The Angel Levine. An elderly Jewish tailor's deep piety and devotion to his
religion help him to endure trying times.
 
Oasis in Time. Deeply touching portrayal of the profound holiness of the Jewish
religion.
 
Passover: Festival of Freedom. Examining the sacred history and noble traditions
of the Jewish rite of Seder.
 
Eternal Light. "Precious Legacy." Sacred treasures of Jewish religion and
culture: artifacts of a glorious four thousand year holy heritage stolen by evil
Germans during the Holocaust--are highlighted.
 
The Chosen. Deeply moving account of a noble Jewish youth coming of age inside
orthodox Judaism.
 
thirtysomething. A wise rabbi counsels Michael on the real meaning of the
sacred.
 
Ghetto Ten. Noble, elderly New York Jews attempt to preserve their sacred
heritage and their synagogue amid the squalor of the South Bronx.
 
L'Chaim To Life. Program devoted to the outstanding humanitarian projects of
Hasidic Jewish religious leaders in America.
 
Cheers. Circumcision is sensitively portrayed as a kindly Jewish father
(Frasier) reacts to his son's bris.
 
The Young Lawyers. Noble, compassionate Jewish lawyer Aaron Silverman (Zalman
King) fights for justice.
 
Reasonable Doubts. In Part One, Tess (Marlee Matlin) has a hot case involving a
juvenile anti-semite who savagely murdered a Hasidic Jew. TV Guide.
 
Reasonable Doubts. In the two hour conclusion, Tess must bring a vicious
Christian punk to justice while a judge obstructs her effort to win justice for
saintly Jews.
 
The Century of Teddy Kollek. Willy Lindwers documentary on the wise and saintly
Jewish mayor of Jerusalem.
 
Lodz Ghetto. Inspiring film about the noble spirituality of the Jewish religion
as its adherents suffer horrible torments and slavery at the hands of fiendish
Germans.
 
Brooklyn Bridge. Weekly TV series celebrates the wisdom, warmth, decency and
humanity of two Jewish families--the Silvers and the Bergers--in Brooklyn in the
1950s--who are occasionally harassed by gentiles. In this episode, Jacob, a
saintly
 
Holocaust Survivor, adjusts to life in America.
 
The Quarrel. Two profoundly humane Jewish philosophers debate the moral
significance of German evil and the persecution of God's Chosen People.
 
The Diary of Anne Frank. 1959 film version of the story of a noble Jewish girl's
life of suffering.
 
The Diary of Anne Frank. 1980 made-for-TV version, starring Melissa Gilbert (of
"Little House on the Prairie") as a saintly Jewish girl.
 
The Attic: The Hiding of Anne Frank. Emmy award-winning account of a family of
saintly Jews and their holy daughter Anne, who seek refuge from evil Germans in
an attic.
 
Last Seven Months of Anne Frank. A saintly Jewish girl's noble life of suffering
is profiled.
 
World of Anne Frank. The life of the holy Jewish teenager and her noble family
is chronicled.
 
Children of the Holocaust. Harrowing stories of Jewish survival, including the
tale of Yehuda Bacon who worked as a child slave laborer in Auschwitz hauling
carts full of corpses.
 
Why Wasnt He Here? Based on a 13 year old Jewish girls diary, this Hungarian
film portrays the sufferings of her holy family at the hands of evil
anti-Semites.
 
Tango of Slaves. A film about making a film about The Holocaust. The title is
taken from the name of a song composed by a 12 year old girl imprisoned in
Auschwitz.
 
Prisoner Without a Name. Story of a noble Jewish witer, Jacobo Timerman,
persecuted by those around him.
 
Joshua Then and Now. Story of a noble Jewish writer, Mordecai Richler,
characterized by his warmth, tenderness, sensitivity and humanitarianism.
 
Forced March. An actor in a Hollywood movie about the unspeakable evil of the
Germans discovers the true heroism of the Jewish people.
 
Avenue Z Afternoon. A saintly Jewish lady confronts a thief in Brooklyn and
converts him to goodness.
 
Avalon. Barry Levinson's heartwarming story of three generations of a noble
Baltimore Jewish family and the wise  patriarch who guides them.
 
Sesame Street. Kibbutz. The PBS childrens TV program highlights the nobility
of the Zionist communal system.
 
Sesame Street. The Land of Israel. The PBS childrens TV program highlights
the nobility of the Jewish nation of Israel.
 
Tales of the Days of Awe. In celebration of the Jewish High Holy Days, ABC-TV's
anthology of profoundly moving sacred stories by Elie Wiesel and Sholom Aleichem
is dramatized.
 
The Papal Concert to Commemorate the Holocaust. A Vatican performance of the
Royal Philharmonic conducted by Gilbert Levine who was subsequently knighted by
the Pope for his sublime musical evocation of the horrors experienced by Gods
holy people and will now be known as Sir Gilbert Levine.
 
Bob Costas. Host Bob Costas conducts a two part TV interview with Elie Wiesel
and praises him for his sainthood, piety and wisdom.
 
Beyond Hate. Bill Moyers 90 minute PBS documentary features commentary by such
distinguished Jewish humanitarians as Elie Wiesel, who condemns hate.
 
Facing Hate. Bill Moyers 60 minute PBS interview with the Nobel laureate,
Holocaust Survivor and humanitarian, Jewish thinker Elie Wiesel, who discusses
the evil of the Germans.
 
The Frisco Kid. Marvelously engaging tale of a saintly Polish rabbi in the Old
West, whose charm, humor and kindness shine through every difficulty.
 
Miss Rose White. The troubled daughter of a saintly Polish Jew must confront
painful truths when she is reunited with her sister, a noble Holocaust Survivor.
A Hallmark
Hall of Fame Presentation.
 
Neil Simons Broadway Bound. Warm and sensitive ABC Monday Night Movie about two
Jewish brothers from Brooklyn trying to become TV comedy writers, and the
marvelously humane and compassionate Jewish family that nurtures their dreams.
 
Magnum P.I. Vicious hatemongers kidnap a kindly Jewish woman's husband to obtain
information about Israeli intelligence.
 
Fiddler on the Roof. Beautifully evocative celebration of Jewish culture in
eastern Europe.
 
Klezmer:Fiddler on the Roof. 1992 BBC documentary charts the course of the holy
Jewish culture from eastern Europe to America.
 
The Last Klezmer. Reverent portrayal of the noble Yiddish cultural icon Leopold
Kozlowski, whose music forms a veritable liturgy of poignant Jewish folk songs.
 
Crossing Delancey. Deeply moving, charming story of a self-sufficient bookseller
(Amy Irving) and the down-to-earth kosher pickle vendor her Jewish grandmother
wants her to marry.
 
Lies My Father Told Me. Marvelously heartwarming account of a gallant Jewish
grandfather in Canada. Yossi Yadin.
 
Charlie Grant's War. A businessman  rescues  noble Jewish people from vicious
anti-semites.
 
Angry Harvest. A noble Viennese Jewish woman seeks shelter from evil Germans and
soon proves her goodness and decency.
 
The Pawnbroker. A noble Jewish man is haunted by the memory of his sufferings at
the hands of evil Germans.
 
Night Gallery. A  near-penniless Jew stands on the brink of death.
 
The Waltons. John-Boy and the family aid saintly Jewish refugees.
 
L.A. Law. A noble Jewish philanthropist (Theodore Bikel) is tormented by a
doctor.
 
Homicide. Hateful publications turn up in a N.Y. neighborhood and heroic Jewish
freedom-fighters wipe out the print shop where the evil literature was produced.
 
The Murder of Mary Phagan. Emmy-award-winning indictment of evil Christians and
vicious anti-semite Tom Watson in the case of the persecution of a noble Jewish
factory manager in 1913.
 
Heritage Conversations. Jewish historian Yousef Yerushalmi discusses the  the
persecution of the Jews.
 
The Quarrel. Poignant tale of two noble Holocaust Survivors haunted by their
past in post-war Montreal. Winner of the Dame Judith Anderson Award for Best
Film.
 
The Sorrow and the Pity. Noble Jews recount their victimization.
 
Selling Murder. The horrors of German produced hate movies are documented.
 
A Doctors Story. A saintly Survivor of the Holocaust faces persecution in a
hospital.
 
Auschwitz and the Allies. Jewish historian Martin Gilbert's heart-rending study
of the gallantry of Gods Chosen People.
 
Sisters. Frankie considers becoming one of Gods Chosen People by joining
Judaism, the worlds noblest religion.
 
Struggles for Poland. Chronicling the persecutions suffered by Jews.
 
Where Shall We Go? British documentary on noble Holocaust Survivors who describe
the persecution they suffered.
 
Night Court. Harry assists a wonderfully humane and warm Russian Jewish refugee
(Yakov Smirnof) extend a visa for his noble father.
 
Northern Exposures. Features the charming Jewish doctor Joel Fleischman, M.D., a
lovable curmudgeon (TV Guide).
 
The Hiding Place. Saintly Jews are persecuted by evil Germans.
 
My Hundred Children. Linda Lavin as a saintly Survivor of the Holocaust who
returns to her native Poland after World War II to rescue noble Jews.
 
For Those I Loved. Story of a gallant Jewish Holocaust Survivor and the
unspeakable persecutions he suffered at the hands of evil Germans.
 
Judith. A saintly Austrian Jew is brought to Israel to help locate her
treacherous Nazi husband.
 
Daniel. Ed Asner stars as an attorney defending Julius and Ethel Rosenberg,
whose arrest for selling America's atomic secrets to Stalin may have been
motivated by anti-Jewish bigotry.
 
Mr. Halpern and Mr. Johnson. A noble Jewish gentleman must confront the past.
 
Sunday Today. The pain of the Holocaust is shared by Jewish Survivors.
 
Patrimony: Judaica in the Vatican. The precious treasures of Judaisms high
civilization and culture are respectfully reviewed.
 
The Final Solution: Auschwitz. Depicting the sufferings of saintly Jews.
 
Forbidden. A rich gentile woman falls in love with a saintly Jewish humanitarian
who enlists her in his battle against hate.
 
Wiseguy. In this episode vicious anti-semites plague Vinnie's neighborhood.
 
The Last Metro. A noble Jewish director is persecuted.
 
MacGyver. MacGyver is in attendance when pious Jews holding the beautiful and
holy
 
Bar Mitzvah ceremony seek his help in fending off persecution.
 
Heritage: Civilization and the Jews. "Out of the Ashes." PBS special on the
persecution inflicted by evil Germans upon Gods Chosen People.
 
Perry Mason: The Case of the Desperate Deception. The shadow of evil falls
across Perry, on the trail of fiendish Jew-haters in Paris.
 
Europa, Europa. "..accomplishes what every film about the Holocaust seeks to
achieve: it brings new immediacy to the outrage by locating specific, wrenching
details that transcend cliches." - Maslin, NY Times.
 
A Day in the Warsaw Ghetto: A Birthday Trip in Hell. Jewish-Canadian director
Jack Kuper's documentary about the persecution inflicted on saintly Polish-Jews.
 
Two Half-Times in Hell. Hungarian director Zoltan Fabris film showcasing evil
German monstrosity  during a soccer match held on Hitlers birthday in a death
camp.
 
Chasing Shadows. Heart-rending tale of a noble Jewish woman who accompanies her
saintly father, a Survivor of the Holocaust, on a torturous visit to his home
town in the anti-semitic Carpathian mountains where memories of unspeakable
torments are painfully rekindled.
 
Speak Up!Its So Dark. Swedish film about a saintly Jewish psychiatrist who
helps an evil gentile youth learn the true meaning of justice and fair play.
 
Tenspeed and Brown Shoe. Heroic Jeff Goldblum battles insidious neo-Nazis in
this pilot for the TV series.
 
The Summer of Aviya. A Jewish woman is driven insane by the Holocaust.
 
Breaking the Silence. The Generation After the Holocaust. Documentary account of
the torments and sufferings facing the Children and Grandchildren of Holocaust
Survivors.
 
Babylon 5. In deep space, a humble, high-minded, profoundly holy rabbi reminds
Ivanova of her religious duties. Rabbi: Theodore Bikel.
 
Star Trek. On the outer planet Ekos, Capt. Kirk (Wm. Shatner) attempts to
prevent history from repeating, when a neo-Nazi tries to take over the universe.
Spock: Leonard Nimoy.
 
Never Forget. Leonard Nimoy stars as Mel Mermelstein, a saintly Jewish Survivor
of The Holocaust who struggles heroically to combat the lies of monstrously evil
revisionist historians, who claim The Holocaust has been  exaggerated.
 
Holy Matrimony. Depicts the evils and stupidity of the German-Christian
Hutterite religion. Directed by Leonard Nimoy.
 
An American Tail. Steven Spielberg's 1986 feature length children's cartoon
centers on a Jewish mouse persecuted by  those around him.
 
An American Tail: Fievel Goes West. In  Steven Spielbergs 1991 childrens
cartoon sequel, the Mousekewitzes, a family of immigrant Jewish mice who fled
Czarist Russia, lead a poverty-stricken existence in a New York City tenement,
until Fievel takes them West, where they must battle a huge Cat who is seeking
the mass extermination of the entire rodent community (Stephen Holden, NY
Times).
 
Schindlers List. Steven Spielbergs epic, three hour showcase of the evils of
German soldiers. Academy Award, Best Picture.
 
Schindler. Documentary about Oscar Schindler, the righteous gentile buried in
Israel, one of the few Germans who was not an evil cretin.
 
Primetime Live. They escaped justice but they couldnt hide from Sam Donaldson.
Some of the most hated men who ever lived are living it up. In Argentina. The
law couldnt catch up with these escaped Nazis. But Sam Donaldson did. And he
confronted them. Dont miss this face-to-face Nazi interrogation. (TV Guide,
May 5, 1994, p. 183). Produced by Ira Rosen.
 
The Simpsons. In this installment in the popular cartoon series, Bart and his
sister study the Talmud to find a way to help a Jewish clown get back into the
good graces of his formidable father, a rabbi who does not approve of clowning.
Voice of the rabbi: Jackie Mason. ...moving episode --TV Guide.
 
********************************************************************************
*************
>>...Hollywood executives have traditionally gone out of their way to avoid
making films with Jewish themes...except Schindlers List and one or two
others...<< -Bernard Weinraub, The New York Times, P. C-11, Nov. 7, 1994.
********************************************************************************
*************
 
The  following is a list of movies and TV programs concerning the Bolshevik Mass
Murder of 60 Million Russians, Asian and Muslim minorities and E. Europeans
perpetrated by such top Jewish communists as Trostsky, Apfelbaum (Zinoviev),
Uritsky, Kamenev, Berman, Yagoda, Frenkel, Kaganovich and Kuhn: NONE.
 
The Following is a List of Movie and TV Programs broadcast on American TV, on
the Mass Murder of Palestinian Women and Children by the Israeli Armed Forces:
ONE: Beirut to Bosnia, described by Walter Goodman in the NY Times as
..probably simplistic...stir(s) unease about the selection and use of
evidence (April 27, 1994, p. C-18).
 
  Authors Note: There are hundreds of additional hate films, some of which were
broadcast as individual episodes of TV series, that have yet to be listed here.
New ones are constantly in production. April of 1994 probably set a record for
massive overkill broadcast of Holocaust propaganda on TV.
 
The corpus of these teleplays, movies and infotainment documentaries comprise
a genre which constitutes the most massive and negative stereotyping of people
in the annals of propaganda, while at the same time representing an
unprecedented idolization of a Master Race (Jews).
 
 The logic of the New World Order consists in the dogma that the propaganda war
against Germans, Palestinians and Gentiles is a human rights campaign while
our defense against it, is a form of hate. As Orwell foretold, War is Peace.
 
The cinematic hatred directed against us under the guise of fighting hatred is
the most cynical and despicable hate propaganda of all.     -Michael A. Hoffman
II
 
Hate Propaganda in a Human Rights Mask. December, 1994 edition. 1994 by Michael
A. Hoffman II. All Rights Reserved.
(Hoffman edits Revisionist Researcher Magazine. For the issue devoted to
analyzing the lies in Schindlers List, send $6. A six issue subscription is
$30. 12 issue subscription: $50. (U.S. Funds/U.S. Bank). Checks payable to
Wiswell Ruffin House).
 
 
                  Wiswell Ruffin House
       P.O. Box 236, Dresden, N.Y. 14441
Send U.S. $3 for our catalog of books and tapes. (Free with any magazine order
or subscription).
 
 
 
 
 


Article 54002 of alt.conspiracy:
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From: hoffman2nd@delphi.com
Newsgroups: alt.conspiracy
Subject: Is Judaism a Form of Insanity?
Date: Sat, 31 DEC 94 06:17:29 -0500
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****************************************************
Is Judaism Institutionalized Insanity? Part One.
****************************************************
Copyright 1994 By Michael A. Hoffman II. All Rights Reserved.
 
In the wake of reading former Belsen concentration camp inmate and Hebrew
University professor emeritus Israel Shahaks outstanding new book, JEWISH
HISTORY, JEWISH RELIGION (U.S.$18.95 postpaid from Wiswell Ruffin House, POBox
236, Dresden, NY 14441; overseas add U.S.$5.00), I have taken up the
contemplation, reluctantly once again, of the possibility that Judaism is a form
of insanity.
 
I say reluctantly because every religion has the right to its own story, some
individual Jews of my acquaintance are brilliant, lucid, witty and eminently
genuine and because the investigation of the possible psychotic character of
Judaism is potentially a rhetorical engine without a flywheel.
 
And yet one encounters a strangely alluring configuration of factors which
impels the investigation of this subject, not the least of which is the failure
of the media and academy to takeit up.
 
Friedrich Nietzsche stated: >>The Jews are the most remarkable people in history
because, whenever they have been faced with the question, >To be or not to be,<
they have always decided, with an uncanny insight, to be at any price: even if
that price was the radical falsification of human nature, naturalness, reality,
and the entire inner world as well as the external world.<<
 
The professor of philology was fortunate to have made that statement in 19th
century Germany. Now he would be arrested and imprisoned in Germany for such
statements.
 
Ditlieb Felderer, a former Jehovahs Witness is now incarcerated in Sweden, the
land of swinging sexual freedom, which gave us the first mainstream porno flick
(>>I am Curious Yellow<< which, in the days before VCRs, even managed to entice
Madame Onassis into a public theater to catch the action). Felderer is serving a
one year sentence on a charge related to the distribution of pornography.
 
Of course, if you were to guess that the Swingin Swedes do not usually imprison
sexual pornographers you would be right. Felderers >pornography< is of the
politically satirical kind. He has for years distributed cartoons lampooning the
sacred religion of the New World Order, THE HOLOCAUST.
 
Hence his satire is >pornography< in the eyes of the Swingin Swedes just as
Salman Rushdies book is pornography in the eyes of the mullahs with one key
difference: the Iranians dont claim to hold Western values of freedom of speech
and press whereas hypocritical Sweden does.
 
 Moreover Sweden has made a loud show of hailing Salman Rushdie and other
anti-Muslim dissidents while tossing anti-Zionist Felderer into a jail cell.
 
Felderer is not only a satirist. Dr. Robert Faurisson, formerly of Lyon
University and the leading historian of World War Two revisionism, regards
Felderer as the preeminent archaeologist of the Auschwitz Concentration camp.
 
In fact, Felderers expert photographic documentation of the fraudulent exhibits
at the camp in the 1970s is perhaps the finest extant. But due to complaints
from Jewish potentates the government of Sweden has given Felderer a one year
jail sentence.
 
Did you hear about this writers imprisonment on ABC Radio News or read of it in
U.S. News and World Report or the New York Times or the Washington Post? Surely
not. Felderer is not a Zionist or an enemy of the Arabs so how could his
imprisonment by Sweden interest the great human rights-oriented media executives
of America?
 
Meditating on Felderers lonely fate and the publicity vacuum which has
permitted his jailing with impunity, I thought of a reporter who covers the
Hollywood beat for the New York Times, Bernard Weinraub.
 
Mr. Weinraub, in the course of a Times piece impugning the integrity of the
English journalist William Cash, made a hilarious statement. It is one of those
achingly funny remarks that evokes alternating compulsions to laugh and cry. It
is so excruciatingly insane that laughter must win out.
 
Mr. Weinraub asserted:
>>...Hollywood executives have traditionally gone out of their way to avoid
making films with Jewish themes...except Schindlers List and one or two
others...<< (N.Y. Times, p. C-11, Nov. 7, 1994).
 
And one or two others?!  Was this a misprint for one or two thousand others?
 
One of my hobbies is researching and cataloging films and television programs
with Jewish themes. Elsewhere in this news group I have posted the fruit of my
labor, which I update every month or so, under the heading, >>Hollywood Hate
Propaganda Documented.<<
 
In that thread the reader will discover literally hundreds of films showcasing
Jewish piety, Jewish sainthood, Jewish probity, Jewish compassion and Jewish
wisdom and excoriating a certain race of central Europeans as fiends from hell,
monsters of evil, congenital murderers, satanic sadists, etc. etc. ad nauseum.
 
It is hate propaganda in a human rights mask.
 
So where has Mr. Weinraub been? Is he perhaps a Hollywood reporter who doesnt
go to the movies? Perhaps he doesnt own a television?
 
How has he managed to miss the veritable Niagara of flicks,  programs and movies
--thousands of Jewish-themed films cascading over the public consciousness for
the past forty years?
 
How can Weinraub, a reporter for the leading secular Jewish newspaper in the
world, as well as the editors charged with fact-checking his copy, get away with
such a whacko observation?
 
Could it be that when it comes to criticism of the Jews, Jews become insane and
in Nietzsches words, radically falsify reality as a form of defense of their
being?
 
The Simon Wiesenthal Center, together with a Canadian Human Rights Commission
which employs a thought policeman charged with spying on Canadians who criticize
Jews on the Internet  (Mr. Harvey Goldberg:ae763@freenet.carleton.ca) are
engaged in a determined campaign to prosecute, penalize and otherwise interdict
Internet writers who incur their displeasure.
 
Let us imagine that  Rev. Jeb Calhoun, chairman of the Americans for a Moral
Majority was to lead a crusade to prosecute, penalize and otherwise interdict
those who criticized Christians and Christianity on the Internet.
 
Can one even conceive of the rivers of outrage and arch satire that would pore
forth from the pens and mouths of everyone from Doonesbury to Sam Donaldson like
lava from Mount Vesuvius in the face of such an attempt?
 
But when Jews seek to censor, it is not a subject for establishment media
indignation and massive protest. In fact, to oppose Jewish censorship becomes a
form of hate in this surpassing strange universe.
 
Part of the problem is Shahaks magisterial work. It is inescapable. It pursues
you. Just when you thought you could say, >>Aw, to hell with protesting and
exposing Jewish supremacy and hate-mongering. Nobody cares. Its not worth it.
The price is too steep<< along comes Dr. Shahak with his searing, branding iron
of a book which burns the truth into you indelibly.
 
Take for instance Shahaks citation of the Kol Nidre rite in Judaism as
testimony to the mentality of dissimulation that pervades Judaism.
 
Prof. Shahak: >>What is popularly regarded as the most >holy< and solemn
occasion of the Jewish liturgical year, attended even by very many Jews who are
otherwise far from religion? It is the Kol Nidrey prayer on the eve of Yom
Kippur--a chanting of a particularly absurd and deceptive dispensation, by which
all private vows made to God in the following year are declared in advance to be
null and void?<<(Jewish History, p. 48).
 
What sort of religion ritualizes lying? How is it that this religion has come to
be regarded as the most divine in the world by the rulers of public image?
 
To answer we must resort to Nietzsche again. Nietzsche and Shahak, two pillars
of radical lucidity polarized against radical falsification, with Shahak the
more startling.  He lives in occupied Palestine under the rule of the rabbis and
therefore risks his life to write as he has (as he himself indirectly testifies;
cf. p. 17).
 
So what of the desire to punish historians?To jail writers? To silence
cartoonists?To bring the mechanisms of state violence against intellectuals and
wordsmiths?
 
In a radically falsified intellectual terrain it does not signify as long as the
victims are revisionists or Germans or Palestinians.
 
The insanity of Judaism has spread itself over a Judaized world and corrupted
the whole of the West. Hence the human rights concerns and Amnesty
Internationals of the West are a sham, a fact not lost on  Muslim
Fundamentalists.
 
 Obviously revisionists are not human and they deserve no amnesty. Judaism
decrees that the goy is not human but a limb of Satan (Hassidic Hatanya text
cited by Shahak, p. 27)  and only Jews are righteous while Christians are to be
exterminated (Maimonides; cited by Shahak, pp. 24-25). In fact the Christians
were exterminated under the Jewish Bolsheviks of Russia, though the dumb goyim
have failed to make a single movie about this anti-Christian holocaust
(presumably they are waiting for Hollywood to make one for them).
 
What then is the argument with Judaism? It is essentially a Jeffersonian one:
one seeks, as a birthright, the pursuit of Life, Liberty and Happiness.
 
I want to be proud of my German heritage, to freely advocate that the Allied
holocaust against Hamburg and Dresden was worse than what happened at Dachau and
Auschwitz. I want to poke fun at the pompous and the deluded and the religiously
fanatic.
 
But if I undertake this mission I can expect to have my novels suppressed by the
major publishing houses, my employment curtailed and my career destroyed. A
blacklist is maintained by the Anti-Defamation League of Bnai Brith (ADL).  If
the ADL and the Wiesenthal Center get their way, I may one day be jailed for
writing as I please in the U.S., as writers critical of Judaism in Canada,
Germany, France,Sweden and England have been. I may yet be censored on the
Internet if the rabbis are allowed to bully service providers.
 
No Jew in the West need fear jail or censorship for directing hatred and
contempt at the German people. They may poke fun with complete freedom at
pompous Christians and declare that Auschwitz was far worse than Dresden. They
can say with impunity and with congratulations from the highbrows, that Jesus
never existed.
 
No Internet provider would dare expel a Jew on grounds of being hatefully
anti-Christian, but revisionists cannot say that homicidal gas chambers in
Auschwitz never existed without being hounded by rabbis seeking to suppress our
voices. These rabbis (such as Abraham Cooper) have clout and multi-million
dollar budgets and access to reporters and TV producers who think as they do.
 
We have above us in the U.S. a new class. Bill Grimstad in his great work >>The
Six Million Reconsidered<< quoted a Russian peasant woman in the 1930s who was
asked in the midst of her field work who she thought ran Russia.She said >>We
are ruled by the Jews.<< I too, a poor devil scrivener, must echo her words, the
chorus of the butter rebellion, the refrain of the eternally-skimmed, we in
America are ruled by Jews.
 
(Spare me the inventory of Gentile frontmen necessary for maintaining the
charade. These lickspittles mostly --not always, but in key policy decisions--
do as the top Zionists decree, from Clinton on down).
 
If there is a remedy it must lie with humor. Shahaks book, alas, will be read
only by the underground. It is scholarly. It is unreviewed. It does not even
have a U.S. publisher (it was printed in London, England by the Pluto Press).
 
The breakthrough will come only though humor and satire. Liberation for the Jew
and those enslaved to Judeo-idolatry can come about only when the preposterous
pomposity of the Wiesels and Wiesenthals is held up to the scrutiny of the
belly-laugh.
 
This is why the Rabbi Coopers of the world must fail and why the cartoonists and
satirists such as Felderer and yours truly must be free to lampoon and guffaw at
the expense of all high priests, all emperors without clothes, all sacred icons,
no matter how much their mythology of victimization presumes to exalt them above
mere humanity.
 
The higher the Zionists sail on the winds of their cult of flatulent fawning,
the harder they will fall when their sails are trimmed by the barbs of wit.
 
I affirm that Judaism is a form of insanity.
 
But so too is Christianity, at least the version peddled in the worldly churches
and licensed by the IRS.
 
However, one is free to mock Christianity but one must  flatter Judaism, on pain
of imprisonment, on the specious grounds that its votaries have only recently
emerged from the ashes of holocaust; as if the German people came through the
little bagatelle known as the Second World War unscathed.
 
Holocaust! How does that neologism cover a multitude of sins and provide the
groundwork for the radical falsification of everything!
 
Copyright 1994 by Michael A. Hoffman II. All Rights Reserved.
Michael A. Hoffman II   (hoffman2nd@delphi.com).  Author of four books. Editor
of Revisionist Researcher Magazine. (Issue exposing Schindlers List: U.S.$6. Six
issue subscription:U.S. $30.).
 
Hoffman is also the author of the satirical comic book:Tales of the Holohoax:A
Journal of Satire. Long out of print, thanks to generous support from a legion
of enthusiastic children and adults recruited here on the Internet, it is being
reprinted. Sixteen pages. 8 1/2 x 11 format. Expertly drawn by a professional
cartoonist. Script by Michael A. Hoffman II. Coming soon!
 
Send U.S. $3.00 for our catalog of history books and videotapes and we will send
you the catalog PLUS some great day-glo Holohoax satire stickers. Write us
today.
 
              Wiswell Ruffin House. POBox 236, Dresden, New York 14441.
 International publishers and distributors of revisionist  books and videotapes.
********************************************************************************
*****
Says Rabbi Abraham Cooper, associate dean of the (Simon) Wiesenthal Center:  >It
may be time for the FCC to place a cop on the information superhighway.<<
  --Home Office Computing, November, 1994, p. 18.
 
>>You can judge for yourself who's using the fascist methods.<< --David Irving.
********************************************************************************
*****
 

Article 20737 of alt.revisionism:
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From: hoffman2nd@delphi.com
Newsgroups: alt.revisionism
Subject: Research note on Hollywood Film Studios Controlled by Jews
Date: Sun, 1 Jan 95 10:13:05 -0500
Organization: Delphi (info@delphi.com email, 800-695-4005 voice)
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Research Note on List of Studios and Media Outlets Controlled By Jews
from Michael A. Hoffman II
 
 John Lovett ( ) on 31 Dec 1994, commenting on my
thread in this news group, >Hollywood Hate Propaganda Documented,< stated:
 
   >>Good article. In connection with this, has anyone put together a list of
the movie studios and other media outlets controlled by Jews?<<
 
In terms of what is in print, John, (and there is precious little), National
Vanguard Books (POBox 330, Hillsboro, West Virginia 24946)  surveys Jewish
media ownership and personnel in its regularly updated publication, >>Who Rules
America?.<< (I strongly disagree with the political affiliation of National
Vanguard but this particular publication is credible).
 
In my reference to Bernard Weinraubs whacko claim , in the course of his New
York Times article, of there being only >one or two< films in additon to
Schindlers List in that genre, this was in connection with Weinraubs smear of
William Cash (NYTimes, Nov. 7, 1994, p. C-11).
 
Cash and his courageous Jewish editor Dominic Lawson, stunned the international
media when they published on October 29, 1994 in the prestigious old London
magazine, >The Spectator,< a most illuminating article on Jews in Hollywood
entitled, >>Kings of the Deal.<<  (The Spectator, 56 Doughty St., London, WC1N
2LL, England. Fax: 071-242-0603).
 
Perhaps later I will scan and post it here.
 
Suffice it to say that chauvinists like Weinraub of the N.Y. Times went
ballistic, hysterically summoning the spectre of Shylock and muttering angrily
about how such an article could have appeared >in a mainstream publication<
(i.e. self-censorship had been defied).
 
What really galled them was the fact that Cash is a scion of the English upper
class and his glib tone, as he himself admitted, >badly ruffled sensitive egos.<
 
He described Spielberg and cronies as a >>group of mediocrities<< and detailed
the extent of Jewish influence over the Hollywood film companies. While the
Japanese own SONY (which in turn owns Columbia and Tri-Star) and a French bank
owns MGM, and the enthusiastic pro-Zionist Rupert Murdoch owns 20th Century Fox,
almost all of the Hollywood studios are MANAGED by Jewish executives ( cf. The
Sunday Times, Nov. 13, 1994).
 
As Cash documented, Hollywood production power lies in the hands of Spielberg,
Katzenberg, Sheinberg, Ovitz, Geffen, Wasserman and several other Holy People.
 
Its a fine article both as research and literature. I will try to scan and post
it when I have the time. It should also be available from any university library
here in the states.
 
--Michael A. Hoffman II
(hoffman2nd@delphi.com).
 
Editor:Revisionist Researcher Magazine. Current issue U.S. $6.00
from:Wiswell Ruffin House, POBox 236, Dresden, New York 14441 U.S.A.
------------------------------------------------------
Says Rabbi Abraham Cooper, associate dean of the (Simon) Wiesenthal Center:
 >It may be time for the FCC to place a cop on the information superhighway.<<
  --Home Office Computing, November, 1994, p. 18.
 
>>You can judge for yourself who's using the fascist methods.<< --David Irving.
----------------------------------------------------
 
Article 20846 of alt.revisionism:
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From: hoffman2nd@delphi.com
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Subject: Kings of the Deal
Date: Mon, 2 Jan 95 18:28:15 -0500
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Copyright 1994 The Spectator
 
KINGS OF THE DEAL
 
THE SPECTATOR 29 October 1994
 
 
William Cash investigates the increasing influence and success of Hollywood's
new Jewish Establishment
 
Los Angeles WHEN Mr. Mike Ovitz, or His Most Powerfulness (as he is also known
here), shows up at a press conference in LA and sits in the audience, you know
something big is going on: in this case the founding of a new
multi-billion-dollar Hollywood studio by Steven Spielberg, record mogul
billionaire David Geffen and their best friend', the recently dumped chief of
Disney Studios, Jeffrey Katzenberg.
 
Although the Hollywood survival rate for studio start-up schemes has been poor
Francis Coppola's American Zoetrope Studios is the most notable recent casualty
this ambitious venture has been widely hailed as having more chance of success
than any similar enterprise for 50 years.
 
Since Katzenberg is to run the company, this may seem odd: as head of Disney he
was personally responsible for a disturbing proportion of some of the dullest
and crassest films (Aspen Extreme, Love Trouble) of the last five years. He once
told a journalist (on the record), 'Our movies are shit. '
 
But in one respect at least this particular combination of talents, or 'talent
combo', in the local argot, will start out on the right foot. Like the old mogul
founders of the early studios  and unlike most otter failed build-your-own
studio merchants they are Jewish.
 
The significance of this fact cannot be simply met by the inevitable shrieks of
'anti-Semitism'. A rare glimpse of the feudal power structure of Hollywood at
work was given by the Wall Street Journal's front-page report of the new studio
launch. Before any contracts could be signed, a private 'blessing' was required
from 81-year-old Lew Wassermanthe long-time chairman of MCA (which owns
Universal) and the last surviving Jewish Founder-builder of a studio. To quote
the Journal, he is treated in Hollywood 'like a tribal chieftain'.
 
Spielberg, Geffen, Katzenberg and Spielberg's 30-year personal mentor, MCA
president Sidney Sheinberg, gathered at the house of the 'Godfather of the Show'
(as Time called Wasserman). After getting his >rabbinical 'blessing<, they spoke
in
'hushed, reverential tones about the industry potentate', about how he 'spun
stories
about the history of Hollywood and showed them artefacts'. Geffen and
Katzenbergwho have no formal connections with MCA or Wassemman
were reported as being 'nervous' before the meeting.
 
>'The whole thing could have gone sour,' < said Katzenberg. Turn now to pages
202-3 of last month's Vanity Fair and a curious 'group portrait' will grin back
at you. Sixteen middle-aged men are decked out in a mixture of nylon jogging
anoraks, fluffy white socks, digital watches and faded jeans. You'd probably
guess they were a bunch of Californian dentists.
 
They are, in fact, the magazine reliably informs us, the New Establishment,
>'the leaders of the computer, entertainment and communication industries, whose
collective power has eclipsed that of Wall Street and Washington'<. In his
'Editor's Letter', Graydon Carter confidently boasts that his 30 page 'Special
Report' redefines >'the power center of America... as  (it) has moved from its
role as military-industrial giant to a new supremacy as the world's
entertainment-information superpower'<.
 
There again, bottom left, is Hollywood super-agent Mike Ovitz, chairman of the
Creative Artists Agency (presumably he won't sign non-creative artists); in the
middle is his buddy David Geffen (interests listed as 'Aids, Israel and other
causes'); behind them is another close pal, Barry Diller, another Aids activist
and chairman of the home-shopping network QVC.
 
In a >Warner Bros. Fitness Center' T-shirt < is Gerald Levin, chairman of Time
Warner Inc.; in a denim shirt is Jeffrey Katzenberg. Banker Herbert A.
Allentheir host for this 'Sun Valley Conference of Corporate Leaders'  has on
his running shoes. Steven Spielberg, snapped by Annie Leibovitz a few pages on,
is gazing out to sea, his white sneakers and socks by his side.
 
Throughout their report, the magazine is repeatedly troubled by the question:
>'Is there anything that binds this group of men?'< According to Walter
Isaacson, Time Inc.'s media editor, the old White Anglo-Saxon Protestant
hegemony was linked through shared educational (i.e. 'class') bonds and beliefs:
'>What binds these guys is a sense of interlocking ventures and relationships.
The Old Establishment was a club. The New Establishment is a network.'<
 
Up to a point. Again, there is something very obvious (apart from white socks)
that does bind together most of the leading members of the so-called 'New
Establishment'  or the Titans of Tripe, as Auberon Waugh recently called them
only no magazine in America (especially a Conde Nast publication owned by Si
Newhouse) would point it out:  they are predominantly Jewish.
 
Whilst part of the blame for the fall of the eastern Establishment is placed on
its exclusive good old-boy network and elitist Wasp mentality which excluded
outsiders, a delicate question remains. Has the usurping of the white-shoe
Establishment by the white-sock meritocracy anything to do with a similarly
invidious and protective culture? Now that Jews govern the New Establishment
(their official mouthpiece is the New York Times), does any sort of reverse form
of class or racial discrimination operate against outsiders trying to get access
to the entertainment highway  Wasps, blacks, Brits (there is only one Brit, of
any level of executive significance in all the major studios, and he is Jewish)
and others not so favored?
 
It should first be said that there is nothing remotely surprising about all
this. As Neal Gabler clearly demonstrated in his acclaimed book, >An Empire of
Their Own, How the Jews Invented Hollywood,<  the early Jewish movie pioneers
such as Louis B. Mayer and Irving Thalberg (Fitzgerald's model for The Last
Tycoon) who founded the studios of today came to Hollywood because they felt
barred from power in the east.
 
Although fiercely competitive, the Hollywood Jews worked closely together to
build a close-knit empire that shamelessly imitated the social hierarchy of the
very East Coast society that they felt alienated and patronized them.
 
>'If the Jews were proscribed from entering the real corridors of gentility and
status in America, the movies offered an ingenious option,<' wrote Gabler.
>'Within the studios and on the screen, the Jews could simply create a new
countryone where they would not only be admitted, but would govern as well.<'
 
And govern they always have. That every major studio head is Jewish today is no
different from 60 years ago. >'Of 85 names engaged in production,'< a 1936
survey noted, >'53 are Jews. And the Jewish advantage holds in prestige as well
as numbers.<'  In a recent Premiere magazine 'Special Power Issue'ranking the
100 most powerful people in the 'Industry'the top 12 were Jewish. There were no
black or British industry executives ranked.
 
George Steiner once famously said that to be Jewish is to be a member of a club
from which you cannot resign. In Hollywood, the most obvious examples of the
Jewish Club are in the side-shows, the lawyers, talent agencies and management
and production offices.
 
Birgit Cunningham, a glamorous Benenden-educated, 28-year-old, blue-eyed blonde
 her father, who owns one of Hitler's pianos, is Germantold me that when she
worked as a personal assistant to Vic Sutton, the Jewish head of the fast-track
LA commercials talent agency, Sutton, Barth & Vennari, her boss would oftenif
signing a dealbluntly ask if they were Jewish.
 
>'I was surprised,<' she said. >'I mean, in England, you'd never hear someone
ask
"Are you Anglican?" On the other hand, he liked to boast that he had this hot
young Nazi working for him. When I told him my family flew in the Luftwaffe he
was ecstatic.<'
 
As small-time professional incest it is probably no worse than, say, public
schoolboys in the City (an analogy used by one senior Jewish executive to rebut
the charge of Jewish favoritism in Hollywood). The 'network' manifests itself in
the Jewish country clubssuch as the Hillcrest, the one Groucho Marx refused to
join  or tennis clubs (application forms always say 'state religion').
Hollywood Jews are not notably religious  although the town closes down on
Jewish holidays, business happily continues at pool-side barbecues, the deli at
the Brentwood Country Mart, endless bar mitzvahs and $500-a-plate Jewish causes
or political fund-raisers.
 
Feeling a bit left out of the loop, some non-Jews have been going to extreme
measures to get on. Bill Stadiem, a former Harvard-educated Wall Street lawyer
who is now a screenwriter in LA, told me that he recently came across an old
Wasp friend in an LA restaurant who had been president of the Porcellian at
Harvard the most exclusive undergraduate dining club. His frienda would-be
producerwas dressed in a black nylon track suit and had gold chains on his
wrist; dangling around his neck was a chunky Star of David. Stadiem asked, '>Why
the hell are you dressed like that?< ' The Wasp replied, >'I'm trying to look
Jewish.<
 
Just as in the Eighties people were known to fake being homosexual or bisexual
as a way of getting on in the entertainment business (it is estimated that
around 35 per cent of the film community are gay), it has long been a standing
joke in L.A that the way to get on is to convert to Judaism. Simon Kelton, an
Eton-and Oxford-educated screenwriter friend with whom I used to share a house,
and who was short listed last year for the Samuel Goldwyn film-writing award,
always stresses his Jewish 'ancestry' whenever he gets a chance in LA; something
few had ever heard about before.
 
The extent to which this adds up to any sort of Jewish cabal behind the building
of the 21st-Century Entertainment Superhighway is difficult to assess. Jews,
always compulsive story-tellers and talented negotiators, are extremely
compatible with the executive side of the movie business. They are good at it.
 
The crucial fact that Vanity Fair seems to have blindly swerved past in its
'challenge of redefining the power center of America' is that the whole point of
the 'Establishment', as Henry Fairlie noted when coining the phrase in The
Spectator back in 1955, is that its power is exercised socially. That  the
socially maladroit and culturally nihilist white-sock meritocracy is now
anointed the Power Elite by a 'smart' glossy magazine only serves to confirm how
the divide between social and professional lives in the United States has become
blurred to the point of irrelevance.
 
The important thing about New Establishment power in America is that it is
exercised corporately. What is wholly new about today's generation of moguls is
that they have made a radical social departure from their Jewish forebears. The
likes of Mayer, Cohen, Selznick and Thalberg headed west at a time when the
entertainment business was regarded as disreputable, and they went to extreme
lengths in their quest for social respectability.
 
Louis Mayer comically attempted to live like a 19th-century aristocrat, forcing
his daughter to have riding lessons every day. He himself joined the Griffith
Park Riding Academy  and even very nearly converted to Catholicism.
 
The movie Jews joined the Hollywood Polo and Riding Club in droves; they paid
their expensive dues at the West Hills Hunt Club with its own pack of Irish
foxhounds, whose (mostly Jewish) members still gallop every Saturday in season
around the hills around Los Angeles in sunglasses and full British hunting gear.
 
The idea of 'New Establishment' players like David Geffen (who refuses to wear a
suit), Mike Ovitz or Steven Spielberg dressing up in a tail-coat to go
fox-hunting is ludicrous.
Now that they are the Power Elite, they  view the creaky East Coast Wasp
institutions and such reserves as the LA Country Club (which still proudly
excludes Jews and showbiz types') as anachronistic jokes.
 
Whilst Louis Mayer would have been trying everything to get a photograph of
himself shaking hands with Prince Charles during his three-day visit (or escape)
to LA, today's breed of super-mogul couldn't care less.
 
The rise of the white-sock mediocracy, of course, is only another example of how
driven Jews have always dealt with exclusion. Barred from one form of
Establishment, they have ended up helping to create their own.
 
William Cash writes for the Daily Telegraph from Los Angeles.
 
THE SPECTATOR. Editorial and advertising: The Spectator, 56 Doughty Street,
London WC1N  2LL England. Fax 071-242 0603.
 
SUBSCRIPTION Dept: POBox 14, The Business Centre, Harold Hill, Romford, Essex,
RM3, 8EQ England. Six Months- U.K. 41. Europe airmail 46. USA airspeed $66.
Rest of world airspeed: 46.
 
_________________
LETTERS
 
THE SPECTATOR
 
5 November 1994
 
SIR:The total dominance of the American film industry by the Jewish
Establishment, past and present, is admirably related by William Cash (Kings of
the Deal, 29 October)...Cash illustrates the attempts by the pre-war studio
bosses to copy the mores of the old East Coast Establishment, and he notes that
this is no longer so.
 
In fact, one can detect a distinct hostility. The same industry which produced
the elegant high society comedies, featuring a Cary Grant or a David Niven, will
now systematically portray well-to-do gentiles as caricatures...This is not done
as ignorance. It is just reverse discrimination.
Claus von Bulow, 109 Onslow Square, London SW7
 
19 November 1994
 
SIR: William Cash worries about >inevitable shrieks of anti-Semitism< as a
consequence of his anti-Semitism. Not to worry. People as powerful as us have no
need to shriek. We will bide our time and silently see justice done. Maybe
before Passover. You run a filthy magazine.
Leon Wieseltier
Literary Editor, The New Republic, Washington, DC
 
SIR: William Cash's article about Jewish influence in Hollywood has caused a
great deal of offense and outrage. His suggestion that the founders of a new
studio venture are more likely to succeed if they are Jews is bizarre... The
reference to a 'rabbinical blessing'  from an individual who is a Jew but has no
pretensions to rabbinical status is crudely offensive...
 
Mr. Cash refers to a possible 'Jewish cabal' and asks pointedly whether this
cabal seeks to exclude or discriminate against non-Jews. This language
perpetrates the discredited old myth about a Jewish conspiracy and a Jewish
monopoly of power which is allegedly used to disadvantage and exclude non-Jews.
There is no credible evidence to support the evidence of a 'Jewish cabal'
operating to exclude non-Jews.
The deeply offensive reference to a 'Jewish cabal' is compounded by sneering
references to '>a socially maladroit and culturally nihilistic white sock
meritocracy<' or a '>white sock mediocracy<'.
 
Overall this is a deeply unpleasant and distasteful article...It should not have
found a place in a serious journal.
Neville Nagler
Chief Executive, The Board of Deputies of British Jews
London
 
 
SIR: The reaction to my article pointing out that Hollywood's feudal power
structure is predominantly Jewish ('Kings of the deal', 29 October) has been
wholly misconstrued. If I have injured any feelings, I apologize but certainly
no anti-Semitism was intended or felt.
 
The purpose of the article was to contrast and challenge Vanity Fair's criteria
of the New Establishment with the original definition of the Establishment by
The Spectator in 1955. Since Vanity Fair made so much play about the Protestant
religion of the old Wasp Establishment, it seemed legitimate to observe that the
majority of the 'New Boys' Network' shared a common Jewish background.
 
Unfortunately, Americans don't understand what is meant by the term
Establishment. According to The Spectator in 1955, it was by definition
exclusionary, and exercised its power socially. My 'point' was that 'the leaders
of the computer, entertainment and communication industries' were not a real
Establishmentas their power was exercised corporately. Far from constituting
any sort of 'cabal', I stated that Jewish influence in Hollywood was  to quote
Barry Isaacson's own words when I called him up'no worse than public schoolboys
in the City'.
 
The attacks on me in the American media have been led by Neal Gabler, author of
>An Empire of Their Own: How the Jews Invented Hollywood,.< What is so galling
is that all the historical data I present in my article about how Jews have
always worked together in the movie business, along with the very words that
have been objected to, came straight from his book, including the red-flag
phrase 'Jewish cabal', which he employsalmost with relishon page 263.
 
On the first page of his book he states how the industry was 'supervised' by
Jews, goes on to detail the workings of the 'Jewish network', specifies how the
studios 'preferred to deal with other Jews' (p.272) and admits precisely the
firebrand question raised by my articlenamely, does Hollywood exclude
outsiders?
 
Gabler asserts that the Hollywood Jews practiced 'reverse discrimination''
>>Those goyim!"< Harry Warner would yell in derision, or >"He's a nice fellow
for a goy" < a Jew might saybut only in their inner sanctums, when they were
safe among fellow Jews, and only verbally' <<(p.280). Gabler's book was
described as an '>enthralling book of social history<' by the New York Times.
 
The subtext of this is that a double standard seems to exist. While it is
acceptable for a Jewish writer, like Gabler, to use words like 'network' or
'reverse discrimination', when a Brit (the English are invariably cast as
villains in Hollywood today) uses similar phrases he is barbecued.
 
Again, whilst it is fine for the Wall Street Journal to refer to MCA chairman
Lew Wasserman as Hollywood's >'tribal chieftain',< a Brit cannot. Again, it is
acceptable for Time magazine to call Wasserman >Godfather of the Show'< but not
for The Spectator.
 
Instead of sucking up to Hollywood Michael Williams Jones (Letters, 12 j
November) should learn to read. I stated that >allokay, almost allthe major
studio and talent agency heads' were Jewish, not their owners. That Hollywood is
a Jewish-run town, despite only 4 per cent of the country being Jewish, is,
indeed, always joked about.
 
At a recent tribute evening at the American Museum of the Moving Image in New
York in honor of Frank Biondi Jr., the head of Viacom, Jeffrey Katzenberg, sent
a telegram which said: >'I wanted you to be part of our dream-team until we
decided to go all Jewish.<'  Larry Tisch, head of CBS, sent another: >'I was
going to come along tonight until Jeffrey Katzenberg told me you were not
Jewish.<'
 
The row about my article, in reality, has far less to do with perceived
anti-Semitism, than the glib tone of my piece which badly ruffled sensitive egos
in a town where journalistic criticism on a personal level is as taboo as having
badly capped teeth.
In Hollywood, where insecurity is endemic, with the livelihood of entertainment
journalists depending on access to the executive power suites, most write about
suzerains such as David Geffen, Mike Ovitz or Jeffrey Katzenberg with a caution
and timidity once reserved for birthday odes to Nero.
 
Moguls have become used to viewing themselves as above criticism and the media
as their servants. They are used to employing | bullying tactics to get the
press to oblige with their personal presentation. One dirty secret of Hollywood
is the remarkable transfer rate of Hollywood-based journalists  who behave
themselves, and play the gameto nicely overpaid jobs in the industry.
 
What Hollywood may have misunderstood is the colorfully subversive and
coruscating tradition of British journalism; what I may have under-estimated are
the sensibilities of certain Hollywood individuals to any whisper of criticism.
As Evelyn Waugh wrote after his visit of 1947: >'Artists and public men
elsewhere live under a fusillade of distraction and derision; they accept it as
a condition of their calling. Not so in Hollywood, where all is a continuous
psalm of self-praise.<'
William Cash
Woodrow Wilson Drive, Hollywood, California 90046
 
 
TABOO OR NOT TABOO, THAT IS THE QUESTION
 
THE SPECTATOR, Nov. 19, 1994
 
A recent article in The Spectator has caused consternation in America. Dominic
Lawson explains how two nations are becoming increasingly divided by a common
language.
 
OCCASIONALLY I receive plaintive letters from our small but loyal expatriate
readership in Saudi Arabia. Usually, they complain that their enjoyment of an
issue of The Spectator has been diminished by the actions of the Wahabbi
religious censors of Riyadh, who had taken their scissors to an article in the
magazine, and removed some offending passages before they could be read by the
intended recipients.
 
I am beginning to wonder how long it will be before The Spectator will receive
similarly subtle vetting at the hands of the arbiters of political correctness
in the United States of America.
 
...It is clear that the American public, as befits a great democratic nation,
knows when it is being fed what Damon Runyon called 'the old phonus balonus'.
Were such papers as the New York Times and the Washington Post not companies
with gerrymandered share structures there is little doubt that the ordinary
shareholders would be clamoring for some relief from the dead hand of liberal
self-censorship.
 
..The point is that if the mainstream media jointly and severally decide to
censor themselves, then the only people who question that orthodoxy will tend to
be those at the extremes. In many ways this is undesirable, and destabilizing
for American society. It would be far better if part of the mainstream media
were to take up the task of challenging the Washington Post/New York
Times/Boston Globe consensus. The debate would at least then be civilized, and
possibly even interesting.
 
But, in the meantime, another article written out of America for The Spectator
has caused consternation among the grand folk of the media in that country,
while
passing almost unnoticed here, where the overwhelming majority of our readership
live. The article ('Kings of the deal', 29 October) was written by William Cash
as a response to a 'Special Report' in the October issue of the American
magazine Vanity Fair called '>Redefining Power in America: The New
Establishment'.<
 
 The Vanity Fair piece took as its starting point the classic definition of
Establishment in The Spectator by the American journalist Henry Fairlie in 1955,
then purported to prove that the most powerful men in America were now centered
on the West Coast and particularly around Hollywood (this is Vanity Fair,
remember), and tried to find common factors among the men (and Barbra Streisand)
it termed '> The New Establishment'<.
 
Prominent among this new elite were Hollywood big-shots such as Michael Ovilz,
the town's top agent, Gerald Levin the president of Time Warner, David Geffen,
chairman of the eponymous company, Jeffrey Katzenberg, the former chairman of
Walt Disney Studios, and, of course, Barbra. Of course Barbra.
 
Vanity Fair, with a certain panache and preening, made the point (and made it,
and made it) that these people were anything but the old White Anglo-Saxon
Protestant (herein after known as Wasp) establishment. >'It's their world now.
Welcome to it,'< concluded Vanity Fair's sortable editor in chief, Graydon
Carter.
 
What struck William Cash, was that, while strenuously pointing out that the New
Establishment was not Wasp, Vanity Fair had at no point in a survey the size of
a small book mentioned that most of the members of the soi-disant >'New
Establishment'<, particularly in Hollywood, are Jewish.
 
In his article, Cash went on to point out that there was in fact nothing new in
this, that Hollywood had for well over 50 years been the scene of triumphs on
the part of the most talented Jewish businessmen. He concluded that the main
difference was that whereas the old moguls such as Warner and Mayer craved
acceptance by the old Wasp establishment, and mimicked the staid clubs and
horsey pastimes of the Anglophile East Coast elite, the new Hollywood moguls
were more secure in their own identity, and needed no such reassurances.
 
As I say, the article caused little comment in Britain when it was published.
However, Mr. Michael Williams-Jones, the chief executive of United International
Pictures in London, which distributes films abroad for MGM, Paramount and
Universal, took the trouble to send faxes of the article to his contacts in
Hollywood. Mr. Williams-Jones wrote in an accompanying note, >'The article is
odious in its innuendo and inaccurate in its facts.<'
 
At the other end the moguls got in touch with Mr. Bernard Weinraub, the highly
experienced Los Angeles correspondent of the New York Times. While none of them
wished to be quoted personally, Mr. Weinraub reported that they were
collectively of the view that the Cash article was '>disgusting' 'despicable',
'bigoted' and 'odious'<.
 
The most upsetting words which Mr. Weinraub was able to quote from Cash's
article were that he described Jews as >'fiercely competitive', 'compulsive
storytellers' and 'talented negotiators'<. Mr. Weinraub appended to these exact
extracts from Cash's article his own comment: >'Few in Hollywood could recall
such an anti-Semitic article in a mainstream publication.<'
 
Following Mr. Weinraub's article, the Anti-Defamation League swung into action
from its New York officeas a result of this one of our valued advertisers
canceled its contract with usand the Los Angeles Times ran a leader page
article to denounce young William Cash.
 
The New York Times article appeared on Monday 7 November, and was given the
honor of the front page in the paper's Arts section. It quoted me, absolutely
accurately, as saying to Mr. Weinraub that The Spectator seeks to be 'highly
polemical and highly controversial.There is a difference between what is deemed
acceptable in an American paper and what is deemed acceptable in a British
paper. American papers have a code of political correctness. It's simply
impossible to run views counter to that product.'
 
Mr. Weinraub added, > 'Mr. Lawson, who said he was Jewish, remarked that he did
not necessarily agree with the views of authors in his magazine. He said he was
">>well aware of the sensitivities of Jews<" but had had no second thoughts
about publishing the article.'<<
 
Mr. Weinraub had called me on Sunday evening (the 6th). He seemed a little
agitated. I suspect he was most offended by William Cash's remark that the New
York Times was the 'official mouthpiece' of the new Jewish establishment. I now
accept without reservation that this allegation is totally without foundation...
 
Mr. Weinraubs own article was very well writtenI would have been happy to have
published such a piece in The Spectator, although I didn't agree with it. But it
did not quite do justice to the spice of our telephone conversation, part of
which went as
follows:
 
Self (after being told, at length, how offended le tout  Hollywood was by Mr.
Cash's article): I am quite sensitive to the attitudes of Jews to this sort of
thing.
 
Weinraub: Why do you say that?
 
Self: Because I am Jewish.
 
Weinraub: What does that mean?
 
Self: It means I am a Jew.
 
Weinraub: Jews put Jews in gas ovens!
 
Self: What a very pleasant analogy.
 
...Now we are getting to the point, and it is one which lifts the current
Spectator controversy quite out of the range of mere matters of political
correctness. Anti-Semitism has an ancient and foul history, and Americans Jews,
many of whom can name relatives who were exterminated in the Holocaust, are
understandably highly sensitive to even the faintest whiff of anti-Jewish
prejudice. But it is simply wrong, and hysterical, to equate what we can at
worst call British snobbery with the genocidal impulses and actions of the Third
Reich.
 
..As a matter of fact, we have published a few articles which might be broadly
construed as anti-German, and it is true, as I pointed out to Mr. Weinraub, that
The Spectator from time to time publishes pieces which make polemical
generalization about national attitudes and characteristics. But generalizations
about national or ethnic characteristics are not merely gratuitous, still less
redundant. Understanding of the German character is a useful and valuable aid to
analyzing the history of modern Germany, for example.
 
The Hollywood executive, Mr. Barry Isaacson, who last week denounced William
Cash as '>a Monty Python caricature of an English upper-class twit<' clearly
understands the value of racial and social generalizations.
 
It would be an exaggeration to say that only Americans have found something
distasteful in pieces which make generalizations about national characteristics.
The editor of the Times Literary Supplement, Ferdinand Mount, in an article in
the Sunday Telegraph two years ago entitled 'This year alone, in Mr. [Conrad] Black's Spectator, I have
read articles of an astonishing sourness attacking the Italians, the French
(twice), the Swiss, the Greeks, the Poles, the Russians, the Germans (passim).<'
 
 
To be fair to Mr. Mount, his broader point was that The Spectators writers had
left British political institutions untouched by diatribes about national decay
and corruption. Clearly Mr. Mount is not in the habit of reading Paul Johnsons
weekly column.
 
However, earlier this year even the saintly Mr. Mount succumbed. He called me to
offer a brilliantly written polemic ('No pontification in this realm of
England', 29 January) about the domination of the English media by Catholic
triumphalists. He began what I steadfastly refuse to describe as an article of
astonishing sourness with the remark:
 
>'Is it possible that, after all, we shall come to think that Catholic
Emancipation has turned out to be a mistake?'< He went on to recall the good old
days when >'Catholics had shown that they were just as British as the rest of
us',< and complained that '>suddenly the most insensitive Protestant nostril
cannot help detecting an intrusive whiff of incense, the dullest Anglican air
cannot fail to catch a note of triumphalism'. Mr. Mount further remarked that
'>the paranoic literalism of the Catholic campaigners against Maastricht seemed
to have a fractionally deranged and, I can't help adding, alien quality to it'<.
 
>'If any of my remarks should happen to give offense to good Catholics<,' added
Mr. Mount generously, '>they might care to reflect that the Anglican Church and
clergy have had to put up with a thousand times worse from Catholic polemicists
.. it is the Pope's big guns who dominate the media.<' Now insert the word Jew,
where Mr. Mount uses the word Catholic, and you realize how innocuous by
comparison is William Cash's now notorious articleit scarcely deserves the word
'diatribe'.
 
And neither Mr. Cash nor even Mr. Mount was suggesting that Jews or Catholics
should suffer any discrimination, let alone suffer wholesale slaughter at the
hands of a Wasp Sturmabteilung manned by pure-bred Old Etonians such as
themselves.
 
The question is whether Jews should be as robustly unparanoic in their response
to Cash's article as Catholics have been to Mount's deliberately provocative
polemic. Perhaps the best example of a mature response to mild anti-Semitism was
expounded in The Spectator by Barbara Amiel, before, I should add, she was
married to our proprietor, Conrad Black.
 
In 'Jews your partners' (3 November 1990) Miss Amiel reported her embarrassment
when, at a ball she was seated next to a man who drew attention to the
Jewishness of a number of businessmen who had recently been convicted of
financial misdemeanors, such as Gerald Ronson, Ernest Saunders and Michael
Milken. Ms. Amiel's tedious interlocutor did not realize that she was Jewish.
Ms. Amiel later wrote:
 
>>Although the conversation depressed me, it didn't make me angry. I don't find
it illegitimate for one group to have an opinion about the characteristics of
another group. Group characteristics never turn out to be accurate when applied
to individuals but they may be statistically accurate in terms of the group as a
whole. Sometimes these views raise rather interesting and valid questions. Jews,
after all, have all sorts of strong views about Gentile society such as the way
they deal with their families (meanly), alcohol (copiously) and their emotions
(anal retentive).
 
Erroneous opinions on the Jews are no more illegitimate than any other erroneous
opinion. One crosses the line only  when you believe that the opinion you hold
of another group entitles you to injure or restrict them in some way, such as
denying them access to certain professions or passing laws to curtail their
civil liberties.<<
 
It is, in fact, possible to make a very nice living by making generalizations in
public about Jews. Such as: >'Jews don't go to the theatre to see a show. They
go to the theatre to hear their own opinions of the show. And the Jews won't buy
drinks. Only a Gentile would be willing to pay $2.75 for a Coca-Cola.'<  So:
Jews are over-opinionated and money-obsessed. These, almost verbatim, are gags
from a show called Jackie Mason: Brand New, which was an immense hit on
Broadway. Jackie Mason can get away with it . He is the son of a rabbi, his
three brothers are rabbis, and he was ordained as a rabbi.
 
One might argue that Jackie Mason is a beneficiary of the Rush Limbaugh effect:
that as the mainstream becomes ever more self censoring, rather crude and
unedifying people step into the spotlightand financial rewardsthat should be
enjoyed by the more thoughtful. But there is another point about these
politically incorrect humorists. They are offering essential truths, however
brashly. What makes people laugh at jokes is the honesty in them....
 
One might even claim that the likes of Rush Limbaugh and Mason have the role in
modern America that underground satirists had in Russia during the late Soviet
years. They were popular, and even loved, because they were the only people who
could publicly demonstrate the absurdity of the official media dogma  the bogus
brotherhood of man, promulgated in the USSR by Pravda and Izvestia, and in the
USA by the likes of the Washington Post and the New York Times.
 
I must confess, however, that I had not appreciated, when publishing William
Cash's article, just how far political correctness had traveled in the land
where freedom of speech is guaranteed by the constitution. I accept that William
Cash's use of the word 'cabal'when asking if any such thing existed in
Hollywoodwas unfortunate. But then he went on to say that, if it existed, it
was, as '>a form of professional incest, no worse than, say, public schoolboys
in the city of London'<.
 
For thisto be told that they are as bad as public schoolboysthe Anti
Defamation League and its billionaire backers among the Hollywood elite turn
their big guns on the 20-something Mr. Cash. One wonders what steps they would
take if they ever encountered genuine anti-Semitism, such as that which is
currently sweeping Russia.
 
..the journalist Leon Wieseltier... the literary editor of New Republic, is the
nearest thing the political correctness mob have to a cultural Gauleiter. In an
interview with New York magazine earlier this year Mr. Wieseltier referred
grandly to 'part of my job of policing the culture'. (See the policeman wield
his truncheon in this issue's letters pages.)
 
Charles Fleming of Newsweek, who wrote a report on this great outrage
perpetrated by William Cash, told me that what had most galled Hollywood were
Cash's remarks that the Jews are >'always compulsive story-tellers and talented
negotiators, are extremely compatible with the executive side of the movie
business<'.
 
When I showed Cash's entire article to my grandmother, to gain the opinion of a
Jew whose historical memory goes back far further than Barbara Amiel's or mine,
she merely commented. '>All facts: we are better at some things.<'
 
According to modern American political discourse therefore, my grandmother is an
anti-Semite. Am I allowed to say that I find that offensive?...
 
Dominic Lawson is the editor of The Spectator.
 
_______________
LETTERS
_______________
 
THE SPECTATOR 26 November 1994
 
SIR: The 29 October issue of The Spectator, was marred by the inclusion of an
article ('Kings of the deal') which advanced the basest of anti-Semitic
stereotypes. Far from being the thought-provoking discourse usually found in
your magazine, this appeal to the worst kind of 'group think' also crosses the
line into very dangerous territory.
 
Conspiracy theories, 'facts' with little or no basis in truth, code words like
'Jewish cabal', all the usual canards are rounded up in this 'investigation'
into the supposed dominance by a new elite. There is, however, nothing new here.
We have seen it all before, from the Inquisition in 13th-century Spain to the
Holocaust of 20th-century Germany.
 
We have seen the results of hateful scapegoating, of ascribing group traits, of
baseless charges of exclusionism. What we have not seen lately is this type of
racist creed aired in distinguished journals such as The Spectator.
 
When, to the editors of magazines like The Spectator, racist cant becomes
indistinguishable from thoughtful commentary, it should sound a loud warning
that we have not progressed so very far after all. The demons of religious and
racial hatred which have wreaked such havoc throughout the course of human
existence are with us still. When these demons show themselves, however
distinguished the venue, they must be condemned, publicly and immediately, lest
these ancient hatreds find fertile ground once again in our communities.
Kevin Costner
Actor/director/producer
 
Tom Cruise
Actor/producer
 
Bob Daly
Chairman, Warner Bros.
 
Kirk Douglas
Actor/director/producer
 
Charlton Heston
Actor/director
 
Jim Hilvert
Executive Director, NCCJ
 
Frank Mancuso
Chairman, MGM
 
Michael Ovitz
Chairman, CAA
 
Sidney Poitier
Actor/director/producer
 
Bruce M. Ramer
Attorney
 
Sidney J. Sheinberg
President, MCA
 
Steven Spielberg
Director/producer
 
Barbra Streisand
Actress/director/producer
 
Jack Valenti
Chairman, MPA
 
Lew Wasserman
Chairman, MCA
 
Motion Picture Association of America,
1600 Eye Street,
Washington DC, USA
*************************
Transmitted by
 
Michael A. Hoffman II  (hoffman2nd@delphi.com)
Scrivener/ditch-digger/troublemaker
 
>>Je ne crois pas aux hommes...tout est permis sauf de douter de l homme.<<
  L.F. Celine
 
[I do not believe in mankind...All is allowed except lack of faith in mankind.]
 
 
 
 
 
 


Article 29292 of alt.censorship:
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From: hoffman2nd@delphi.com
Newsgroups: alt.censorship
Subject: Kings of the (Hollywood) Deal
Date: Mon, 2 Jan 95 18:08:10 -0500
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Copyright 1994 The Spectator
 
KINGS OF THE DEAL
 
THE SPECTATOR 29 October 1994
 
 
William Cash investigates the increasing influence and success of Hollywood's
new Jewish Establishment
 
Los Angeles WHEN Mr. Mike Ovitz, or His Most Powerfulness (as he is also known
here), shows up at a press conference in LA and sits in the audience, you know
something big is going on: in this case the founding of a new
multi-billion-dollar Hollywood studio by Steven Spielberg, record mogul
billionaire David Geffen and their best friend', the recently dumped chief of
Disney Studios, Jeffrey Katzenberg.
 
Although the Hollywood survival rate for studio start-up schemes has been poor
Francis Coppola's American Zoetrope Studios is the most notable recent casualty
this ambitious venture has been widely hailed as having more chance of success
than any similar enterprise for 50 years.
 
Since Katzenberg is to run the company, this may seem odd: as head of Disney he
was personally responsible for a disturbing proportion of some of the dullest
and crassest films (Aspen Extreme, Love Trouble) of the last five years. He once
told a journalist (on the record), 'Our movies are shit. '
 
But in one respect at least this particular combination of talents, or 'talent
combo', in the local argot, will start out on the right foot. Like the old mogul
founders of the early studios  and unlike most otter failed build-your-own
studio merchants they are Jewish.
 
The significance of this fact cannot be simply met by the inevitable shrieks of
'anti-Semitism'. A rare glimpse of the feudal power structure of Hollywood at
work was given by the Wall Street Journal's front-page report of the new studio
launch. Before any contracts could be signed, a private 'blessing' was required
from 81-year-old Lew Wassermanthe long-time chairman of MCA (which owns
Universal) and the last surviving Jewish Founder-builder of a studio. To quote
the Journal, he is treated in Hollywood 'like a tribal chieftain'.
 
Spielberg, Geffen, Katzenberg and Spielberg's 30-year personal mentor, MCA
president Sidney Sheinberg, gathered at the house of the 'Godfather of the Show'
(as Time called Wasserman). After getting his >rabbinical 'blessing<, they spoke
in
'hushed, reverential tones about the industry potentate', about how he 'spun
stories
about the history of Hollywood and showed them artefacts'. Geffen and
Katzenbergwho have no formal connections with MCA or Wassemman
were reported as being 'nervous' before the meeting.
 
>'The whole thing could have gone sour,' < said Katzenberg. Turn now to pages
202-3 of last month's Vanity Fair and a curious 'group portrait' will grin back
at you. Sixteen middle-aged men are decked out in a mixture of nylon jogging
anoraks, fluffy white socks, digital watches and faded jeans. You'd probably
guess they were a bunch of Californian dentists.
 
They are, in fact, the magazine reliably informs us, the New Establishment,
>'the leaders of the computer, entertainment and communication industries, whose
collective power has eclipsed that of Wall Street and Washington'<. In his
'Editor's Letter', Graydon Carter confidently boasts that his 30 page 'Special
Report' redefines >'the power center of America... as  (it) has moved from its
role as military-industrial giant to a new supremacy as the world's
entertainment-information superpower'<.
 
There again, bottom left, is Hollywood super-agent Mike Ovitz, chairman of the
Creative Artists Agency (presumably he won't sign non-creative artists); in the
middle is his buddy David Geffen (interests listed as 'Aids, Israel and other
causes'); behind them is another close pal, Barry Diller, another Aids activist
and chairman of the home-shopping network QVC.
 
In a >Warner Bros. Fitness Center' T-shirt < is Gerald Levin, chairman of Time
Warner Inc.; in a denim shirt is Jeffrey Katzenberg. Banker Herbert A.
Allentheir host for this 'Sun Valley Conference of Corporate Leaders'  has on
his running shoes. Steven Spielberg, snapped by Annie Leibovitz a few pages on,
is gazing out to sea, his white sneakers and socks by his side.
 
Throughout their report, the magazine is repeatedly troubled by the question:
>'Is there anything that binds this group of men?'< According to Walter
Isaacson, Time Inc.'s media editor, the old White Anglo-Saxon Protestant
hegemony was linked through shared educational (i.e. 'class') bonds and beliefs:
'>What binds these guys is a sense of interlocking ventures and relationships.
The Old Establishment was a club. The New Establishment is a network.'<
 
Up to a point. Again, there is something very obvious (apart from white socks)
that does bind together most of the leading members of the so-called 'New
Establishment'  or the Titans of Tripe, as Auberon Waugh recently called them
only no magazine in America (especially a Conde Nast publication owned by Si
Newhouse) would point it out:  they are predominantly Jewish.
 
Whilst part of the blame for the fall of the eastern Establishment is placed on
its exclusive good old-boy network and elitist Wasp mentality which excluded
outsiders, a delicate question remains. Has the usurping of the white-shoe
Establishment by the white-sock meritocracy anything to do with a similarly
invidious and protective culture? Now that Jews govern the New Establishment
(their official mouthpiece is the New York Times), does any sort of reverse form
of class or racial discrimination operate against outsiders trying to get access
to the entertainment highway  Wasps, blacks, Brits (there is only one Brit, of
any level of executive significance in all the major studios, and he is Jewish)
and others not so favored?
 
It should first be said that there is nothing remotely surprising about all
this. As Neal Gabler clearly demonstrated in his acclaimed book, >An Empire of
Their Own, How the Jews Invented Hollywood,<  the early Jewish movie pioneers
such as Louis B. Mayer and Irving Thalberg (Fitzgerald's model for The Last
Tycoon) who founded the studios of today came to Hollywood because they felt
barred from power in the east.
 
Although fiercely competitive, the Hollywood Jews worked closely together to
build a close-knit empire that shamelessly imitated the social hierarchy of the
very East Coast society that they felt alienated and patronized them.
 
>'If the Jews were proscribed from entering the real corridors of gentility and
status in America, the movies offered an ingenious option,<' wrote Gabler.
>'Within the studios and on the screen, the Jews could simply create a new
countryone where they would not only be admitted, but would govern as well.<'
 
And govern they always have. That every major studio head is Jewish today is no
different from 60 years ago. >'Of 85 names engaged in production,'< a 1936
survey noted, >'53 are Jews. And the Jewish advantage holds in prestige as well
as numbers.<'  In a recent Premiere magazine 'Special Power Issue'ranking the
100 most powerful people in the 'Industry'the top 12 were Jewish. There were no
black or British industry executives ranked.
 
George Steiner once famously said that to be Jewish is to be a member of a club
from which you cannot resign. In Hollywood, the most obvious examples of the
Jewish Club are in the side-shows, the lawyers, talent agencies and management
and production offices.
 
Birgit Cunningham, a glamorous Benenden-educated, 28-year-old, blue-eyed blonde
 her father, who owns one of Hitler's pianos, is Germantold me that when she
worked as a personal assistant to Vic Sutton, the Jewish head of the fast-track
LA commercials talent agency, Sutton, Barth & Vennari, her boss would oftenif
signing a dealbluntly ask if they were Jewish.
 
>'I was surprised,<' she said. >'I mean, in England, you'd never hear someone
ask
"Are you Anglican?" On the other hand, he liked to boast that he had this hot
young Nazi working for him. When I told him my family flew in the Luftwaffe he
was ecstatic.<'
 
As small-time professional incest it is probably no worse than, say, public
schoolboys in the City (an analogy used by one senior Jewish executive to rebut
the charge of Jewish favoritism in Hollywood). The 'network' manifests itself in
the Jewish country clubssuch as the Hillcrest, the one Groucho Marx refused to
join  or tennis clubs (application forms always say 'state religion').
Hollywood Jews are not notably religious  although the town closes down on
Jewish holidays, business happily continues at pool-side barbecues, the deli at
the Brentwood Country Mart, endless bar mitzvahs and $500-a-plate Jewish causes
or political fund-raisers.
 
Feeling a bit left out of the loop, some non-Jews have been going to extreme
measures to get on. Bill Stadiem, a former Harvard-educated Wall Street lawyer
who is now a screenwriter in LA, told me that he recently came across an old
Wasp friend in an LA restaurant who had been president of the Porcellian at
Harvard the most exclusive undergraduate dining club. His frienda would-be
producerwas dressed in a black nylon track suit and had gold chains on his
wrist; dangling around his neck was a chunky Star of David. Stadiem asked, '>Why
the hell are you dressed like that?< ' The Wasp replied, >'I'm trying to look
Jewish.<
 
Just as in the Eighties people were known to fake being homosexual or bisexual
as a way of getting on in the entertainment business (it is estimated that
around 35 per cent of the film community are gay), it has long been a standing
joke in L.A that the way to get on is to convert to Judaism. Simon Kelton, an
Eton-and Oxford-educated screenwriter friend with whom I used to share a house,
and who was short listed last year for the Samuel Goldwyn film-writing award,
always stresses his Jewish 'ancestry' whenever he gets a chance in LA; something
few had ever heard about before.
 
The extent to which this adds up to any sort of Jewish cabal behind the building
of the 21st-Century Entertainment Superhighway is difficult to assess. Jews,
always compulsive story-tellers and talented negotiators, are extremely
compatible with the executive side of the movie business. They are good at it.
 
The crucial fact that Vanity Fair seems to have blindly swerved past in its
'challenge of redefining the power center of America' is that the whole point of
the 'Establishment', as Henry Fairlie noted when coining the phrase in The
Spectator back in 1955, is that its power is exercised socially. That  the
socially maladroit and culturally nihilist white-sock meritocracy is now
anointed the Power Elite by a 'smart' glossy magazine only serves to confirm how
the divide between social and professional lives in the United States has become
blurred to the point of irrelevance.
 
The important thing about New Establishment power in America is that it is
exercised corporately. What is wholly new about today's generation of moguls is
that they have made a radical social departure from their Jewish forebears. The
likes of Mayer, Cohen, Selznick and Thalberg headed west at a time when the
entertainment business was regarded as disreputable, and they went to extreme
lengths in their quest for social respectability.
 
Louis Mayer comically attempted to live like a 19th-century aristocrat, forcing
his daughter to have riding lessons every day. He himself joined the Griffith
Park Riding Academy  and even very nearly converted to Catholicism.
 
The movie Jews joined the Hollywood Polo and Riding Club in droves; they paid
their expensive dues at the West Hills Hunt Club with its own pack of Irish
foxhounds, whose (mostly Jewish) members still gallop every Saturday in season
around the hills around Los Angeles in sunglasses and full British hunting gear.
 
The idea of 'New Establishment' players like David Geffen (who refuses to wear a
suit), Mike Ovitz or Steven Spielberg dressing up in a tail-coat to go
fox-hunting is ludicrous.
Now that they are the Power Elite, they  view the creaky East Coast Wasp
institutions and such reserves as the LA Country Club (which still proudly
excludes Jews and showbiz types') as anachronistic jokes.
 
Whilst Louis Mayer would have been trying everything to get a photograph of
himself shaking hands with Prince Charles during his three-day visit (or escape)
to LA, today's breed of super-mogul couldn't care less.
 
The rise of the white-sock mediocracy, of course, is only another example of how
driven Jews have always dealt with exclusion. Barred from one form of
Establishment, they have ended up helping to create their own.
 
William Cash writes for the Daily Telegraph from Los Angeles.
 
THE SPECTATOR. Editorial and advertising: The Spectator, 56 Doughty Street,
London WC1N  2LL England. Fax 071-242 0603.
 
SUBSCRIPTION Dept: POBox 14, The Business Centre, Harold Hill, Romford, Essex,
RM3, 8EQ England. Six Months- U.K. 41. Europe airmail 46. USA airspeed $66.
Rest of world airspeed: 46.
 
_________________
LETTERS
 
THE SPECTATOR
 
5 November 1994
 
SIR:The total dominance of the American film industry by the Jewish
Establishment, past and present, is admirably related by William Cash (Kings of
the Deal, 29 October)...Cash illustrates the attempts by the pre-war studio
bosses to copy the mores of the old East Coast Establishment, and he notes that
this is no longer so.
 
In fact, one can detect a distinct hostility. The same industry which produced
the elegant high society comedies, featuring a Cary Grant or a David Niven, will
now systematically portray well-to-do gentiles as caricatures...This is not done
as ignorance. It is just reverse discrimination.
Claus von Bulow, 109 Onslow Square, London SW7
 
19 November 1994
 
SIR: William Cash worries about >inevitable shrieks of anti-Semitism< as a
consequence of his anti-Semitism. Not to worry. People as powerful as us have no
need to shriek. We will bide our time and silently see justice done. Maybe
before Passover. You run a filthy magazine.
Leon Wieseltier
Literary Editor, The New Republic, Washington, DC
 
SIR: William Cash's article about Jewish influence in Hollywood has caused a
great deal of offense and outrage. His suggestion that the founders of a new
studio venture are more likely to succeed if they are Jews is bizarre... The
reference to a 'rabbinical blessing'  from an individual who is a Jew but has no
pretensions to rabbinical status is crudely offensive...
 
Mr. Cash refers to a possible 'Jewish cabal' and asks pointedly whether this
cabal seeks to exclude or discriminate against non-Jews. This language
perpetrates the discredited old myth about a Jewish conspiracy and a Jewish
monopoly of power which is allegedly used to disadvantage and exclude non-Jews.
There is no credible evidence to support the evidence of a 'Jewish cabal'
operating to exclude non-Jews.
The deeply offensive reference to a 'Jewish cabal' is compounded by sneering
references to '>a socially maladroit and culturally nihilistic white sock
meritocracy<' or a '>white sock mediocracy<'.
 
Overall this is a deeply unpleasant and distasteful article...It should not have
found a place in a serious journal.
Neville Nagler
Chief Executive, The Board of Deputies of British Jews
London
 
 
SIR: The reaction to my article pointing out that Hollywood's feudal power
structure is predominantly Jewish ('Kings of the deal', 29 October) has been
wholly misconstrued. If I have injured any feelings, I apologize but certainly
no anti-Semitism was intended or felt.
 
The purpose of the article was to contrast and challenge Vanity Fair's criteria
of the New Establishment with the original definition of the Establishment by
The Spectator in 1955. Since Vanity Fair made so much play about the Protestant
religion of the old Wasp Establishment, it seemed legitimate to observe that the
majority of the 'New Boys' Network' shared a common Jewish background.
 
Unfortunately, Americans don't understand what is meant by the term
Establishment. According to The Spectator in 1955, it was by definition
exclusionary, and exercised its power socially. My 'point' was that 'the leaders
of the computer, entertainment and communication industries' were not a real
Establishmentas their power was exercised corporately. Far from constituting
any sort of 'cabal', I stated that Jewish influence in Hollywood was  to quote
Barry Isaacson's own words when I called him up'no worse than public schoolboys
in the City'.
 
The attacks on me in the American media have been led by Neal Gabler, author of
>An Empire of Their Own: How the Jews Invented Hollywood,.< What is so galling
is that all the historical data I present in my article about how Jews have
always worked together in the movie business, along with the very words that
have been objected to, came straight from his book, including the red-flag
phrase 'Jewish cabal', which he employsalmost with relishon page 263.
 
On the first page of his book he states how the industry was 'supervised' by
Jews, goes on to detail the workings of the 'Jewish network', specifies how the
studios 'preferred to deal with other Jews' (p.272) and admits precisely the
firebrand question raised by my articlenamely, does Hollywood exclude
outsiders?
 
Gabler asserts that the Hollywood Jews practiced 'reverse discrimination''
>>Those goyim!"< Harry Warner would yell in derision, or >"He's a nice fellow
for a goy" < a Jew might saybut only in their inner sanctums, when they were
safe among fellow Jews, and only verbally' <<(p.280). Gabler's book was
described as an '>enthralling book of social history<' by the New York Times.
 
The subtext of this is that a double standard seems to exist. While it is
acceptable for a Jewish writer, like Gabler, to use words like 'network' or
'reverse discrimination', when a Brit (the English are invariably cast as
villains in Hollywood today) uses similar phrases he is barbecued.
 
Again, whilst it is fine for the Wall Street Journal to refer to MCA chairman
Lew Wasserman as Hollywood's >'tribal chieftain',< a Brit cannot. Again, it is
acceptable for Time magazine to call Wasserman >Godfather of the Show'< but not
for The Spectator.
 
Instead of sucking up to Hollywood Michael Williams Jones (Letters, 12 j
November) should learn to read. I stated that >allokay, almost allthe major
studio and talent agency heads' were Jewish, not their owners. That Hollywood is
a Jewish-run town, despite only 4 per cent of the country being Jewish, is,
indeed, always joked about.
 
At a recent tribute evening at the American Museum of the Moving Image in New
York in honor of Frank Biondi Jr., the head of Viacom, Jeffrey Katzenberg, sent
a telegram which said: >'I wanted you to be part of our dream-team until we
decided to go all Jewish.<'  Larry Tisch, head of CBS, sent another: >'I was
going to come along tonight until Jeffrey Katzenberg told me you were not
Jewish.<'
 
The row about my article, in reality, has far less to do with perceived
anti-Semitism, than the glib tone of my piece which badly ruffled sensitive egos
in a town where journalistic criticism on a personal level is as taboo as having
badly capped teeth.
In Hollywood, where insecurity is endemic, with the livelihood of entertainment
journalists depending on access to the executive power suites, most write about
suzerains such as David Geffen, Mike Ovitz or Jeffrey Katzenberg with a caution
and timidity once reserved for birthday odes to Nero.
 
Moguls have become used to viewing themselves as above criticism and the media
as their servants. They are used to employing | bullying tactics to get the
press to oblige with their personal presentation. One dirty secret of Hollywood
is the remarkable transfer rate of Hollywood-based journalists  who behave
themselves, and play the gameto nicely overpaid jobs in the industry.
 
What Hollywood may have misunderstood is the colorfully subversive and
coruscating tradition of British journalism; what I may have under-estimated are
the sensibilities of certain Hollywood individuals to any whisper of criticism.
As Evelyn Waugh wrote after his visit of 1947: >'Artists and public men
elsewhere live under a fusillade of distraction and derision; they accept it as
a condition of their calling. Not so in Hollywood, where all is a continuous
psalm of self-praise.<'
William Cash
Woodrow Wilson Drive, Hollywood, California 90046
 
 
TABOO OR NOT TABOO, THAT IS THE QUESTION
 
THE SPECTATOR, Nov. 19, 1994
 
A recent article in The Spectator has caused consternation in America. Dominic
Lawson explains how two nations are becoming increasingly divided by a common
language.
 
OCCASIONALLY I receive plaintive letters from our small but loyal expatriate
readership in Saudi Arabia. Usually, they complain that their enjoyment of an
issue of The Spectator has been diminished by the actions of the Wahabbi
religious censors of Riyadh, who had taken their scissors to an article in the
magazine, and removed some offending passages before they could be read by the
intended recipients.
 
I am beginning to wonder how long it will be before The Spectator will receive
similarly subtle vetting at the hands of the arbiters of political correctness
in the United States of America.
 
...It is clear that the American public, as befits a great democratic nation,
knows when it is being fed what Damon Runyon called 'the old phonus balonus'.
Were such papers as the New York Times and the Washington Post not companies
with gerrymandered share structures there is little doubt that the ordinary
shareholders would be clamoring for some relief from the dead hand of liberal
self-censorship.
 
..The point is that if the mainstream media jointly and severally decide to
censor themselves, then the only people who question that orthodoxy will tend to
be those at the extremes. In many ways this is undesirable, and destabilizing
for American society. It would be far better if part of the mainstream media
were to take up the task of challenging the Washington Post/New York
Times/Boston Globe consensus. The debate would at least then be civilized, and
possibly even interesting.
 
But, in the meantime, another article written out of America for The Spectator
has caused consternation among the grand folk of the media in that country,
while
passing almost unnoticed here, where the overwhelming majority of our readership
live. The article ('Kings of the deal', 29 October) was written by William Cash
as a response to a 'Special Report' in the October issue of the American
magazine Vanity Fair called '>Redefining Power in America: The New
Establishment'.<
 
 The Vanity Fair piece took as its starting point the classic definition of
Establishment in The Spectator by the American journalist Henry Fairlie in 1955,
then purported to prove that the most powerful men in America were now centered
on the West Coast and particularly around Hollywood (this is Vanity Fair,
remember), and tried to find common factors among the men (and Barbra Streisand)
it termed '> The New Establishment'<.
 
Prominent among this new elite were Hollywood big-shots such as Michael Ovilz,
the town's top agent, Gerald Levin the president of Time Warner, David Geffen,
chairman of the eponymous company, Jeffrey Katzenberg, the former chairman of
Walt Disney Studios, and, of course, Barbra. Of course Barbra.
 
Vanity Fair, with a certain panache and preening, made the point (and made it,
and made it) that these people were anything but the old White Anglo-Saxon
Protestant (herein after known as Wasp) establishment. >'It's their world now.
Welcome to it,'< concluded Vanity Fair's sortable editor in chief, Graydon
Carter.
 
What struck William Cash, was that, while strenuously pointing out that the New
Establishment was not Wasp, Vanity Fair had at no point in a survey the size of
a small book mentioned that most of the members of the soi-disant >'New
Establishment'<, particularly in Hollywood, are Jewish.
 
In his article, Cash went on to point out that there was in fact nothing new in
this, that Hollywood had for well over 50 years been the scene of triumphs on
the part of the most talented Jewish businessmen. He concluded that the main
difference was that whereas the old moguls such as Warner and Mayer craved
acceptance by the old Wasp establishment, and mimicked the staid clubs and
horsey pastimes of the Anglophile East Coast elite, the new Hollywood moguls
were more secure in their own identity, and needed no such reassurances.
 
As I say, the article caused little comment in Britain when it was published.
However, Mr. Michael Williams-Jones, the chief executive of United International
Pictures in London, which distributes films abroad for MGM, Paramount and
Universal, took the trouble to send faxes of the article to his contacts in
Hollywood. Mr. Williams-Jones wrote in an accompanying note, >'The article is
odious in its innuendo and inaccurate in its facts.<'
 
At the other end the moguls got in touch with Mr. Bernard Weinraub, the highly
experienced Los Angeles correspondent of the New York Times. While none of them
wished to be quoted personally, Mr. Weinraub reported that they were
collectively of the view that the Cash article was '>disgusting' 'despicable',
'bigoted' and 'odious'<.
 
The most upsetting words which Mr. Weinraub was able to quote from Cash's
article were that he described Jews as >'fiercely competitive', 'compulsive
storytellers' and 'talented negotiators'<. Mr. Weinraub appended to these exact
extracts from Cash's article his own comment: >'Few in Hollywood could recall
such an anti-Semitic article in a mainstream publication.<'
 
Following Mr. Weinraub's article, the Anti-Defamation League swung into action
from its New York officeas a result of this one of our valued advertisers
canceled its contract with usand the Los Angeles Times ran a leader page
article to denounce young William Cash.
 
The New York Times article appeared on Monday 7 November, and was given the
honor of the front page in the paper's Arts section. It quoted me, absolutely
accurately, as saying to Mr. Weinraub that The Spectator seeks to be 'highly
polemical and highly controversial.There is a difference between what is deemed
acceptable in an American paper and what is deemed acceptable in a British
paper. American papers have a code of political correctness. It's simply
impossible to run views counter to that product.'
 
Mr. Weinraub added, > 'Mr. Lawson, who said he was Jewish, remarked that he did
not necessarily agree with the views of authors in his magazine. He said he was
">>well aware of the sensitivities of Jews<" but had had no second thoughts
about publishing the article.'<<
 
Mr. Weinraub had called me on Sunday evening (the 6th). He seemed a little
agitated. I suspect he was most offended by William Cash's remark that the New
York Times was the 'official mouthpiece' of the new Jewish establishment. I now
accept without reservation that this allegation is totally without foundation...
 
Mr. Weinraubs own article was very well writtenI would have been happy to have
published such a piece in The Spectator, although I didn't agree with it. But it
did not quite do justice to the spice of our telephone conversation, part of
which went as
follows:
 
Self (after being told, at length, how offended le tout  Hollywood was by Mr.
Cash's article): I am quite sensitive to the attitudes of Jews to this sort of
thing.
 
Weinraub: Why do you say that?
 
Self: Because I am Jewish.
 
Weinraub: What does that mean?
 
Self: It means I am a Jew.
 
Weinraub: Jews put Jews in gas ovens!
 
Self: What a very pleasant analogy.
 
...Now we are getting to the point, and it is one which lifts the current
Spectator controversy quite out of the range of mere matters of political
correctness. Anti-Semitism has an ancient and foul history, and Americans Jews,
many of whom can name relatives who were exterminated in the Holocaust, are
understandably highly sensitive to even the faintest whiff of anti-Jewish
prejudice. But it is simply wrong, and hysterical, to equate what we can at
worst call British snobbery with the genocidal impulses and actions of the Third
Reich.
 
..As a matter of fact, we have published a few articles which might be broadly
construed as anti-German, and it is true, as I pointed out to Mr. Weinraub, that
The Spectator from time to time publishes pieces which make polemical
generalization about national attitudes and characteristics. But generalizations
about national or ethnic characteristics are not merely gratuitous, still less
redundant. Understanding of the German character is a useful and valuable aid to
analyzing the history of modern Germany, for example.
 
The Hollywood executive, Mr. Barry Isaacson, who last week denounced William
Cash as '>a Monty Python caricature of an English upper-class twit<' clearly
understands the value of racial and social generalizations.
 
It would be an exaggeration to say that only Americans have found something
distasteful in pieces which make generalizations about national characteristics.
The editor of the Times Literary Supplement, Ferdinand Mount, in an article in
the Sunday Telegraph two years ago entitled 'This year alone, in Mr. [Conrad] Black's Spectator, I have
read articles of an astonishing sourness attacking the Italians, the French
(twice), the Swiss, the Greeks, the Poles, the Russians, the Germans (passim).<'
 
 
To be fair to Mr. Mount, his broader point was that The Spectators writers had
left British political institutions untouched by diatribes about national decay
and corruption. Clearly Mr. Mount is not in the habit of reading Paul Johnsons
weekly column.
 
However, earlier this year even the saintly Mr. Mount succumbed. He called me to
offer a brilliantly written polemic ('No pontification in this realm of
England', 29 January) about the domination of the English media by Catholic
triumphalists. He began what I steadfastly refuse to describe as an article of
astonishing sourness with the remark:
 
>'Is it possible that, after all, we shall come to think that Catholic
Emancipation has turned out to be a mistake?'< He went on to recall the good old
days when >'Catholics had shown that they were just as British as the rest of
us',< and complained that '>suddenly the most insensitive Protestant nostril
cannot help detecting an intrusive whiff of incense, the dullest Anglican air
cannot fail to catch a note of triumphalism'. Mr. Mount further remarked that
'>the paranoic literalism of the Catholic campaigners against Maastricht seemed
to have a fractionally deranged and, I can't help adding, alien quality to it'<.
 
>'If any of my remarks should happen to give offense to good Catholics<,' added
Mr. Mount generously, '>they might care to reflect that the Anglican Church and
clergy have had to put up with a thousand times worse from Catholic polemicists
.. it is the Pope's big guns who dominate the media.<' Now insert the word Jew,
where Mr. Mount uses the word Catholic, and you realize how innocuous by
comparison is William Cash's now notorious articleit scarcely deserves the word
'diatribe'.
 
And neither Mr. Cash nor even Mr. Mount was suggesting that Jews or Catholics
should suffer any discrimination, let alone suffer wholesale slaughter at the
hands of a Wasp Sturmabteilung manned by pure-bred Old Etonians such as
themselves.
 
The question is whether Jews should be as robustly unparanoic in their response
to Cash's article as Catholics have been to Mount's deliberately provocative
polemic. Perhaps the best example of a mature response to mild anti-Semitism was
expounded in The Spectator by Barbara Amiel, before, I should add, she was
married to our proprietor, Conrad Black.
 
In 'Jews your partners' (3 November 1990) Miss Amiel reported her embarrassment
when, at a ball she was seated next to a man who drew attention to the
Jewishness of a number of businessmen who had recently been convicted of
financial misdemeanors, such as Gerald Ronson, Ernest Saunders and Michael
Milken. Ms. Amiel's tedious interlocutor did not realize that she was Jewish.
Ms. Amiel later wrote:
 
>>Although the conversation depressed me, it didn't make me angry. I don't find
it illegitimate for one group to have an opinion about the characteristics of
another group. Group characteristics never turn out to be accurate when applied
to individuals but they may be statistically accurate in terms of the group as a
whole. Sometimes these views raise rather interesting and valid questions. Jews,
after all, have all sorts of strong views about Gentile society such as the way
they deal with their families (meanly), alcohol (copiously) and their emotions
(anal retentive).
 
Erroneous opinions on the Jews are no more illegitimate than any other erroneous
opinion. One crosses the line only  when you believe that the opinion you hold
of another group entitles you to injure or restrict them in some way, such as
denying them access to certain professions or passing laws to curtail their
civil liberties.<<
 
It is, in fact, possible to make a very nice living by making generalizations in
public about Jews. Such as: >'Jews don't go to the theatre to see a show. They
go to the theatre to hear their own opinions of the show. And the Jews won't buy
drinks. Only a Gentile would be willing to pay $2.75 for a Coca-Cola.'<  So:
Jews are over-opinionated and money-obsessed. These, almost verbatim, are gags
from a show called Jackie Mason: Brand New, which was an immense hit on
Broadway. Jackie Mason can get away with it . He is the son of a rabbi, his
three brothers are rabbis, and he was ordained as a rabbi.
 
One might argue that Jackie Mason is a beneficiary of the Rush Limbaugh effect:
that as the mainstream becomes ever more self censoring, rather crude and
unedifying people step into the spotlightand financial rewardsthat should be
enjoyed by the more thoughtful. But there is another point about these
politically incorrect humorists. They are offering essential truths, however
brashly. What makes people laugh at jokes is the honesty in them....
 
One might even claim that the likes of Rush Limbaugh and Mason have the role in
modern America that underground satirists had in Russia during the late Soviet
years. They were popular, and even loved, because they were the only people who
could publicly demonstrate the absurdity of the official media dogma  the bogus
brotherhood of man, promulgated in the USSR by Pravda and Izvestia, and in the
USA by the likes of the Washington Post and the New York Times.
 
I must confess, however, that I had not appreciated, when publishing William
Cash's article, just how far political correctness had traveled in the land
where freedom of speech is guaranteed by the constitution. I accept that William
Cash's use of the word 'cabal'when asking if any such thing existed in
Hollywoodwas unfortunate. But then he went on to say that, if it existed, it
was, as '>a form of professional incest, no worse than, say, public schoolboys
in the city of London'<.
 
For thisto be told that they are as bad as public schoolboysthe Anti
Defamation League and its billionaire backers among the Hollywood elite turn
their big guns on the 20-something Mr. Cash. One wonders what steps they would
take if they ever encountered genuine anti-Semitism, such as that which is
currently sweeping Russia.
 
..the journalist Leon Wieseltier... the literary editor of New Republic, is the
nearest thing the political correctness mob have to a cultural Gauleiter. In an
interview with New York magazine earlier this year Mr. Wieseltier referred
grandly to 'part of my job of policing the culture'. (See the policeman wield
his truncheon in this issue's letters pages.)
 
Charles Fleming of Newsweek, who wrote a report on this great outrage
perpetrated by William Cash, told me that what had most galled Hollywood were
Cash's remarks that the Jews are >'always compulsive story-tellers and talented
negotiators, are extremely compatible with the executive side of the movie
business<'.
 
When I showed Cash's entire article to my grandmother, to gain the opinion of a
Jew whose historical memory goes back far further than Barbara Amiel's or mine,
she merely commented. '>All facts: we are better at some things.<'
 
According to modern American political discourse therefore, my grandmother is an
anti-Semite. Am I allowed to say that I find that offensive?...
 
Dominic Lawson is the editor of The Spectator.
 
_______________
LETTERS
_______________
 
THE SPECTATOR 26 November 1994
 
SIR: The 29 October issue of The Spectator, was marred by the inclusion of an
article ('Kings of the deal') which advanced the basest of anti-Semitic
stereotypes. Far from being the thought-provoking discourse usually found in
your magazine, this appeal to the worst kind of 'group think' also crosses the
line into very dangerous territory.
 
Conspiracy theories, 'facts' with little or no basis in truth, code words like
'Jewish cabal', all the usual canards are rounded up in this 'investigation'
into the supposed dominance by a new elite. There is, however, nothing new here.
We have seen it all before, from the Inquisition in 13th-century Spain to the
Holocaust of 20th-century Germany.
 
We have seen the results of hateful scapegoating, of ascribing group traits, of
baseless charges of exclusionism. What we have not seen lately is this type of
racist creed aired in distinguished journals such as The Spectator.
 
When, to the editors of magazines like The Spectator, racist cant becomes
indistinguishable from thoughtful commentary, it should sound a loud warning
that we have not progressed so very far after all. The demons of religious and
racial hatred which have wreaked such havoc throughout the course of human
existence are with us still. When these demons show themselves, however
distinguished the venue, they must be condemned, publicly and immediately, lest
these ancient hatreds find fertile ground once again in our communities.
Kevin Costner
Actor/director/producer
 
Tom Cruise
Actor/producer
 
Bob Daly
Chairman, Warner Bros.
 
Kirk Douglas
Actor/director/producer
 
Charlton Heston
Actor/director
 
Jim Hilvert
Executive Director, NCCJ
 
Frank Mancuso
Chairman, MGM
 
Michael Ovitz
Chairman, CAA
 
Sidney Poitier
Actor/director/producer
 
Bruce M. Ramer
Attorney
 
Sidney J. Sheinberg
President, MCA
 
Steven Spielberg
Director/producer
 
Barbra Streisand
Actress/director/producer
 
Jack Valenti
Chairman, MPA
 
Lew Wasserman
Chairman, MCA
 
Motion Picture Association of America,
1600 Eye Street,
Washington DC, USA
*************************
Transmitted by
 
Michael A. Hoffman II  (hoffman2nd@delphi.com)
Scrivener/ditch-digger/troublemaker
 
>>Je ne crois pas aux hommes...tout est permis sauf de douter de l homme.<<
  L.F. Celine
 
[I do not believe in mankind...All is allowed except lack of faith in mankind.]

Article 54265 of alt.conspiracy:
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From: hoffman2nd@delphi.com
Newsgroups: alt.conspiracy
Subject: Kings of the (Hollywood) Deal
Date: Mon, 2 Jan 95 18:20:06 -0500
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Copyright 1994 The Spectator
 
KINGS OF THE DEAL
 
THE SPECTATOR 29 October 1994
 
 
William Cash investigates the increasing influence and success of Hollywood's
new Jewish Establishment
 
Los Angeles WHEN Mr. Mike Ovitz, or His Most Powerfulness (as he is also known
here), shows up at a press conference in LA and sits in the audience, you know
something big is going on: in this case the founding of a new
multi-billion-dollar Hollywood studio by Steven Spielberg, record mogul
billionaire David Geffen and their best friend', the recently dumped chief of
Disney Studios, Jeffrey Katzenberg.
 
Although the Hollywood survival rate for studio start-up schemes has been poor
Francis Coppola's American Zoetrope Studios is the most notable recent casualty
this ambitious venture has been widely hailed as having more chance of success
than any similar enterprise for 50 years.
 
Since Katzenberg is to run the company, this may seem odd: as head of Disney he
was personally responsible for a disturbing proportion of some of the dullest
and crassest films (Aspen Extreme, Love Trouble) of the last five years. He once
told a journalist (on the record), 'Our movies are shit. '
 
But in one respect at least this particular combination of talents, or 'talent
combo', in the local argot, will start out on the right foot. Like the old mogul
founders of the early studios  and unlike most otter failed build-your-own
studio merchants they are Jewish.
 
The significance of this fact cannot be simply met by the inevitable shrieks of
'anti-Semitism'. A rare glimpse of the feudal power structure of Hollywood at
work was given by the Wall Street Journal's front-page report of the new studio
launch. Before any contracts could be signed, a private 'blessing' was required
from 81-year-old Lew Wassermanthe long-time chairman of MCA (which owns
Universal) and the last surviving Jewish Founder-builder of a studio. To quote
the Journal, he is treated in Hollywood 'like a tribal chieftain'.
 
Spielberg, Geffen, Katzenberg and Spielberg's 30-year personal mentor, MCA
president Sidney Sheinberg, gathered at the house of the 'Godfather of the Show'
(as Time called Wasserman). After getting his >rabbinical 'blessing<, they spoke
in
'hushed, reverential tones about the industry potentate', about how he 'spun
stories
about the history of Hollywood and showed them artefacts'. Geffen and
Katzenbergwho have no formal connections with MCA or Wassemman
were reported as being 'nervous' before the meeting.
 
>'The whole thing could have gone sour,' < said Katzenberg. Turn now to pages
202-3 of last month's Vanity Fair and a curious 'group portrait' will grin back
at you. Sixteen middle-aged men are decked out in a mixture of nylon jogging
anoraks, fluffy white socks, digital watches and faded jeans. You'd probably
guess they were a bunch of Californian dentists.
 
They are, in fact, the magazine reliably informs us, the New Establishment,
>'the leaders of the computer, entertainment and communication industries, whose
collective power has eclipsed that of Wall Street and Washington'<. In his
'Editor's Letter', Graydon Carter confidently boasts that his 30 page 'Special
Report' redefines >'the power center of America... as  (it) has moved from its
role as military-industrial giant to a new supremacy as the world's
entertainment-information superpower'<.
 
There again, bottom left, is Hollywood super-agent Mike Ovitz, chairman of the
Creative Artists Agency (presumably he won't sign non-creative artists); in the
middle is his buddy David Geffen (interests listed as 'Aids, Israel and other
causes'); behind them is another close pal, Barry Diller, another Aids activist
and chairman of the home-shopping network QVC.
 
In a >Warner Bros. Fitness Center' T-shirt < is Gerald Levin, chairman of Time
Warner Inc.; in a denim shirt is Jeffrey Katzenberg. Banker Herbert A.
Allentheir host for this 'Sun Valley Conference of Corporate Leaders'  has on
his running shoes. Steven Spielberg, snapped by Annie Leibovitz a few pages on,
is gazing out to sea, his white sneakers and socks by his side.
 
Throughout their report, the magazine is repeatedly troubled by the question:
>'Is there anything that binds this group of men?'< According to Walter
Isaacson, Time Inc.'s media editor, the old White Anglo-Saxon Protestant
hegemony was linked through shared educational (i.e. 'class') bonds and beliefs:
'>What binds these guys is a sense of interlocking ventures and relationships.
The Old Establishment was a club. The New Establishment is a network.'<
 
Up to a point. Again, there is something very obvious (apart from white socks)
that does bind together most of the leading members of the so-called 'New
Establishment'  or the Titans of Tripe, as Auberon Waugh recently called them
only no magazine in America (especially a Conde Nast publication owned by Si
Newhouse) would point it out:  they are predominantly Jewish.
 
Whilst part of the blame for the fall of the eastern Establishment is placed on
its exclusive good old-boy network and elitist Wasp mentality which excluded
outsiders, a delicate question remains. Has the usurping of the white-shoe
Establishment by the white-sock meritocracy anything to do with a similarly
invidious and protective culture? Now that Jews govern the New Establishment
(their official mouthpiece is the New York Times), does any sort of reverse form
of class or racial discrimination operate against outsiders trying to get access
to the entertainment highway  Wasps, blacks, Brits (there is only one Brit, of
any level of executive significance in all the major studios, and he is Jewish)
and others not so favored?
 
It should first be said that there is nothing remotely surprising about all
this. As Neal Gabler clearly demonstrated in his acclaimed book, >An Empire of
Their Own, How the Jews Invented Hollywood,<  the early Jewish movie pioneers
such as Louis B. Mayer and Irving Thalberg (Fitzgerald's model for The Last
Tycoon) who founded the studios of today came to Hollywood because they felt
barred from power in the east.
 
Although fiercely competitive, the Hollywood Jews worked closely together to
build a close-knit empire that shamelessly imitated the social hierarchy of the
very East Coast society that they felt alienated and patronized them.
 
>'If the Jews were proscribed from entering the real corridors of gentility and
status in America, the movies offered an ingenious option,<' wrote Gabler.
>'Within the studios and on the screen, the Jews could simply create a new
countryone where they would not only be admitted, but would govern as well.<'
 
And govern they always have. That every major studio head is Jewish today is no
different from 60 years ago. >'Of 85 names engaged in production,'< a 1936
survey noted, >'53 are Jews. And the Jewish advantage holds in prestige as well
as numbers.<'  In a recent Premiere magazine 'Special Power Issue'ranking the
100 most powerful people in the 'Industry'the top 12 were Jewish. There were no
black or British industry executives ranked.
 
George Steiner once famously said that to be Jewish is to be a member of a club
from which you cannot resign. In Hollywood, the most obvious examples of the
Jewish Club are in the side-shows, the lawyers, talent agencies and management
and production offices.
 
Birgit Cunningham, a glamorous Benenden-educated, 28-year-old, blue-eyed blonde
 her father, who owns one of Hitler's pianos, is Germantold me that when she
worked as a personal assistant to Vic Sutton, the Jewish head of the fast-track
LA commercials talent agency, Sutton, Barth & Vennari, her boss would oftenif
signing a dealbluntly ask if they were Jewish.
 
>'I was surprised,<' she said. >'I mean, in England, you'd never hear someone
ask
"Are you Anglican?" On the other hand, he liked to boast that he had this hot
young Nazi working for him. When I told him my family flew in the Luftwaffe he
was ecstatic.<'
 
As small-time professional incest it is probably no worse than, say, public
schoolboys in the City (an analogy used by one senior Jewish executive to rebut
the charge of Jewish favoritism in Hollywood). The 'network' manifests itself in
the Jewish country clubssuch as the Hillcrest, the one Groucho Marx refused to
join  or tennis clubs (application forms always say 'state religion').
Hollywood Jews are not notably religious  although the town closes down on
Jewish holidays, business happily continues at pool-side barbecues, the deli at
the Brentwood Country Mart, endless bar mitzvahs and $500-a-plate Jewish causes
or political fund-raisers.
 
Feeling a bit left out of the loop, some non-Jews have been going to extreme
measures to get on. Bill Stadiem, a former Harvard-educated Wall Street lawyer
who is now a screenwriter in LA, told me that he recently came across an old
Wasp friend in an LA restaurant who had been president of the Porcellian at
Harvard the most exclusive undergraduate dining club. His frienda would-be
producerwas dressed in a black nylon track suit and had gold chains on his
wrist; dangling around his neck was a chunky Star of David. Stadiem asked, '>Why
the hell are you dressed like that?< ' The Wasp replied, >'I'm trying to look
Jewish.<
 
Just as in the Eighties people were known to fake being homosexual or bisexual
as a way of getting on in the entertainment business (it is estimated that
around 35 per cent of the film community are gay), it has long been a standing
joke in L.A that the way to get on is to convert to Judaism. Simon Kelton, an
Eton-and Oxford-educated screenwriter friend with whom I used to share a house,
and who was short listed last year for the Samuel Goldwyn film-writing award,
always stresses his Jewish 'ancestry' whenever he gets a chance in LA; something
few had ever heard about before.
 
The extent to which this adds up to any sort of Jewish cabal behind the building
of the 21st-Century Entertainment Superhighway is difficult to assess. Jews,
always compulsive story-tellers and talented negotiators, are extremely
compatible with the executive side of the movie business. They are good at it.
 
The crucial fact that Vanity Fair seems to have blindly swerved past in its
'challenge of redefining the power center of America' is that the whole point of
the 'Establishment', as Henry Fairlie noted when coining the phrase in The
Spectator back in 1955, is that its power is exercised socially. That  the
socially maladroit and culturally nihilist white-sock meritocracy is now
anointed the Power Elite by a 'smart' glossy magazine only serves to confirm how
the divide between social and professional lives in the United States has become
blurred to the point of irrelevance.
 
The important thing about New Establishment power in America is that it is
exercised corporately. What is wholly new about today's generation of moguls is
that they have made a radical social departure from their Jewish forebears. The
likes of Mayer, Cohen, Selznick and Thalberg headed west at a time when the
entertainment business was regarded as disreputable, and they went to extreme
lengths in their quest for social respectability.
 
Louis Mayer comically attempted to live like a 19th-century aristocrat, forcing
his daughter to have riding lessons every day. He himself joined the Griffith
Park Riding Academy  and even very nearly converted to Catholicism.
 
The movie Jews joined the Hollywood Polo and Riding Club in droves; they paid
their expensive dues at the West Hills Hunt Club with its own pack of Irish
foxhounds, whose (mostly Jewish) members still gallop every Saturday in season
around the hills around Los Angeles in sunglasses and full British hunting gear.
 
The idea of 'New Establishment' players like David Geffen (who refuses to wear a
suit), Mike Ovitz or Steven Spielberg dressing up in a tail-coat to go
fox-hunting is ludicrous.
Now that they are the Power Elite, they  view the creaky East Coast Wasp
institutions and such reserves as the LA Country Club (which still proudly
excludes Jews and showbiz types') as anachronistic jokes.
 
Whilst Louis Mayer would have been trying everything to get a photograph of
himself shaking hands with Prince Charles during his three-day visit (or escape)
to LA, today's breed of super-mogul couldn't care less.
 
The rise of the white-sock mediocracy, of course, is only another example of how
driven Jews have always dealt with exclusion. Barred from one form of
Establishment, they have ended up helping to create their own.
 
William Cash writes for the Daily Telegraph from Los Angeles.
 
THE SPECTATOR. Editorial and advertising: The Spectator, 56 Doughty Street,
London WC1N  2LL England. Fax 071-242 0603.
 
SUBSCRIPTION Dept: POBox 14, The Business Centre, Harold Hill, Romford, Essex,
RM3, 8EQ England. Six Months- U.K. 41. Europe airmail 46. USA airspeed $66.
Rest of world airspeed: 46.
 
_________________
LETTERS
 
THE SPECTATOR
 
5 November 1994
 
SIR:The total dominance of the American film industry by the Jewish
Establishment, past and present, is admirably related by William Cash (Kings of
the Deal, 29 October)...Cash illustrates the attempts by the pre-war studio
bosses to copy the mores of the old East Coast Establishment, and he notes that
this is no longer so.
 
In fact, one can detect a distinct hostility. The same industry which produced
the elegant high society comedies, featuring a Cary Grant or a David Niven, will
now systematically portray well-to-do gentiles as caricatures...This is not done
as ignorance. It is just reverse discrimination.
Claus von Bulow, 109 Onslow Square, London SW7
 
19 November 1994
 
SIR: William Cash worries about >inevitable shrieks of anti-Semitism< as a
consequence of his anti-Semitism. Not to worry. People as powerful as us have no
need to shriek. We will bide our time and silently see justice done. Maybe
before Passover. You run a filthy magazine.
Leon Wieseltier
Literary Editor, The New Republic, Washington, DC
 
SIR: William Cash's article about Jewish influence in Hollywood has caused a
great deal of offense and outrage. His suggestion that the founders of a new
studio venture are more likely to succeed if they are Jews is bizarre... The
reference to a 'rabbinical blessing'  from an individual who is a Jew but has no
pretensions to rabbinical status is crudely offensive...
 
Mr. Cash refers to a possible 'Jewish cabal' and asks pointedly whether this
cabal seeks to exclude or discriminate against non-Jews. This language
perpetrates the discredited old myth about a Jewish conspiracy and a Jewish
monopoly of power which is allegedly used to disadvantage and exclude non-Jews.
There is no credible evidence to support the evidence of a 'Jewish cabal'
operating to exclude non-Jews.
The deeply offensive reference to a 'Jewish cabal' is compounded by sneering
references to '>a socially maladroit and culturally nihilistic white sock
meritocracy<' or a '>white sock mediocracy<'.
 
Overall this is a deeply unpleasant and distasteful article...It should not have
found a place in a serious journal.
Neville Nagler
Chief Executive, The Board of Deputies of British Jews
London
 
 
SIR: The reaction to my article pointing out that Hollywood's feudal power
structure is predominantly Jewish ('Kings of the deal', 29 October) has been
wholly misconstrued. If I have injured any feelings, I apologize but certainly
no anti-Semitism was intended or felt.
 
The purpose of the article was to contrast and challenge Vanity Fair's criteria
of the New Establishment with the original definition of the Establishment by
The Spectator in 1955. Since Vanity Fair made so much play about the Protestant
religion of the old Wasp Establishment, it seemed legitimate to observe that the
majority of the 'New Boys' Network' shared a common Jewish background.
 
Unfortunately, Americans don't understand what is meant by the term
Establishment. According to The Spectator in 1955, it was by definition
exclusionary, and exercised its power socially. My 'point' was that 'the leaders
of the computer, entertainment and communication industries' were not a real
Establishmentas their power was exercised corporately. Far from constituting
any sort of 'cabal', I stated that Jewish influence in Hollywood was  to quote
Barry Isaacson's own words when I called him up'no worse than public schoolboys
in the City'.
 
The attacks on me in the American media have been led by Neal Gabler, author of
>An Empire of Their Own: How the Jews Invented Hollywood,.< What is so galling
is that all the historical data I present in my article about how Jews have
always worked together in the movie business, along with the very words that
have been objected to, came straight from his book, including the red-flag
phrase 'Jewish cabal', which he employsalmost with relishon page 263.
 
On the first page of his book he states how the industry was 'supervised' by
Jews, goes on to detail the workings of the 'Jewish network', specifies how the
studios 'preferred to deal with other Jews' (p.272) and admits precisely the
firebrand question raised by my articlenamely, does Hollywood exclude
outsiders?
 
Gabler asserts that the Hollywood Jews practiced 'reverse discrimination''
>>Those goyim!"< Harry Warner would yell in derision, or >"He's a nice fellow
for a goy" < a Jew might saybut only in their inner sanctums, when they were
safe among fellow Jews, and only verbally' <<(p.280). Gabler's book was
described as an '>enthralling book of social history<' by the New York Times.
 
The subtext of this is that a double standard seems to exist. While it is
acceptable for a Jewish writer, like Gabler, to use words like 'network' or
'reverse discrimination', when a Brit (the English are invariably cast as
villains in Hollywood today) uses similar phrases he is barbecued.
 
Again, whilst it is fine for the Wall Street Journal to refer to MCA chairman
Lew Wasserman as Hollywood's >'tribal chieftain',< a Brit cannot. Again, it is
acceptable for Time magazine to call Wasserman >Godfather of the Show'< but not
for The Spectator.
 
Instead of sucking up to Hollywood Michael Williams Jones (Letters, 12 j
November) should learn to read. I stated that >allokay, almost allthe major
studio and talent agency heads' were Jewish, not their owners. That Hollywood is
a Jewish-run town, despite only 4 per cent of the country being Jewish, is,
indeed, always joked about.
 
At a recent tribute evening at the American Museum of the Moving Image in New
York in honor of Frank Biondi Jr., the head of Viacom, Jeffrey Katzenberg, sent
a telegram which said: >'I wanted you to be part of our dream-team until we
decided to go all Jewish.<'  Larry Tisch, head of CBS, sent another: >'I was
going to come along tonight until Jeffrey Katzenberg told me you were not
Jewish.<'
 
The row about my article, in reality, has far less to do with perceived
anti-Semitism, than the glib tone of my piece which badly ruffled sensitive egos
in a town where journalistic criticism on a personal level is as taboo as having
badly capped teeth.
In Hollywood, where insecurity is endemic, with the livelihood of entertainment
journalists depending on access to the executive power suites, most write about
suzerains such as David Geffen, Mike Ovitz or Jeffrey Katzenberg with a caution
and timidity once reserved for birthday odes to Nero.
 
Moguls have become used to viewing themselves as above criticism and the media
as their servants. They are used to employing | bullying tactics to get the
press to oblige with their personal presentation. One dirty secret of Hollywood
is the remarkable transfer rate of Hollywood-based journalists  who behave
themselves, and play the gameto nicely overpaid jobs in the industry.
 
What Hollywood may have misunderstood is the colorfully subversive and
coruscating tradition of British journalism; what I may have under-estimated are
the sensibilities of certain Hollywood individuals to any whisper of criticism.
As Evelyn Waugh wrote after his visit of 1947: >'Artists and public men
elsewhere live under a fusillade of distraction and derision; they accept it as
a condition of their calling. Not so in Hollywood, where all is a continuous
psalm of self-praise.<'
William Cash
Woodrow Wilson Drive, Hollywood, California 90046
 
 
TABOO OR NOT TABOO, THAT IS THE QUESTION
 
THE SPECTATOR, Nov. 19, 1994
 
A recent article in The Spectator has caused consternation in America. Dominic
Lawson explains how two nations are becoming increasingly divided by a common
language.
 
OCCASIONALLY I receive plaintive letters from our small but loyal expatriate
readership in Saudi Arabia. Usually, they complain that their enjoyment of an
issue of The Spectator has been diminished by the actions of the Wahabbi
religious censors of Riyadh, who had taken their scissors to an article in the
magazine, and removed some offending passages before they could be read by the
intended recipients.
 
I am beginning to wonder how long it will be before The Spectator will receive
similarly subtle vetting at the hands of the arbiters of political correctness
in the United States of America.
 
...It is clear that the American public, as befits a great democratic nation,
knows when it is being fed what Damon Runyon called 'the old phonus balonus'.
Were such papers as the New York Times and the Washington Post not companies
with gerrymandered share structures there is little doubt that the ordinary
shareholders would be clamoring for some relief from the dead hand of liberal
self-censorship.
 
..The point is that if the mainstream media jointly and severally decide to
censor themselves, then the only people who question that orthodoxy will tend to
be those at the extremes. In many ways this is undesirable, and destabilizing
for American society. It would be far better if part of the mainstream media
were to take up the task of challenging the Washington Post/New York
Times/Boston Globe consensus. The debate would at least then be civilized, and
possibly even interesting.
 
But, in the meantime, another article written out of America for The Spectator
has caused consternation among the grand folk of the media in that country,
while
passing almost unnoticed here, where the overwhelming majority of our readership
live. The article ('Kings of the deal', 29 October) was written by William Cash
as a response to a 'Special Report' in the October issue of the American
magazine Vanity Fair called '>Redefining Power in America: The New
Establishment'.<
 
 The Vanity Fair piece took as its starting point the classic definition of
Establishment in The Spectator by the American journalist Henry Fairlie in 1955,
then purported to prove that the most powerful men in America were now centered
on the West Coast and particularly around Hollywood (this is Vanity Fair,
remember), and tried to find common factors among the men (and Barbra Streisand)
it termed '> The New Establishment'<.
 
Prominent among this new elite were Hollywood big-shots such as Michael Ovilz,
the town's top agent, Gerald Levin the president of Time Warner, David Geffen,
chairman of the eponymous company, Jeffrey Katzenberg, the former chairman of
Walt Disney Studios, and, of course, Barbra. Of course Barbra.
 
Vanity Fair, with a certain panache and preening, made the point (and made it,
and made it) that these people were anything but the old White Anglo-Saxon
Protestant (herein after known as Wasp) establishment. >'It's their world now.
Welcome to it,'< concluded Vanity Fair's sortable editor in chief, Graydon
Carter.
 
What struck William Cash, was that, while strenuously pointing out that the New
Establishment was not Wasp, Vanity Fair had at no point in a survey the size of
a small book mentioned that most of the members of the soi-disant >'New
Establishment'<, particularly in Hollywood, are Jewish.
 
In his article, Cash went on to point out that there was in fact nothing new in
this, that Hollywood had for well over 50 years been the scene of triumphs on
the part of the most talented Jewish businessmen. He concluded that the main
difference was that whereas the old moguls such as Warner and Mayer craved
acceptance by the old Wasp establishment, and mimicked the staid clubs and
horsey pastimes of the Anglophile East Coast elite, the new Hollywood moguls
were more secure in their own identity, and needed no such reassurances.
 
As I say, the article caused little comment in Britain when it was published.
However, Mr. Michael Williams-Jones, the chief executive of United International
Pictures in London, which distributes films abroad for MGM, Paramount and
Universal, took the trouble to send faxes of the article to his contacts in
Hollywood. Mr. Williams-Jones wrote in an accompanying note, >'The article is
odious in its innuendo and inaccurate in its facts.<'
 
At the other end the moguls got in touch with Mr. Bernard Weinraub, the highly
experienced Los Angeles correspondent of the New York Times. While none of them
wished to be quoted personally, Mr. Weinraub reported that they were
collectively of the view that the Cash article was '>disgusting' 'despicable',
'bigoted' and 'odious'<.
 
The most upsetting words which Mr. Weinraub was able to quote from Cash's
article were that he described Jews as >'fiercely competitive', 'compulsive
storytellers' and 'talented negotiators'<. Mr. Weinraub appended to these exact
extracts from Cash's article his own comment: >'Few in Hollywood could recall
such an anti-Semitic article in a mainstream publication.<'
 
Following Mr. Weinraub's article, the Anti-Defamation League swung into action
from its New York officeas a result of this one of our valued advertisers
canceled its contract with usand the Los Angeles Times ran a leader page
article to denounce young William Cash.
 
The New York Times article appeared on Monday 7 November, and was given the
honor of the front page in the paper's Arts section. It quoted me, absolutely
accurately, as saying to Mr. Weinraub that The Spectator seeks to be 'highly
polemical and highly controversial.There is a difference between what is deemed
acceptable in an American paper and what is deemed acceptable in a British
paper. American papers have a code of political correctness. It's simply
impossible to run views counter to that product.'
 
Mr. Weinraub added, > 'Mr. Lawson, who said he was Jewish, remarked that he did
not necessarily agree with the views of authors in his magazine. He said he was
">>well aware of the sensitivities of Jews<" but had had no second thoughts
about publishing the article.'<<
 
Mr. Weinraub had called me on Sunday evening (the 6th). He seemed a little
agitated. I suspect he was most offended by William Cash's remark that the New
York Times was the 'official mouthpiece' of the new Jewish establishment. I now
accept without reservation that this allegation is totally without foundation...
 
Mr. Weinraubs own article was very well writtenI would have been happy to have
published such a piece in The Spectator, although I didn't agree with it. But it
did not quite do justice to the spice of our telephone conversation, part of
which went as
follows:
 
Self (after being told, at length, how offended le tout  Hollywood was by Mr.
Cash's article): I am quite sensitive to the attitudes of Jews to this sort of
thing.
 
Weinraub: Why do you say that?
 
Self: Because I am Jewish.
 
Weinraub: What does that mean?
 
Self: It means I am a Jew.
 
Weinraub: Jews put Jews in gas ovens!
 
Self: What a very pleasant analogy.
 
...Now we are getting to the point, and it is one which lifts the current
Spectator controversy quite out of the range of mere matters of political
correctness. Anti-Semitism has an ancient and foul history, and Americans Jews,
many of whom can name relatives who were exterminated in the Holocaust, are
understandably highly sensitive to even the faintest whiff of anti-Jewish
prejudice. But it is simply wrong, and hysterical, to equate what we can at
worst call British snobbery with the genocidal impulses and actions of the Third
Reich.
 
..As a matter of fact, we have published a few articles which might be broadly
construed as anti-German, and it is true, as I pointed out to Mr. Weinraub, that
The Spectator from time to time publishes pieces which make polemical
generalization about national attitudes and characteristics. But generalizations
about national or ethnic characteristics are not merely gratuitous, still less
redundant. Understanding of the German character is a useful and valuable aid to
analyzing the history of modern Germany, for example.
 
The Hollywood executive, Mr. Barry Isaacson, who last week denounced William
Cash as '>a Monty Python caricature of an English upper-class twit<' clearly
understands the value of racial and social generalizations.
 
It would be an exaggeration to say that only Americans have found something
distasteful in pieces which make generalizations about national characteristics.
The editor of the Times Literary Supplement, Ferdinand Mount, in an article in
the Sunday Telegraph two years ago entitled 'This year alone, in Mr. [Conrad] Black's Spectator, I have
read articles of an astonishing sourness attacking the Italians, the French
(twice), the Swiss, the Greeks, the Poles, the Russians, the Germans (passim).<'
 
 
To be fair to Mr. Mount, his broader point was that The Spectators writers had
left British political institutions untouched by diatribes about national decay
and corruption. Clearly Mr. Mount is not in the habit of reading Paul Johnsons
weekly column.
 
However, earlier this year even the saintly Mr. Mount succumbed. He called me to
offer a brilliantly written polemic ('No pontification in this realm of
England', 29 January) about the domination of the English media by Catholic
triumphalists. He began what I steadfastly refuse to describe as an article of
astonishing sourness with the remark:
 
>'Is it possible that, after all, we shall come to think that Catholic
Emancipation has turned out to be a mistake?'< He went on to recall the good old
days when >'Catholics had shown that they were just as British as the rest of
us',< and complained that '>suddenly the most insensitive Protestant nostril
cannot help detecting an intrusive whiff of incense, the dullest Anglican air
cannot fail to catch a note of triumphalism'. Mr. Mount further remarked that
'>the paranoic literalism of the Catholic campaigners against Maastricht seemed
to have a fractionally deranged and, I can't help adding, alien quality to it'<.
 
>'If any of my remarks should happen to give offense to good Catholics<,' added
Mr. Mount generously, '>they might care to reflect that the Anglican Church and
clergy have had to put up with a thousand times worse from Catholic polemicists
.. it is the Pope's big guns who dominate the media.<' Now insert the word Jew,
where Mr. Mount uses the word Catholic, and you realize how innocuous by
comparison is William Cash's now notorious articleit scarcely deserves the word
'diatribe'.
 
And neither Mr. Cash nor even Mr. Mount was suggesting that Jews or Catholics
should suffer any discrimination, let alone suffer wholesale slaughter at the
hands of a Wasp Sturmabteilung manned by pure-bred Old Etonians such as
themselves.
 
The question is whether Jews should be as robustly unparanoic in their response
to Cash's article as Catholics have been to Mount's deliberately provocative
polemic. Perhaps the best example of a mature response to mild anti-Semitism was
expounded in The Spectator by Barbara Amiel, before, I should add, she was
married to our proprietor, Conrad Black.
 
In 'Jews your partners' (3 November 1990) Miss Amiel reported her embarrassment
when, at a ball she was seated next to a man who drew attention to the
Jewishness of a number of businessmen who had recently been convicted of
financial misdemeanors, such as Gerald Ronson, Ernest Saunders and Michael
Milken. Ms. Amiel's tedious interlocutor did not realize that she was Jewish.
Ms. Amiel later wrote:
 
>>Although the conversation depressed me, it didn't make me angry. I don't find
it illegitimate for one group to have an opinion about the characteristics of
another group. Group characteristics never turn out to be accurate when applied
to individuals but they may be statistically accurate in terms of the group as a
whole. Sometimes these views raise rather interesting and valid questions. Jews,
after all, have all sorts of strong views about Gentile society such as the way
they deal with their families (meanly), alcohol (copiously) and their emotions
(anal retentive).
 
Erroneous opinions on the Jews are no more illegitimate than any other erroneous
opinion. One crosses the line only  when you believe that the opinion you hold
of another group entitles you to injure or restrict them in some way, such as
denying them access to certain professions or passing laws to curtail their
civil liberties.<<
 
It is, in fact, possible to make a very nice living by making generalizations in
public about Jews. Such as: >'Jews don't go to the theatre to see a show. They
go to the theatre to hear their own opinions of the show. And the Jews won't buy
drinks. Only a Gentile would be willing to pay $2.75 for a Coca-Cola.'<  So:
Jews are over-opinionated and money-obsessed. These, almost verbatim, are gags
from a show called Jackie Mason: Brand New, which was an immense hit on
Broadway. Jackie Mason can get away with it . He is the son of a rabbi, his
three brothers are rabbis, and he was ordained as a rabbi.
 
One might argue that Jackie Mason is a beneficiary of the Rush Limbaugh effect:
that as the mainstream becomes ever more self censoring, rather crude and
unedifying people step into the spotlightand financial rewardsthat should be
enjoyed by the more thoughtful. But there is another point about these
politically incorrect humorists. They are offering essential truths, however
brashly. What makes people laugh at jokes is the honesty in them....
 
One might even claim that the likes of Rush Limbaugh and Mason have the role in
modern America that underground satirists had in Russia during the late Soviet
years. They were popular, and even loved, because they were the only people who
could publicly demonstrate the absurdity of the official media dogma  the bogus
brotherhood of man, promulgated in the USSR by Pravda and Izvestia, and in the
USA by the likes of the Washington Post and the New York Times.
 
I must confess, however, that I had not appreciated, when publishing William
Cash's article, just how far political correctness had traveled in the land
where freedom of speech is guaranteed by the constitution. I accept that William
Cash's use of the word 'cabal'when asking if any such thing existed in
Hollywoodwas unfortunate. But then he went on to say that, if it existed, it
was, as '>a form of professional incest, no worse than, say, public schoolboys
in the city of London'<.
 
For thisto be told that they are as bad as public schoolboysthe Anti
Defamation League and its billionaire backers among the Hollywood elite turn
their big guns on the 20-something Mr. Cash. One wonders what steps they would
take if they ever encountered genuine anti-Semitism, such as that which is
currently sweeping Russia.
 
..the journalist Leon Wieseltier... the literary editor of New Republic, is the
nearest thing the political correctness mob have to a cultural Gauleiter. In an
interview with New York magazine earlier this year Mr. Wieseltier referred
grandly to 'part of my job of policing the culture'. (See the policeman wield
his truncheon in this issue's letters pages.)
 
Charles Fleming of Newsweek, who wrote a report on this great outrage
perpetrated by William Cash, told me that what had most galled Hollywood were
Cash's remarks that the Jews are >'always compulsive story-tellers and talented
negotiators, are extremely compatible with the executive side of the movie
business<'.
 
When I showed Cash's entire article to my grandmother, to gain the opinion of a
Jew whose historical memory goes back far further than Barbara Amiel's or mine,
she merely commented. '>All facts: we are better at some things.<'
 
According to modern American political discourse therefore, my grandmother is an
anti-Semite. Am I allowed to say that I find that offensive?...
 
Dominic Lawson is the editor of The Spectator.
 
_______________
LETTERS
_______________
 
THE SPECTATOR 26 November 1994
 
SIR: The 29 October issue of The Spectator, was marred by the inclusion of an
article ('Kings of the deal') which advanced the basest of anti-Semitic
stereotypes. Far from being the thought-provoking discourse usually found in
your magazine, this appeal to the worst kind of 'group think' also crosses the
line into very dangerous territory.
 
Conspiracy theories, 'facts' with little or no basis in truth, code words like
'Jewish cabal', all the usual canards are rounded up in this 'investigation'
into the supposed dominance by a new elite. There is, however, nothing new here.
We have seen it all before, from the Inquisition in 13th-century Spain to the
Holocaust of 20th-century Germany.
 
We have seen the results of hateful scapegoating, of ascribing group traits, of
baseless charges of exclusionism. What we have not seen lately is this type of
racist creed aired in distinguished journals such as The Spectator.
 
When, to the editors of magazines like The Spectator, racist cant becomes
indistinguishable from thoughtful commentary, it should sound a loud warning
that we have not progressed so very far after all. The demons of religious and
racial hatred which have wreaked such havoc throughout the course of human
existence are with us still. When these demons show themselves, however
distinguished the venue, they must be condemned, publicly and immediately, lest
these ancient hatreds find fertile ground once again in our communities.
Kevin Costner
Actor/director/producer
 
Tom Cruise
Actor/producer
 
Bob Daly
Chairman, Warner Bros.
 
Kirk Douglas
Actor/director/producer
 
Charlton Heston
Actor/director
 
Jim Hilvert
Executive Director, NCCJ
 
Frank Mancuso
Chairman, MGM
 
Michael Ovitz
Chairman, CAA
 
Sidney Poitier
Actor/director/producer
 
Bruce M. Ramer
Attorney
 
Sidney J. Sheinberg
President, MCA
 
Steven Spielberg
Director/producer
 
Barbra Streisand
Actress/director/producer
 
Jack Valenti
Chairman, MPA
 
Lew Wasserman
Chairman, MCA
 
Motion Picture Association of America,
1600 Eye Street,
Washington DC, USA
*************************
Transmitted by
 
Michael A. Hoffman II  (hoffman2nd@delphi.com)
Scrivener/ditch-digger/troublemaker
 
>>Je ne crois pas aux hommes...tout est permis sauf de douter de l homme.<<
  L.F. Celine
 
[I do not believe in mankind...All is allowed except lack of faith in mankind.]
 
 
 

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